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https://www.youtube.com/watch?v=ivZrAATdAUo Possibly the first zoom you’ll need. The SAL1680Z is a superb single-lens solution for many APS-C format photographers. Its 35mm equivalent 24-120mm range may be all you’ll ever need for day-to-day shooting. And of course it delivers acclaimed ZEISS optical performance and handling, with image quality that rivals the best prime lenses at any focal length. An ideal introduction to ZEISS quality for A-mount APS-C format bodies. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Made in JAPAN. Very good working condition! Includes : Lens, two caps, Sony Soft Lens Bag. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sony-asia.com/electronics/camera-lenses/sal1680z Sony Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Overview Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. About this item ● 5x zoom designed specifically for DSLR APS-size ● Superb performance from wide angle to telephoto ● 2 glass-molded aspherical lenses for extra precision ● Circular aperture for pleasing defocused effects.Equivalent 35mm when mounted on an APS format DSLR - 24 - 120mm ● Auto clutch to stop manual focus ring rotation, wide focus ring for a solid feel in manual focusing Vario-Sonnar T* DT 16-80mm F3.5-4.5 ZA Zoom Lens The lightest and most compact zoom in the Carl Zeiss lineup, this lens offers the greatest zoom range making it a superb single-lens solution for many photographers. It delivers acclaimed Carl Zeiss optical performance and handling with image quality that rivals the best prime lenses at any focal length. Technology Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Carl Zeiss T* (T-star) coating Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Distance encoder The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Additional Features Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

The EOS 100D is the world’s smallest and lightest digital SLR. It’s only slightly bigger than the mirrorless EOS M, and it’s significantly smaller than the standard entry-level-size EOS 700D. If you’re looking for an almost-fully-functional digital SLR that’s extremely portable, the EOS 100D ticks all the boxes. Camera body, Battery, Charger, strap, eye shield, body cap. Made in Taiwan. Excellent condition! English menu. S/n: last photo. Perfectly working order! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://th.canon/th/support/EOS%20100D/model The black EOS 100D (Kiss X7, Rebel SL1) DSLR Camera from Canon is a lightweight APS-C format digital SLR camera with an 18MP CMOS sensor and the DIGIC 5 image processor. The EOS SL1 provides sharp details, accurate colors and low-noise imaging in compact form factor with easy to use interface. A 9-point autofocus system provides fast focusing when shooting with the viewfinder and Hybrid CMOS AF II increases autofocus speed and accuracy when shooting in Live View. The Rebel SL1 can continuously shoot up to 4 fps and its wide ISO range of 100-12800 (expandable to 25600) allows for confident shooting in bright and low light situations. A 3.0" Clear View II touchscreen LCD with 1,040k-dot resolution provides composition and playback viewing. Its intuitive touchscreen operation includes multi-touch operation with direct access to functions for settings changes and Touch Autofocus. Smudge-resistant coating keeps the monitor clear, even in bright sunlight. An optical viewfinder with 0.87x magnification is also available for stable eye-level composition. Full HD 1080p at 30 fps and 24 fps is supported with Movie Servo for continuous autofocus during shooting. Manual exposure is provided in video mode and 60 fps is possible when shooting at 720p HD. A built-in mono microphone with manual audio level adjustment is provided, and Video Snapshot with editing is supported. The Canon EOS 100D (called the Digital Rebel SL1 in North America) is the smallest and lightest APS-C DSLR ever made. The 18 megapixel 100D / SL1 offers a 'Hybrid CMOS AF II' system with 80% frame coverage, a 3” ClearView II capacitive touchscreen LCD screen, a 63-zone metering sensor, 9 AF points, standard ISO settings of 100-12800 (expandable to 25600), DIGIC 5 processor and 4fps continuous shooting. The 100D's video mode offers 1080p Full HD recording at 24/25/30fps and 720p HD capture at either 50 or 60fps, with full manual control over exposure and gain. The Canon EOS 100D is available body-only for £579.99 / €739.99 / $649.99 The new EOS 100D / Digital Rebel SL1 is the smallest DSLR camera that Canon have ever made. Measuring 116.8 x 90.7 x 69.4mm and weighing just 407g, it sits between the EOS M compact system camera and the EOS 700D in both size and price. Despite its tiny dimensions, the control layout will be instantly familiar to anyone who's used a mid-range Canon DSLR before, commendably offering most of the external controls that the previous generation EOS 650D offered. The main attraction of the EOS 100D will also be viewed as its main drawback by some potential users - shrinking the overall package has inevitably led to some compromises in terms of the ergonomics, most notably the handgrip. We could only fit a couple of our average-sized fingers around the grip, with a little finger supporting the base of the camera, which doesn't offer as much support as usual. This is fine when the EOS 100D is fitted with a small lens like the EF 40mm pancake that we had in for testing, but is insufficient for some of the bigger and heavier EF lenses. Still, at least the camera is compatible with Canon's vast range of EF-S and EF lenses - you're definitely spoilt for choice in this regard. In terms of build quality, the Canon EOS 100D / SL1 certainly feels solid enough for a consumer-grade DSLR, although as you'd perhaps expect not in the same league as the semi-professional EOS 60D and 7D models. Like all of Canon's APS-C digital SLR cameras, the EOS 100D / SL1 is compatible with the manufacturer's entire line-up of lenses, including both EF and EF-S glass. When changing lenses, EF lenses need to be aligned with the red dot on the lens mount, whereas EF-S lenses must be aligned with the white square. The 1,040,000-dot resolution of the rear LCD panel is identical in resolution to the 650D's display. The screen has an aspect ratio of 3:2 - i.e. identical to that of the sensor - so the photos fill the screen completely, with no black stripes along the top and bottom. Unlike the 650D, though, the screen is fixed in place rather than articulated, so you can't tilt it to the side.

