Nikon Coolpix P900 24-2000mm, 332x Digi zoom, EVF, Wi-Fi, NFC, GPS

Shutter count: 4xxx Review: https://www.kenrockwell.com/sony/a9.htm Mint condition used body with Body cap, Sony NP-FZ100 battery, Sony BC-QZ1 Wall charger, Sony Alpha 9 strap, USB cable, unpolarized AC power cord, Sony hot shoe cap, Sony FDA-EP18 Eye cap, User Manual, Docs, Box. English / Thai + menu. The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

Body, body cap, hot shoe cap, battery, metal strap clips, protective covers , charger, shoulder strap. Fully tested in very good condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick The PEN E-P5 Mirrorless Micro Four Thirds Digital Camera Body from Olympus is a Micro Four Thirds format camera that houses a 16.1MP Live MOS sensor and the TruePic VI Image Processor for clear, high resolution still photos and Full HD 1080p video capture. With ISO sensitivity up to 25600 and 5-axis Image Stabilization, low light imaging is clear and free from the blurring effects of camera shake. Shutter speeds as fast as 1/8000 second and burst shooting up to 9 fps will help you catch fast moving subjects and fast autofocus allows the camera to keep pace with the action. A 3.0" Tilt Touchscreen LCD provides image composition and playback. Tilting up 80º and down to 50º, the LCD monitor lets you avoid harsh glare and shoot from odd angles. It also provides touch control of autofocus, shutter release, menu navigation, Art Filter and Scene Mode selection, playback and Wi-Fi connection.  Speaking of which, the E-P5 features built-in Wi-Fi connectivity which allows to you to instantly transfer images from your camera to smartphone for storage and sharing and it offers remote viewing, shutter release and Touch AF from your smartphone or tablet. GPS functionality and geo-tagging of your images is also possible with the Wi-Fi connection and QR Code connection makes establishing your connection simple. The EP-5 continues in the PEN tradition of handsomely built, slightly retro looking bodies with accessible controls, a seamless build and solid thumb and hand grips. A built-in flash with 1/320s sync speed and wireless capability is provided, as is an accessory port/hot shoe. The accessory port can hold an external flash, video lights, monitors or the optional VF-4 Electronic Viewfinder. A camera for every level of shooter, the E-P5 offers RAW format shooting with in-camera processing, full manual exposure control, interval shooting with auto time-lapse video and live bulb shooting. It also provides automatic modes for point and shoot style ease, focus peaking for confident focus control, a self-timer with audio countdown and art filters to add creative touches to your photos and videos. 16.1MP Live MOS Sensor and TruePic VI Image Processor The 16.1MP Live MOS sensor and TruePic VI  Image Processor provide sharp, high resolution imaging, accurate color reproduction, and low-light, low-noise (up to ISO 25600) capability for both still and Full HD video imaging. Performance speeds are also impressive, including fast autofocus, up to 9 fps continuous shooting and short recovery times between shots. 5-Axis Image Stabilization Built-in sensor-shift type image stabilization compensates for camera shake on 5 separate axes: yaw, pitch, roll, vertical shift and a horizontal shift. The result is that images taken at slower shutter speeds have less blur, providing you with greater flexibility when shooting in low light or at long focal lengths. Four I.S. modes are available and I.S. for Live View is also supported. 3.0" Tilt Touchscreen LCD Image composition and playback are provided by the E-P5's bright 3.0" LCD monitor. With approximately 1037k-dot resolution, your playback is clear and composition is confident with accurate focus and color. Seven levels of brightness and color temperature control are supported and its tilting capability (80º up and 50º down) allows for odd-angle composition and glare control. Touchscreen control offers the ability to control camera functions with just a tap or swipe on the LCD. Touch control includes shutter release, autofocus, playback navigation, art filter selection, scene mode selection and Wi-Fi connection. Full FD 1080p Video Capture Video capture is supported in both MOV (MPEG-4 AVC/H.264) and AVI (Motion JPEG) formats. In MOV format, Full HD 1080p and HD 720p are offered at 30 fps. AVI format is at 30 fps in both HD and SD. Image Stabilization in Movie mode is supported and Movie Effect provides Art Filters, Art Fades and other functions. Manual exposure control is also supported in Movie mode and a built-in stereo microphone records quality audio. Built-In Wi-Fi and GPS Built-in Wi-Fi connectivity provides instant transfer of your images to your smartphone or tablet, allowing for simultaneous connection to four separate devices. Using the Olympus I.O Share SmartPhone App you can easily share images and it offers remote viewing, focus and remote shutter release of your E-P5 from your smartphone or device. With QR Code connection you can quickly link your camera to your Wi-Fi network. GPS data is also available via your connection to your smartphone. 