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Canon SX210 IS Camera (28-392mm Lens) 14X Zoom

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Made in Japan camera, Canon hand strap, Canon battery, Canon charger, AC cord.
S/n: last photo.
Fully tested in excellent working condition. 100% workable.
Cosmetically, it may have traces and scratches on body that don't affect quality of photos.
EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick
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Sigma 20mm f1.4 DG HSM Art for Sony cameras wide-angle prime lens

Sigma 20mm f1.4 DG HSM Art for Sony cameras wide-angle prime lens

  • 22 Mar 2024 : 14:10 pm

https://www.youtube.com/watch?v=a9QrRG3EsLs The world's first f/1.4 20mm lens for full frame An Art level 20mm F1.4. The ultimate lens for astrophotography. Made in Japan. Lens with two caps, built-in hood. Look at photos. Fully tested in very good working condition. Compatibility: Sony E-mount Full Frame cameras Sony E-mount APS-C cameras 35mm Film cameras Product Description The Sigma 20mm 1.4 DG HSM Art is a state of the art wide-angle prime lens designed for full frame cameras but will work with APS-C sensors as well. Using over 50 years of lens making experience, particularly the knowledge gained from the 35mm 1.4 art and the 24mm 1.4 art, The 20mm 1.4 art is the widest large aperture art Lens to date. The latest optical design allows for the utmost in image quality with careful attention paid to edge to edge performance. Through decades of experience in lens design and Sigma global Vision lens manufacturing, the 20mm incorporates both “f” low dispersion (FLD) glass, and five special low dispersion (sold) glass in a design of 15 elements in 11 groups. The combination of advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, producing outstanding image quality. With class leading performance, This lens is ideal for landscape photography, videography, astrophotography, lowlight/indoor photography and event photography. As with all global Vision lines, the 20mm will be tested using the proprietary “a1” measuring system ensuring the highest standard of operation. The Sigma 20mm art is compatible with the USB dock to update and customize and is also compatible with the mount conversion service. A staple procedure for the global Vision lines, every lens will be tested using the proprietary “a1” measuring system. From the manufacturer Top-level performance for the ultra-high-megapixel era At the dawn of the film camera, there was very little high-sensitivity film, and bright lenses that worked well in low-light conditions came to be known as “high-speed lenses.” These lenses are ideal for shooting indoors, in the evening, under cloudy skies, or in any low-light situation. Since the SIGMA 20mm F1.4 DG HSM | Art provides the benefits of an ultra-wide angle lens with minimal distortion, it is ideal for photographing landscapes, starry skies, and architecture. In addition to capturing wide-angle shots with the whole scene in focus, the photographer can leverage wide-open aperture to take snapshots with the subject in focus and the background blurred with an attractive bokeh effect. Designed for ultra-high-megapixel digital cameras, this high-performance lens delivers outstanding resolution and high-clarity image quality even at wide-open aperture. Smooth bokeh and minimised flare. The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image. From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance. Hyper Sonic Motor ensures high AF speed The Hyper Sonic Motor (HSM) ensures silent, high-speed autofocusing, while the optimized AF algorithm helps realize even smoother AF performance. At any time during AF, users may access MF simply by rotating the focus ring. This feature makes faster focus adjustment possible, since there is no need to use the AF/MF focus mode switch. Also, the optional SIGMA USB DOCK allows the user to set the lens to conventional full-time manual focus override. Note: The operation of full-time MF may vary based on mount type. High-precision, rugged brass bayonet mount This lens incorporates a brass made bayonet mount which has both high accuracy and durability. A special treatment to reinforce its strength is applied to the surface giving it greater strength and making it highly resistant to long-term use. Made in Japan All Sigma products, lenses, cameras and flash units are manufactured exclusively by Sigma in Sigma’s own factory in Aizu, Japan. No Sigma Corporation product – lens, camera or flash – is manufactured outside of Japan. This is very unusual these days, as most companies have at least some of their products produced outside of Japan because of cost considerations. There's a reason why SIGMA continues to insist on the very highest quality in its product manufacturing: our love of photography is second to none. We deeply appreciate the photographer's desire to record and express—the passion of the photographer. Compatible with full-frame Sony E-mount cameras The version of this lens compatible with Sony E-mount mirrorless cameras contains the same optical system as for SLRs. SIGMA MOUNT CONVERTER MC-11 is not required, as the lens performs the same functions as the converter, including in-camera image stabilization and in-camera lens aberration correction. In addition, the lens is compatible with Sony’s Continuous AF, which is not addressed by MOUNT CONVERTER MC-11. SIGMA plans to offer over time Sony E-mount versions of every full-frame prime lens currently available in the Art line, from 14mm to 135mm. Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Advanced technologies make a 20mm F1.4 lens possible To offer an ultra-wide-angle 20mm focal length and F1.4 brightness at wide-open aperture, this lens incorporates a large double aspherical lens 59mm in diameter. Lenses of this type had been considered extremely difficult to manufacture, but SIGMA took on the challenge to realize an F1.4 ultra-wide-angle lens that fulfills the strict performance requirements of the SIGMA Art line. What made this breakthrough possible were SIGMA’s advanced manufacturing technologies, which the company has developed over time. Moreover, SIGMA’s advanced optical design minimizes distortion, transverse chromatic aberration, sagittal coma flare, and the reduction of brightness toward the edges of the image. Delivering top performance even at wide-open aperture, this lens can be considered the culmination of SIGMA’s Art line. * Left side: The aspherical glass element used in the SIGMA 18-35mm F1.8 DC HSM | Art、Right side: The aspherical glass element used in the SIGMA 20mm F1.4 DG HSM | Art. Supplied Accessories COVER LENS CAP LC907-01 REAR CAP LCR II By connecting a SIGMA Art, Contemporary, or Sports lens to a computer with the SIGMA USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters. Exclusive SIGMA Optimization