Shutter counter: 5611 Video: https://m.media-amazon.com/images/S/aplus-media/vc/4e0e0ca7-02e2-49e5-9939-0dc5456027be.mp4 Include: Camera body with clips, body cap, battery, USB charger, eye cap. ENGLISH / Thai + menu! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Brand : Panasonic Model : Lumix DC-S5 Color : Black Camera mount : L-Mount Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake. In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions. 24.2MP Full-Frame CMOS Sensor and Venus Engine Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes. UHD 4K HDR Video Recording In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied. Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks. Body Design ● Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. ● High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate. ● Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control. ● Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments. ● Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. ● A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs. ● DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on. ● High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec. Sensor-Shift Image Stabilization Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. DFD Autofocus System For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV. Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF. 6K and 4K PHOTO Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate: ● Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame. Bluetooth and Wi-Fi Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring. Other Camera Features ● By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution. ● HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions. ● In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats. ● Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out. ● Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint. ● Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style. Firmware Version 2.3 Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.

https://www.youtube.com/watch?v=tPgNR4oggF8 Fully tested in very good working condition. Includes : Lens, two caps. S/n: last photo. Compatibility: E-mount Full Frame cameras E-mount APS-C cameras 7Artisans 35mm f1.4 • Full Frame ไม่ต้องครอป + APS-C • เมาท์ตรงไม่ต้องใช้ตัวแปลง • มีทั้ง SONY FE Sony 35mm lenses are pretty good but their E-Mount f1.4 offering is a Zeiss T* optic that is very expensive indeed! This fast compact lens is a great artistic choice for environmental portraiture, street and landscape photography, to say nothing of the value that it brings to your equipment bag. This lens also works fine with Sony's APS-C E-mount cameras and provides 53mm full-frame equivalent coverage. In a departure from other 7Artisans optics, this lens features a clicked aperture ring. HIGHLIGHTS 1. E-Mount Lens/Full-Frame Format 2. Manual Focus Design 3. Minimum Focus Distance: 1.3' 4. Aperture Range: f/1.4 to f/16 7artisans 35mm f/1.4 II Overview A comfortable wide-angle with a fast design, the Sony E-mount 7artisans 35mm f/1.4 is a versatile prime well-suited for a variety of shooting applications. Its bright f/1.4 maximum aperture suits working in low-light conditions and also offers increased control over depth of field for isolating subjects and producing selective focus effects. Its manual focus design permits working with subjects as close as 1.3' away and an 11-blade diaphragm contributes to a pleasing bokeh quality. ● Compact wide-angle prime is designed for full-frame Sony E-mount mirrorless cameras, however can also be used with APS-C models where it provides a 52.5mm equivalent focal length. ● Fast f/1.4 maximum aperture benefits working in difficult lighting conditions and also offers improved control over depth of field for selective focus applications. ● Manual focus design permits working with subjects as close as 1.3' away. ● An 11-blade diaphragm contributes to a smooth and pleasing bokeh quality. I’d never appreciated how much fun there was to be had with a manual focus lens until I received the 7artisans 35mm f/1.4. This small, heavy, rather simple piece of gear brings a huge amount of joy — and bokeh — to your shooting thanks to an insanely fast maximum aperture and some quirks that give every image a healthy dose of character. Sony cameras can feel devoid of soul, and this is a lens that can make you feel like even the most mundane scenes or details are worthy of being photographed. If you’re a pixel peeper that wants crisp, perfect images, this lens is not for you – Sony has plenty of others that fit that bill. If you want to rediscover some simple joys in your photography — or if you simply want to experience f/1.4 without spending an insane amount of money — this lens could be a perfect choice. In addition, other than truly vintage lenses that require an adapter, there’s nothing else on the market quite like it.