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Nikon D800 36.3MP Professional DSLR Camera - Black Body

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Made in Japan. Fully tested in very good working condition. 
Thai / English + menu.
Camera body, body cap, Nikon strap, hotshoe cap, eyeshield Nikon, Battery, Charger.
S/n: last photo.
EMS 50 baht, Cash on Delivery Available (COD cash on delivery)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick

Nikon D800 Review (Thai) - YouTube: https://www.youtube.com/watch?v=h4iMyFKfUiY
English: http://www.nikon.co.th/th_TH/product/digital-slr-cameras/d800
English: https://www.nikonusa.com/en/nikon-products/product-archive/dslr-cameras/d800.html

Nikon Corporation is launching a new series of cameras around the world, the Nikon D800 and Nikon D800E, focusing on high resolution 36.3 megapixel camera for studio use, wedding photography. Or landscape photos that require high resolution (Wildlife) There is a special model Nikon D800E that does not have an anti-aliasing filter to increase the sharpness of images more than usual. The camera body is smaller than the original and is 100g lighter than the original Nikon D700.

Hold in your hands an HD-DSLR able to capture images rivaled only by that produced by a medium-format camera: extremely low noise, incredible dynamic range, the most faithful colors, the broadest tonal range. Meet the Nikon D800, a 36.3 megapixel FX-format D-SLR for professional photographers who require end results of the highest quality; who demand superior performance, speed, handling and a fully integrated imaging system. For multimedia professionals, 36.3MP means true 1080p HD cinematic quality video. The essential tool for today's still and video professional, every photo will astound, every video will dazzle.
Broadcast quality video
A full cinematic experience
Filmmakers, multimedia professionals and event photographers—record Full HD 1080p at 30/25/24p or 720p at 60/50p in AVC-HD format. Produce to your exacting vision when working in manual mode, controlling aperture, ISO, AF and shutter speed. Record uncompressed files via HDMI to an external recording device via HDMI. Widen production perspective using either Nikon FX or DX lens formats at Full HD 1080p and 16:9 aspect ratio. Attach headphones and check audio levels or monitor input via peak audio meters as displayed on the camera's LCD monitor. Microphone sensitivity can be adjusted in up to 20 steps. Remotely start and stop video. Simultaneously Live View footage on the camera's LCD monitor and external monitor during recording are possible.
Reveal every nuance, every detail
The 36.3 megapixel FX-format advantage
Wedding, commercial or landscape, the D800E is the ultimate 36.3 MP FX-format camera for creative genius. Witness tonal range and precision rendered to supreme clarity, depth and texture. Make poster sized prints without sacrificing detail. Explore creative opportunities with ISO 100 to 6,400 (expanded up to 25,600)—shoot from dawn to dusk. Experience Nikon's new Advanced Scene Recognition System featuring a 91,000-pixel RGB light meter capable of rendering unprecedented levels of accuracy to AF, AE, i-TTL flash control, face recognition and auto white balance. Nikon's new EXPEED 3 image processing reduces color phase shifts seen with lesser systems, producing more faithful colors and tones while managing massive amounts of data at breakthrough speed. With the D800E in your hands, achieve what was once unreachable.
Very wide sensitivity range from ISO 100 to ISO 6400, can be set to a minimum of Lo 1 (ISO 50 equivalent) or a maximum of Hi 2 (ISO 25600 equivalent).
speed improvement various functions EXPEED 3 high-performance image-processing engine
51-point AF system optimizes subject acquisition and focusing in low light conditions.
Pentagon glass prism viewfinder 100% field of view (FX format) and approx. 0.7x magnification.
Approximately 921,000 dots, 8 cm (3.2 in) wide viewing angle LCD monitor with scratch-resistant glass. and automatic brightness control on the screen
The shutter unit has been completely redeveloped. Tested to run over 200,000 times, shutter speed up to 1/8000 sec., flash sync at shutter speed 1/250 sec.
Continuous shooting at approx. 4 fps* (FX, 5:4) and approx. 5 fps* (1.2x, DX).
MB-D12 Multi-Power Battery Pack (optional) that supports high-speed continuous shooting at approximately 6 fps in DX format.
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Sony Carl Zeiss Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens, 24-120mm

Sony Carl Zeiss Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens, 24-120mm

  • 16 Mar 2024 : 09:33 am

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Irix 15mm f2.4 Ultra Wide-Angle Lens for Nikon F Mount, Weather-Sealed

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  • 16 Mar 2024 : 09:33 am

Video: https://www.youtube.com/watch?v=hzaBoZASJwk Irix Firefly 15mm f/2.4 Ultra Wide Angle for Full-Frame /APS-C (24mm), Fully Weather-Sealed with Built-in AE Chip for Nikon F cameras, Neutrino coating, Lightweight ABS construction, 110-degree field of view, perfect lens for landscape, architectural and even interior photography, night and astrophotography. Made in Korea lens with two original caps, hood, box etc. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. 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During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. 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The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.

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