Voigtlander Ultron 21mm F1.8 For Leica M Mount Cameras

Voigtlander Ultron 21mm F1.8 For Leica M Mount Cameras

  • 09 Feb 2024 : 16:39 pm

https://www.youtube.com/watch?v=l1tcMjzMHaQ Easily Adaptable to Sony, Canon, Panasonic, Fujifilm, Olympus cameras Full Frame, APS-C and M4/3 with proper adapter รูรับแสงกว้าง โบเก้สวย M-mount ที่แปลงใส่ได้ทั้งกล้อง Sony, Canon, Panasonic, Fujifilm, Olympus ใช้งานได้ทั้งเซ็นเซอร์ Full Frame, APS-C และ M4/3 ให้ภาพคมสีสวย Made in Japan. Used lens with two original caps, Built-in lens hood, Box. Look at photos. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/03/21mm_F1_8_Ultron__VM_Manual_D_E.pdf Fully tested in very good working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick รีวิว Voigtlander 21mm f1.4 VM เลนส์มุมกว้างหลังละลาย: https://www.youtube.com/watch?v=7qrKd_Xj3ew https://www.voigtlaender.de/lenses/vm/21-mm-11-8-ultron-aspherical/?lang=en Exceptionally bright wide-angle lens whose combination of large viewing angle and large opening opens up a multitude of creative design possibilities. When the aperture is open, the 10 diaphragm blades produce a fine bokeh, which is not self-evident in the wide-angle range. The Ultron covers a diagonal angle of view of 91 degrees and offers a 50 cm minimum focusing distance. The 1.8 / 21 mm is 78.4 millimeters long, weighs 412 grams and has a maximum diameter of 69 mm. The sun visor is permanently installed. Voigtlander Ultron 21mm f/1.8 Overview Pairing an ultra-wide focal length with a bright maximum aperture, the Ultron 21mm f/1.8 from Voigtlander is a versatile lens designed for M-mount rangefinder cameras. Its expansive field of view is well-suited to architectural and interior subjects while the bright f/1.8 maximum aperture benefits working in low-light conditions. One aspherical element is featured in the optical design to help reduce spherical aberrations in order to produce greater sharpness and clarity throughout the aperture range. The lens also features a manual focus design, which permits working with subjects as close as 1.6' away, and it has a built-in lens hood to shield the front element and minimize lens flare and ghosting. Fast f/1.8 maximum aperture benefits working in difficult lighting conditions. One aspherical is featured to control spherical aberrations and distortion for improved sharpness and clarity. Manual focus design enables a minimum focusing distance of 1.6', and it is rangefinder coupled for accurate focusing to 2.3'. Built-in, non-removable lens hood helps to prevent lens flare and ghosting for increased contrast and color fidelity when working in strongly lit conditions. This Voigtländer 21mm f/1.8 lens fits LEICA M cameras, and it's a much better performer than I expected. It has less distortion than any other 21mm LEICA or LEICA-mount lens I've tested, and it's sharp, making it a great choice for any kind of photography, even if you don't need its super speed for low-light. It's almost as sharp as LEICA's 21mm f/3.4 ASPH and previous 21mm f/2.8 ASPH lenses, meaning this Voigtlander lens is still much sharper than any SLR zoom, and more than sharp enough for any purpose to which anyone who buys this lens will put it. This 21mm f/1.8 surprisingly has very little distortion – less than LEICA's own current 21mm lenses! You'll never see any sharpness difference between this Voigtlander and LEICA's 21mm lenses in real pictures, and if brick walls are your thing, you will see the lack of distortion in this Voigtlander lens compared to the stronger distortion in LEICA's 21mm lenses. I have not yet tested the LEICA SUMMILUX-M 21mm f/1.4 ASPH. The LEICA 21/1.4 is almost a stop faster, but at $7,000, is two-and a half stops (5.6 times) more expensive, as well as an ergonomically foolish lens needing VIII filters intended mostly for playboys. Based on my test of the very similar LEICA SUMMILUX-M 24mm f/1.4 ASPH, I predict that the LEICA 21mm f/1.4 has much worse distortion and probably is only about as sharp as this Voigtlander lens. The 24mm f/1.4 is loaded with distortion, and its curved field makes it much less sharp (by LEICA standards) than slower lenses for many uses. I'd rather have this very practical (58mm filters) Voigtlander 21/1.8 than the crazy LEICA 21/1.4. I actually own the far more practical LEICA 21/3.4 ASPH, which replaced my 21/2.8 ASPH, which are slightly sharper than any of these super-speed lenses. This Voigtlander 21/1.8 is pretty handy; it works well on a LEICA and it's fast, too. I'm more impressed with this lens than I expected it to be. Luckily for use on the LEICA M9, this Voigtlander 21 1.8 performs marvelously when set manually to the LEICA 21mm f/2.8 11 134 profile. When set this way there is minimal corner falloff or color shift. Even without a profile, it works pretty well on an M9. For normal photography and especially for 35mm photography, the optics of this fast ultrawide are superb – so long as you're not comparing to LEICA lenses under the microscope. https://www.kenrockwell.com