1/8000s Mechanical Shutter The E-P5 is equipped with a 1/8000 second high-speed mechanical shutter which allows you to freeze action without blur. Use prime lenses at their maximum aperture allowing you to capture shallow depth of field images with attractive bokeh even in very bright daylight. F.A.S.T. Autofocus and Manual Focus Assist Frequency Acceleration Sensor Technology (F.A.S.T.) AF in Single, Continuous and Tracking modes is available for high speed autofocus. 35-area focusing areas provide precise focus throughout the frame and four different AF area sizes can be selected. Face Detection and Eye Detection focusing is also supported and an AF Illuminator is available if needed. Focus Peaking with white or black edges is provided for ensured shooting. Manual focus is also available with two optional focus assist methods: a Magnified Focus (MF) Assist Function and Magnification Display. The MF Assist feature aids with critical focus by allowing you to zoom in on part of the image by simply turning the focusing ring on the front of the lens. Magnification Display enables you to selectively enlarge the image on the LCD at the touch of a button. Built-in Flash with Wireless Control Built-in flash with a GN of 7 (ISO 100) is provided with several modes and +/-3 compensation. The maximum flash sync shutter speed is 1/320 seconds. And the built-in flash can be used as a wireless flash commander with up to four channels, controlling up to three external flashes. 2 x 2 Dial Control with Custom Lever 2 x 2 dial control on the E-P5 provides two dials and a function lever, allowing fast and direct access to aperture/shutter speed, exposure compensation, ISO settings, and white balance - directly by dial. i-AUTO with 42 Shooting Modes i-AUTO mode selects from among 42 different photography modes the one that best matches the subject to automatically produce the optimal photo. It automatically picks from among such settings as Portrait + Backlighting & Vivid Colors or Spotlight and takes the photo with no other adjustment necessary. The E-P5 can also detect the subject's movements before taking a photo and instantaneously adjusts the ISO and shutter speed, reducing any blurring of the subject. Sequential Shooting and Self-Timer In High Speed mode, up to 9 fps can be shot at full resolution with a maximum of 15 frames in RAW and 19 frames in JPEG. Self-timer shooting can be set to fire at 2 seconds, 12 seconds or can be customized to shoot at rates between 1-30 seconds with controllable intervals and maximum shots. Scene Select AE Scene Select AE gives you the advantage letting the camera adjust its settings to match the type of scene you will be shooting. Selectable scenes include: Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Converter, Wide Converter, Macro Converter and 3D. Art Filters and Photo Story Art Filters allow you to add creative flourishes to your images, touching them with special effects such as WaterColor, Cross Process or Pop Art. Twelve Art Filters are available in all. Photo Story allows you to add frames and specialized windows to your photos, including creating an image essay from several photos. HDR and Bracketing The E-P5 offers several bracketing functions allowing you to quickly shoot 2-5 frames of the same shot with varied adjustments. Exposure, ISO, White Balance and Flash bracketing is supported as is bracketing for the above Art Filters. Up to seven shots can be taken to be used later in HDR post-processing for creating a nicely balanced image of a high contrast scene. Interval Mode, Multiple Exposure and Live Bulb For making time-lapse videos, interval mode shooting is supported to a maximum of 99 frames with the interval time set to between 1 second and 24 hours. Two-frame multiple exposure shots can be taken with the E-P5 and you can take long exposure Bulb shots in Live View, watching the exposure's progression. Level Gauge A two-axis level gauge is provided to help align your images. Playback Modes Numerous Playback options are provided: Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow (with sound including BGM, two selectable slide show effects, replaceable BGM), and Light Box Display. The information display includes: Histogram (independent luminance/RGB available), Highlight/Shadow point warning, AF frame, Photographic information, and OFF. Languages Supported English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Sony RX0 II Cybershot DSC-RX0M2 Ultra-compact Water, Dust, Shock, and Crushproof Wi-Fi & Bluetooth Camera Carl Zeiss Tessar Lens DSC-RX0 RX0 Vlog Internal UHD 4K30 Video & S-Log2 Gamma, HFR Mode for Slow Motion up to 1000 fps, 15.3MP 1" Exmor RS Stacked Unleash your sense of beauty: https://www.youtube.com/watch?v=SZ4s2LCzx94Travel in Spain - 4K movie: https://www.youtube.com/watch?v=glFGnu-nl6E Super slow motion: https://www.youtube.com/watch?v=SbPdoThBDnU Interval recording for time-lapse movies: https://www.youtube.com/watch?v=lnMxGPyWcIc กล้องจิ๋ว พับได้ MayVlog with Sony RX0 Mark II: https://www.youtube.com/watch?v=XxA3G26iMkY S/n: last photo. Perfectly working order! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Sony has worked wonders with the Cyber-shot DSC-RX0 II, creating a premium, ultra-compact, and tough camera with an outstanding feature set for both stills and video. This form factor makes it ideal for travel and everyday life while the 15.3MP 1" Exmor RS stacked CMOS sensor and BIONZ X image processor ensure your images are of the highest quality. Also, this model offers internal UHD 4K30 video recording, electronic image stabilization for movies, and a 1.5" 230k-dot 180° tilting LCD that is perfect for selfies and vlogging. Beyond that, the RX0 II can handle adverse conditions with ease, being waterproof to 33', dustproof, crushproof to 440 lb, and shockproof to 6.5'.Image quality is of the utmost importance, and the relatively large 1"-type sensor benefits from a stacked architecture and dedicated DRAM chip that dramatically speeds up processing and performance. Tied into this system is the BIONZ X processor, enabling outstanding low-light performance with sensitivities up to ISO 12800 as well as continuous shooting at 16 fps and support for Eye AF in select modes. The fast sensor readout also improves rolling shutter and speeds of up to 1/32000 second. Benefitting this imaging system is a ZEISS Tessar T* 24mm equivalent f/4 lens that ensures minimal distortion, excellent sharpness, and a minimum focus distance of just 7.9".All this technology makes the RX0 II a stellar video camera, too, as it offers internal UHD 4K30 video along with Picture Profiles, including the advanced S-Log2 gamma. Users looking for the best can still output an uncompressed and clean 4:2:2 4K image over HDMI as well as benefit from the camera's 3.5mm microphone input for improved audio capture. The RX0 II has electronic image stabilization for steady handheld footage. Full HD video at up to 120 fps is available as well, though a High Frame Rate or HFR Mode will enable super slow-motion capture at up to 960 fps in NTSC or 1000 fps in PAL. Additionally, interval recording is possible for creating time-lapse movies.Taking things a step further are the RX0 II's advanced connectivity options. Built-in Wi-Fi and Bluetooth allow for remote control and image transfer to a mobile device via the Imaging Edge Mobile app. This setup can operate multiple RX0 II cameras at once. The camera also benefits from other optional accessories that allow the RX0 II to be integrated into advanced configurations with up to 100 cameras. 15.3MP 1" Exmor RS Stacked CMOS Sensor & BIONZ X Image Processor Squeezed into that pocketable and rugged frame is a large 15.3MP 1" Exmor RS stacked CMOS sensor with dedicated DRAM chip. By integrating the DRAM so tightly with the sensor, Sony was able to dramatically speed up read times, allowing an anti-distortion shutter at up to 1/32000 second, a wide dynamic range, and sensitivities that range from ISO 80-12800. Working with this sensor is the BIONZ X image processor which ensures images are captured with a wide dynamic range, reduced noise, and natural-looking colors. Eye AF is supported now, and the RX0 II can shoot full-resolution stills continuously at up to 16 fps. The contrast-detect AF system will operate in single-shot AF, preset focus, or manual focus. ZEISS Tessar T* 24mm f/4 Lens Integrated into the body of the RX0 II is a ZEISS Tessar T* 24mm equivalent f/4 lens. These optics are optimized to capture high-resolution images with minimal distortion and high sharpness. It also sports a minimum focus distance of 7.9" for versatility and can work with Clear Image Zoom to provide a 2x digital zoom with a minor loss in quality. Additionally, ghosting and flare is well controlled and a coating on the front of the body makes it easy to clean water drops and dust. UHD 4K Video Recording & S-Log2 Gamma Another benefit of upgraded processing in the RX0 II is the ability to record UHD 4K30 video internally to a memory card and Full HD at up to 120 fps. These videos are recorded with full pixel readout of the sensor and no pixel binning, meaning that about 1.7x the data required for 4K resolution is captured and down sampled to produce higher-quality footage. It will record footage in the high-quality XAVC S format at up to 100 Mb/s for ensuring excellent detail in your final recordings.For advanced filmmaking, the RX0 II offers shooters Picture Profiles, including the S-Log2 gamma, for additional control over the look of your final images and the ability to capture video with a wide dynamic range to be edited in post. Electronic SteadyShot image stabilization is available as well for steady handheld operation. Another function supported by the system's advanced processing is an HFR or High Frame Rate Mode. This