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GoPro Hero3 (Black Edition) Wi-Fi Action Camera Camcorder, CHDHX-301

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Fully tested in excellent working condition. 100% workable. Cosmetically, it may have traces and scratches on body that don't affect quality of photos.
EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick

Product Information
Seize the prized moments of your life using the GoPro Black Surf video camera. With user-selectable field-of-views ranging from ultra-wide to narrow, this GoPro HERO3 camcorder delivers more perspective capture options to compose the perfect shot. Moreover, the six element aspherical lens with an aperture of f/2.8 included in this waterproof camcorder helps capture distant subjects in great detail. In the photo mode, this GoPro HERO3 camcorder clicks crisp images with a maximum resolution of 12 MP at the rate of 30 photos per second. You can plug in a microphone into the optional 3.5 mm stereo adapter that this waterproof camcorder bears and capture sounds with utmost clarity. As the GoPro Black Surf video camera supports storage cards up to 64 GB, you can store photos and videos to your heart’s content. Thanks to its built-in Wi-Fi connectivity, this GoPro HERO3 camcorder can be synced with iOS tablets and smartphones for seamless sharing and live scene preview of images and videos.

From the Manufacturer

The Camera That Started a Movement
Born from a passion to capture your adventures from your perspective, the completely redesigned HERO3: Editions line of cameras are the most advanced GoPro cameras, ever.
Versatility
Unprecedented Durability
Shockproof and waterproof to 197' (60m), and proven in heavy surf from Tahiti to Northern California and everywhere in between, GoPro cameras can handle it thanks their highly engineered polycarbonate exoskeletal housing. Ready for action—from scuba diving to dirt track racing, and tough enough to take a spin across the asphalt or launch into space, GoPros are built to take a beating and keep filming. Replacement lens kits and housings are available, so there’s little worry while going for glory—even while diving with sharks.
Wear it. Mount it. Love it.™
GoPro mounts enable you to capture a fully immersive experience of your most exciting moments while ensuring your camera is securely attached and with you for the ride. Helmets, poles, boards, vehicles—and even yourself—whatever you’re into, there’s a GoPro camera mount that will help you get the perfect angle and POV for your most epic adventures. The HERO3 comes with a few basic mounts to get you started.
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Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP

Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP

  • 09 Feb 2024 : 16:39 pm

World's smallest and lightest full-frame camera https://www.youtube.com/watch?v=s5e580-K2z8 Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP BSI Bayer CMOS Sensor, Dust and splash proof structure aluminum body, UHD 4K30p Video 12-bit Cinema DNG, 3.15" Touchscreen LCD, 49-Point AF System, Electronic image stabilization, HDR Shooting... Excellent condition body with Sigma Hot Shoe Unit HU-11, Sigma LI-ION BATTERY BP-51, Sigma Wall charger UAC-11 US, User Manual, docs, Sigma Neck strap with clips (STRAP HOLDER SH-11 (2 pcs.)), USB CABLE SUC-11, body cap - CONVERTER CAP LCT-Ⅱ TL, box. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sigmaphoto.com/cameras/mirrorless/sigma-fp ● กล้องฟูลเฟรมที่เล็กที่สุด เเละเบาที่สุด ● SIGMA fp เป็นกล้องที่ออกแบบมาให้ยืดหยุ่นทั้งการถ่ายภาพนิ่งและวิดีโอในระดับมืออาชีพ ● รองรับการถ่ายวิดีโอ 12-bit CinemaDNG format ความละเอียดแบบ 4K 24fps ความสามารถนี้ตอบโจทย์งานภาพยนตร์ได้เลย ● มี Cine Mode สำหรับงาน Cinema ภาพยนตร์โดยเฉพาะ เพื่อใช้งานในระดับมืออาชีพ ● Electronic shutter ให้เสียงที่เงียบมาก ● ฟีเจอร์มากมายรองรับการถ่ายวีดีโอ HDR shooting, Cinemagraph, Face/Eye Detection AF, ● L-Mount เพื่อให้เชื่อมต่อกับเลนส์ทุกประเภทได้อย่างง่ายดาย ● รองรับการสร้างภาพยนตร์อย่างมืออาชีพ ด้วย SIGMA fp’s Cine mode ● เปลี่ยนโหมดจากภาพนิ่งเป็นภาพยนตร์เต็มรูปแบบด้วยนิ้วเพียงนิ้วเดียว Memory Media SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported) The Sigma fp Mirrorless Camera delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera. Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses. Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port. Firmware Version 3.00 Introduced Features ● Adds new color modes "Powder Blue" and "Duotone" ● Adds the "Save/Load Settings" function saves and loads camera settings using a QR code ● Adds compatibility with the Sigma Electronic Viewfinder EVF-11 ● Adds the "Automatic switch to the LCD monitor display" function to preview images and operate the menu on the camera's LCD monitor while using the View button, MENU button, and QS button ● Adds the "Quick Focus Frame Shift" function to the Rear Dial's direction buttons to directly move the focus frame ● Adds "Custom Buttons" able to assign their desired functions such as "Exposure Compensation" and "Depth of Field Preview" to the AEL button, Rear Dial (direction button), Tone Control button, Color Mode button, and MODE (Shooting Mode) button ● Adds "LCD Off Mode" to the Display Mode settings whereby the LCD monitor turns off during shooting or when the camera is not in operation ● Adds a "Screenshot" feature to save any screen displayed on the LCD monitor as a still-image file ● Enables focus frame to be moved even when the image is enlarged during shooting in AF or MF ● Adds 24 and 48 fps frame rates (only at FHD resolution) in the Movie Record Setting ● Adds "KOMODO 6K" by RED Digital Cinema in the Director's Viewfinder mode ● Adds a "Custom Frame" option to the Frame Guide function, to select any desired aspect ratio or absolute size value on the image sensor ● Enables the "Color Temperature" setting to be adjusted in "White balance" in custom 50K increments ● Improved AF operation to achieve better accuracy, stability, and followability ● Enhanced "Flicker Control" function ● Improve JPEG file image quality ● Launched 2021.06.03 Firmware Version 2 Introduced Features ● Cinemagraph creation and playback ● CinemaDNG footage playback ● Still capture during live view and movie shooting in Cine mode ● Still image capture from CinemaDNG and MOV movie files ● HDR in movie shooting ● Still and movie shooting in Director's Viewfinder mode ● Supports DCI 4K 12-bit with raw output over HDMI ● Supports raw over HDMI recording with Atomos Ninja V recorder ● Supports recording Blackmagic RAW codec over HDMI with Blackmagic Video Assist 12G models ● Camera movement control is compatible with ZHIYUN Weebill S gimbal ● Supports camera control in USB mode with forthcoming Software Development Kit Updates and Enhancements ● Supports Dual Base ISO at ISO 100 and 3200 ● Supports CinemaDNG at 25 and 29.97 fps for UHD 4K 12-bit shooting ● Supports CinemaDNG at 100 fps for FHD 12-bit shooting ● Supports CinemaDNG 100 and 119.88 fps for FHD 8-bit and 10-bit shooting ● Exposure adjustment now available in QS Menu ● Tone control setting now available during movie shooting ● Supports USB Video Class (UVC) setting adjustments while the fp is connected to USB ● Supports time code generation ● Compatible with BWF format ● Supports file size changes at aspect ratio 7:6 ● Optional shutter sound effect General Features Full-Frame Sensor Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images. Robust & Lightweight Aluminum Body A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light. Large Heat Sink Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use. Splash and Dustproof Structure The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions. Same Screw Threads for Strap Fittings and Tripod The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base. Full-Time Electronic Shutter Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera. "Teal and Orange" Color Mode Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode. Fill Light A function formerly available only in Sigma Photo Pro, Sigma's proprietary image development software, Fill Light has now been incorporated into the body of Sigma fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings. The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more. Tone Control & Color Mode The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves. The Sigma fp also has an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to 5, which enables the fine-tuning of the color mode. Additionally, "TONE" and "COLOR" buttons allow for quick access to the tone control and color mode menus. With these enhanced functions and a variety of operation elements, the Sigma fp makes it simple and easy to create an image, in-camera with great details, be it still or video. HDR Shooting The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a greater dynamic range that could not have been achieved in normal shooting. Cinemagraph The Sigma fp comes with a feature to make "Cinemagraphs," which are animated GIFs that are a hybrid between still photography and video. With this function, the Sigma fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera. Face/Eye Detection AF The Face/Eye Detection AF function allows the Sigma fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field. Focus Peaking The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually. L-Mount L-Mount is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and improved durability. As an L-Mount camera, the Sigma fp can be used with various L-Mount lenses offered by Leica, Panasonic, and Sigma. Supports Raw Video Data Recording Aside from professional cinema cameras, the Sigma fp supports external recording in 12-bit CinemaDNG format. With up to 4K UHD recording at 24 fps, it produces video data that can be used even in filmmaking. It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. Director's Viewfinder The Sigma fp has a "Director's Viewfinder" function that allows the user to simulate different angles of view and how an image looks on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K, but also film cameras and anamorphic lenses. Supported cameras include ARRI's ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, and ALEXA XT; Sony's VENICE; and RED's MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, and GEMINI 5K. Functions Comparable to Pro Cinema Cameras The Sigma fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment. UI Optimized for Different Shooting Modes Preserving the distinctive "feels" of Sigma cameras including dials and QS (Quick Set) buttons, the Sigma fp has specially-designed operation systems and displays for Still and Cine modes. At the flick of a special switch, it can move back and forth between the two modes. This presents a shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos. 24.6MP Full-Frame BSI Bayer CMOS Sensor ● Electronic Shutter & L Lens Mount ● 49-Point AF System ● UHD 4K30p Video with 12-Bit CinemaDNG ● 3.15″ 2.1m-Dot Touchscreen LCD ● Electronic Image Stabilization System ● 18 fps Shooting, ISO 102400 ● UHS-II SDXC Memory Card Slot ● Dust- and Splash-Proof ● USB 3.1 Gen 1 Type-C & Micro-HDMI 1.4