Canon Extender EF 1.4X III Dustproof and waterproof for Canon Lenses

Canon Extender EF 1.4X III Dustproof and waterproof for Canon Lenses

  • 09 Feb 2024 : 16:36 pm

Worldwide shipping. Made in Japan. Original, genuine, in excellent condition. Lens, two original caps. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) More photos and questions via Line ID: gnnick S/n: last photo Extender EF 1.4x III ● 1.4x increase of the lens's focal length ● Dustproof and waterproof specifications (JIS 2 equivalent) ● Lens placement and coatings are optimized to minimize the ghosting ● Built-in microcomputer in the extenders enables communication between lens, extender and camera ● Anti-smear coating (Silky Barrier Coating) used to enhance smear-free state of the lens surface The Extender EF 1.4X III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 1.4x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses. The Extender EF 1.4X III features seven optical elements in three groups and all optical elements have Canon's Super Spectra coating to reduce ghosting and flare. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings. To facilitate the accurate transfer of imaging data between the lens and camera body, the extender features an integrated processor which ensures all focusing, metering and ID information is available - allowing the photographer to capture balanced, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable AF accuracy even when capturing moving subjects. When attached, the 1.4x extender reduces the effective maximum aperture by 1 stop. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon's professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions. Note: This converter is only compatible with fixed focal length L-series lenses 135mm and over, as well as the EF 70-200/2.8L, EF 70-200/2.8L IS, EF 70-200/4L, and EF 100-400/4.5-5.6L. Additionally, please see the lens and/or camera body manual for full autofocus compatibility information with the Extender EF 1.4X III. Carefully positioned lens release mechanism makes it easy to mount the extender quickly, reducing the time the camera and lens are exposed to the environment. Integrated processor communicates between camera and lens and ensures all focusing, metering and ID information is available. All optical elements use Canon's Super Spectra coating, reducing ghosting and flare. Fluorine Coating on the front and rear elements keeps soiling, smears, and fingerprints to a minimum. Sealed to be resistant to both dust and water, allowing photographers to use them in extreme shooting conditions. About this item ● Focal Length & Maximum Aperture Magnification: 1.4x ● Lens Construction of 7 elements in 3 groups ● Max. Diameter x Length - 2.8" x 1.1" (72.0mm x 27.2mm) ● Weight - 7.9 oz (225g)

Sigma 18-35mm f/1.8 DC HSM Art Lens for Sony cameras

Sigma 18-35mm f/1.8 DC HSM Art Lens for Sony cameras "013", A Mount

  • 28 Feb 2024 : 01:14 am

The first and fastest of its kind. A best-sellermade even better. This large-aperture standard DSLR camera lens is in APS-C format, making it ideal for many different types of photographic expression. Made in Japan. Used. Fully tested in very good working condition. 100% workable. Lens with two caps. S/n: last photo. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Sigma 18-35mm F1.8 DC HSM | A Lens The first and fastest of its kind Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscapes, portraits, still life, snap shots, casual, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces size and weight but increases the lens durability. Its new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9 blade rounded diaphragm also creates beautiful background blur. The Sigma 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must have for every camera bag. USB Dock Compatibility Sigma has developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus. About Sigma Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission. Distinguished by a uniquely fast and versatile design, the Sony A-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom, covering wide-angle to normal focal lengths. Separating itself from the pack, this zoom features an exceedingly bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions and offers impressive depth of field control throughout the zoom range. The optical design incorporates a series of SLD and aspherical elements, which help to achieve high clarity and sharpness by suppressing various aberrations, color fringing, and distortion. A Super Multi-Layer Coating has also been applied, too, which controls lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 18-35mm also sports an advanced Hyper Sonic Motor, along with an internal focusing design, to promote fast, quiet, and precise autofocus performance. As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications. Wide-to-normal zoom is designed for APS-C-format Sony A-mount cameras and provides a 27-52.5mm equivalent focal length range. Impressively bright constant f/1.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques. Five Special Low Dispersion (SLD) elements are featured in the optical design and help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy. Four aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering. A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions. Integrated HSM (Hyper Sonic Motor), along with an internal focusing system, realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time. Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality. Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.

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