will allow users to capture extreme slow motion at up to 960 or 1000 fps for NTSC or PAL, respectively. Quality Priority Mode can be used when resolution is critical to record up to HD at 240 or 250 fps. A helpful option for HFR is an end trigger function so you can record the 2-4 seconds prior to the shutter being pressed so you don't miss the shot.Users looking to integrate the RX0 II into a professional workflow can benefit from the camera's uncompressed and clean HDMI output via a micro-HDMI port and the 3.5mm microphone input for connecting audio equipment. The camera is also equipped with MF Assist and Peaking functions to help make sure your subject is in focus. And interval recording is available for creating time-lapse movies. Rugged, Pocketable Body Design and Connectivity Core to the RX0 II's identity is a durable extra-super-duralumin body with a sleek exterior. Measuring just 2.4 x 1.6 x 1.4" and weighing just 4.7 oz, this camera is extremely portable and can be used in the tightest locations. Added in this model is a 1.5" 230k-dot 180° tilting LCD, allowing for easier selfies and vlogging. The screen can tilt downward 90° for additional flexibility when shooting at different angles. In terms of toughness, the RX0 II is waterproof to 33', shock resistant to drops from up to 6.5', and crushproof to 400 lbf, as well as dustproof. Wireless Connectivity and Multi-Camera Setups Built-in Wi-Fi and Bluetooth connectivity can be used to access more features via a connected mobile device. The Image Edge Mobile app will support remote control of the camera and can even control multiple RX0 cameras at the same time. Bluetooth can be used for remote power on/off and recording location data. A Movie Edit add-on can also be used to transfer videos to your mobile device and will provide automatic image stabilization and reframing for various social media networks.Various accessories will amplify the RX0 II shooting experience. Shooting grips, mounts, and imaging tools can help ensure the best handling and image quality for your setup. Also, the RX0 II is a great choice for multi-camera installations. It can be easily used in a dual-camera shooting setup with the optional VMC-MM2 Release Cable or can be combined with the separately available CCB-WD1 Camera Control Box for working with up to 100 RX0 II cameras simultaneously.

S/n: 2549. Olympus UK has confirmed that 150 units will arrive on UK shores, from 3,500 rolled out worldwide. Rare Olympus OMD EM10 Mark II - Fox Brown Limited Edition: https://www.youtube.com/watch?v=8g8443cHleU The E-M10 Mark II Limited edition is finely wrapped with premium leather and comes with a matching leather neck strap. Paired with the M.Zuiko 14-42mm EZ pancake lens, this super stylish and compact camera can accompany you day or night to capture picture-perfect memories. While quality and luxury are the focus of this limited edition kit, functionality was not overlooked. The leather grip and strap add a premium feel to the body, while also increasing texture for a firmer hold. The OM-D E-M10 Mark II Limited Edition Kit will be available in February with a US retail price of $899.99 and a Canadian retail price of $999.99. Fully tested in very good working condition. Thai / English + menu. Camera comes with Leather neck strap, User Manual, Olympus BCS-5 Power charger, Strap rings, Ring soft covers, AC cord, Olympus SC-1 hot shoe cap, eye shield, Olympus BLS-50 Battery, EP-15 Eyecup, USB cable, CD-ROM Olympus Viewer 3. No more. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick OLYMPUS Fox-Brown Limited Edition OM-D E-M10 Mark II Camera (only 3500 units have been made), collector’s item finely wrapped with premium leather and comes with a matching leather neck strap, Fox Brown Wi-Fi , OMD EM-10 EM10 M2 Hailed as a collector’s item, the OM-D E-M10 Mark II Limited Edition includes a 14-42mm f/3.5-5.6 EZ pancake lens in a kit priced £699.99. Olympus UK has confirmed that 150 units will arrive on UK shores, from 3,500 rolled out worldwide. ‘The special fox brown colour sets off the glinting chrome and milled edges of [the] solid dials beautifully,’ claims Olympus. OM-D E-M10 Mark II Limited Edition Main features, as stated by Olympus UK: • Beautifully finished metal casing in new Fox Brown colour • Premium shoulder strap made of high-quality brown leather • Distinctive silver-coloured lens cap • Matching accessories in brown leather optic • Powerful 5-axis in-body Image Stabilization system with equivalent of 4 steps of shutter speed. • Lightweight, compact and premium all-metal body with distinctive metal dials and retro On/Off switch • High-speed, OLED EVF with 2,360k dots for accurate framing and assessing creative adjustments in real time • Large, 3-inch, tilting high-res touchscreen LCD with fingerprint-resistant coating • Connectivity: Built-in Wi-Fi for remote control shooting and sharing via a smartphone with OI.Share software • 4k time lapse video creation in ultra-high definition