Olympus PEN E-P7 Camera Body, 20MP, 5-axis image stabilisation

Olympus PEN E-P7 Camera Body, 20MP, 5-axis image stabilisation

  • 24 Mar 2024 : 15:04 pm

ทาง OM Digital Solutions ได้เปิดตัว ‘Olympus PEN E-P7’ กล้องมิเรอร์เลสในระบบ Micro Four Thirds ตัวแรกหลังจากได้รับไม้ต่อมาจาก Olympus เมื่อต้นปีที่ผ่านมา โดยเป็นกล้องดีไซน์คลาสสิกในซีรีส์ PEN F แต่วางขายแค่ในยุโรป และบางประเทศเท่านั้น สำหรับไทยรุ่นนี้ไม่ได้นำเข้ามาขายครับ… Last one from showcase, SHUTTER COUNTER: 600 Body with body cap, hot shoe cap, battery, metal strap clips, protective covers , charger, shoulder strap. About this item ● A simple, sophisticated design in a beautiful, compact body with great attention to detail ● Equipped with a Profile Control switch and Art Filters for creative photographic expressions ● The combination of the 20 Megapixel Live MOS sensor, the high-speed processing capabilities of the TruePic VIII and the M.Zuiko lens ensure professional quality ● The camera is equipped with in-body 5-axis image stabilization for blur-free, high-quality snapshots and 4k movie ● Flip-down touchscreen for easy selfies shots and integrated Wi-Fi and Bluetooth for instant image sharing Olympus PEN E-P7 Pretty and Powerful camera with 4k Video, Bluetooth, MFT (m4/3) Lenses and Micro 4/3 sensor Write Your Own Story We're all living out a story. Every day we make a thousand choices of a million hues to tell our tale. The world is full of beauty waiting to be captured and shared. Will you pick up a pen to write your own story? Technology is fashionable Featherweight beauty Photography can be a beautiful and enjoyable adventure. The E-P7’s small size and light weight are practically unnoticeable, but the E-P7 is a sight to behold. Drawn with lines taken from a true classic, the E-P7 is elegant and compact, making the crafting of your photos an exquisite experience. With two distinct colors to choose from, you decide the tone of your story. See the world in a different color The E-P7 is a treasure trove for creative exploration. With a flick of the front color/monochrome profile switch, you can instantly enhance your creative expression. Dive deeper and you'll find more tools for inspiration, including film presets, Art Filters, and other unique creative features. For every photographic passion, there's a way to capture it with the E-P7. Pretty and powerful At its core, the E-P7 is a combination of brilliant sensor technology, powerful image processing, and precision lenses. This makes for easy operation, fast focus speeds, and clever creative features – all enhancements from previous PEN cameras. With a vast choice of compatible lenses to suit your style of photography, there are no boundaries to your creative pursuits. Clever at heart - 20MP Live MOS sensor - TruePic VIII Image Processor Featuring technology previously not available in our PEN series of cameras, the E-P7 boasts innovation worthy of its legacy. Paired with legendary M.Zuiko lenses, the E-P7’s photographic pedigree stands apart from larger and costlier systems. Always ready for more - USB Charging With the E-P7’s easy USB charging, you can keep moving and creating all day with universal USB chargers and power banks. Steady as she goes  -5-Axis Image Stabilization Whether performing long exposure photography in the moonlight or grabbing quick shots with friends during dusk, the in-camera 5-Axis Image Stabilization keeps your handheld photos and videos sharp and shake-free, even in low light. Easy transfer with Oi Share app With the OI.Share app you can wirelessly import photos captured on the E-P7. In addition, you can use your smartphone as a remote controller for remote shooting.

SONY A9 Professional Full-Frame Camera, Wi-Fi / BT NFC Alpha ILCE-9

SONY A9 Professional Full-Frame Camera, Wi-Fi / BT NFC Alpha ILCE-9

  • 14 Feb 2024 : 19:00 pm

https://www.youtube.com/watch?v=ILisOOe3iLs The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Shutter count: 19xxx Review: https://www.kenrockwell.com/sony/a9.htm Excellent condition body with body cap, 2650 mAh battery, Sony AC-UB10C charger, Sony Alpha strap, hot shoe cap, Sony FDA-EP18 Eye cap, AC cord, USB cable, docs. English / Thai + menu. https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● Stacked CMOS Sensor Full-Frame Resolution 24.2 Megapixels ● 20 frames per second continuous shooting without Back Out. ● Shutter speed at 30-1/8000 sec. ● Buffer JPEG up to 362 images, RAW up to 241 images. ● ISO 100-51,200 (expandable to 50-204,800) Keep every detail realistic even in low light. ● 693 focus points, phase detection ● Record Video 4K/30 FPS (6K Video style with 4K Output) ● 5-axis anti-shake stabilization system can reduce the shutter 5 Stops. ● 3-inch touch screen and Joystick. Product Highlights ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

Irix 15mm f2.4 Ultra Wide-Angle Lens for Nikon F Mount, Weather-Sealed

Irix 15mm f2.4 Ultra Wide-Angle Lens for Nikon F Mount, Weather-Sealed

  • 22 Mar 2024 : 14:10 pm

https://www.youtube.com/watch?v=hzaBoZASJwk Swiss design. Made in Korea. Used lens with two original caps, ILH-15A Hoos, Warranty Card, Irix Soft Case, Irix Metal Box, Irix Box. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. Perfectly working order! Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast 15 elements in 11 groups for extremely high image quality Focus lock allowing you to lock the chosen setting at any time Weather sealed construction resists the elements for use in the harshest conditions Hyperfocal distance scale for precise information about depth of field Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark Minimum focus distance of 11.02" (0.28m) Ergonomic focus ring for faster focus 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection, it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.

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