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CoolpIX P80 P5000 P5100 4200 5200 S10 5900

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CoolPix S10,CoolPix P500,P510,P520, P100

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Sony Carl Zeiss Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens, 24-120mm

Sony Carl Zeiss Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens, 24-120mm

  • 16 Mar 2024 : 09:33 am

https://www.youtube.com/watch?v=ivZrAATdAUo Possibly the first zoom you’ll need. The SAL1680Z is a superb single-lens solution for many APS-C format photographers. Its 35mm equivalent 24-120mm range may be all you’ll ever need for day-to-day shooting. And of course it delivers acclaimed ZEISS optical performance and handling, with image quality that rivals the best prime lenses at any focal length. An ideal introduction to ZEISS quality for A-mount APS-C format bodies. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Made in JAPAN. Very good working condition! Includes : Lens, two caps, Sony Soft Lens Bag. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sony-asia.com/electronics/camera-lenses/sal1680z Sony Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Overview Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. About this item ● 5x zoom designed specifically for DSLR APS-size ● Superb performance from wide angle to telephoto ● 2 glass-molded aspherical lenses for extra precision ● Circular aperture for pleasing defocused effects.Equivalent 35mm when mounted on an APS format DSLR - 24 - 120mm ● Auto clutch to stop manual focus ring rotation, wide focus ring for a solid feel in manual focusing Vario-Sonnar T* DT 16-80mm F3.5-4.5 ZA Zoom Lens The lightest and most compact zoom in the Carl Zeiss lineup, this lens offers the greatest zoom range making it a superb single-lens solution for many photographers. It delivers acclaimed Carl Zeiss optical performance and handling with image quality that rivals the best prime lenses at any focal length. Technology Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Carl Zeiss T* (T-star) coating Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Distance encoder The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Additional Features Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

Venus Optics LAOWA 9mm f2.8 Zero-D Lens For Sony E

Venus Optics LAOWA 9mm f2.8 Zero-D Lens For Sony E

  • 28 Feb 2024 : 01:13 am

TImelapse of Hong Kong | Laowa 9mm f/2.8 Zero-D | by Jeffrey Poon https://www.youtube.com/watch?v=-KGUKSLYecg LAOWA 9mm f/2.8 Aerial Footage "Realize" on DJI Inspire 2 (DL mount) by Song Gu Chun https://www.youtube.com/watch?v=xcrx9CALWHY Excellent working condition Lens with two caps, Laowa Hood. https://laowa.com.au/product/laowa-9mm-f-2-8/ This exciting prime provides ultra wide-angle coverage up to 113° angle of view which is the widest in its class. The tiny size & light weight match perfectly with mirrorless cameras and are suitable to use with gimbals. 2 aspherical elements plus 3 extra-low dispersion elements successfully correct the chromatic aberration, realize a close-to-zero distortion & deliver a corner to corner sharpness. Venus Optics Laowa 9mm f/2.8 Zero-D Overview By B&H Photo's Matt Cottom Pairing an ultra wide-angle field of view with an especially compact design, this Laowa 9mm f/2.8 Zero-D from Venus Optics is a Sony E-mount lens offering a 13.5mm equivalent focal length. As a Zero-D lens, this 9mm f/2.8's optical design is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Its sleek and lightweight design is well-matched to mirrorless bodies and is ideal for everyday shooting as well as use on gimbals. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions. Ultra wide-angle 9mm f/2.8 prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 13.5mm equivalent focal length. Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions. Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications. Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness. A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions. Manual focus design offers a minimum focusing distance of 4.7". Petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

Sigma 20mm f1.4 DG HSM Art for Sony cameras wide-angle prime lens

Sigma 20mm f1.4 DG HSM Art for Sony cameras wide-angle prime lens

  • 22 Mar 2024 : 14:10 pm

https://www.youtube.com/watch?v=a9QrRG3EsLs The world's first f/1.4 20mm lens for full frame An Art level 20mm F1.4. The ultimate lens for astrophotography. Made in Japan. Lens with two caps, built-in hood. Look at photos. Fully tested in very good working condition. Compatibility: Sony E-mount Full Frame cameras Sony E-mount APS-C cameras 35mm Film cameras Product Description The Sigma 20mm 1.4 DG HSM Art is a state of the art wide-angle prime lens designed for full frame cameras but will work with APS-C sensors as well. Using over 50 years of lens making experience, particularly the knowledge gained from the 35mm 1.4 art and the 24mm 1.4 art, The 20mm 1.4 art is the widest large aperture art Lens to date. The latest optical design allows for the utmost in image quality with careful attention paid to edge to edge performance. Through decades of experience in lens design and Sigma global Vision lens manufacturing, the 20mm incorporates both “f” low dispersion (FLD) glass, and five special low dispersion (sold) glass in a design of 15 elements in 11 groups. The combination of advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, producing outstanding image quality. With class leading performance, This lens is ideal for landscape photography, videography, astrophotography, lowlight/indoor photography and event photography. As with all global Vision lines, the 20mm will be tested using the proprietary “a1” measuring system ensuring the highest standard of operation. The Sigma 20mm art is compatible with the USB dock to update and customize and is also compatible with the mount conversion service. A staple procedure for the global Vision lines, every lens will be tested using the proprietary “a1” measuring system. From the manufacturer Top-level performance for the ultra-high-megapixel era At the dawn of the film camera, there was very little high-sensitivity film, and bright lenses that worked well in low-light conditions came to be known as “high-speed lenses.” These lenses are ideal for shooting indoors, in the evening, under cloudy skies, or in any low-light situation. Since the SIGMA 20mm F1.4 DG HSM | Art provides the benefits of an ultra-wide angle lens with minimal distortion, it is ideal for photographing landscapes, starry skies, and architecture. In addition to capturing wide-angle shots with the whole scene in focus, the photographer can leverage wide-open aperture to take snapshots with the subject in focus and the background blurred with an attractive bokeh effect. Designed for ultra-high-megapixel digital cameras, this high-performance lens delivers outstanding resolution and high-clarity image quality even at wide-open aperture. Smooth bokeh and minimised flare. The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image. From an early stage in the lens design process, flare and ghosting have been measured to establish an optical design resistant to strong incident light sources such as backlighting. SIGMA’s Super Multi-Layer Coating reduces flare and ghosting to help photographers produce sharp and high contrast images even in backlit conditions. The included lens hood can be attached to block out extraneous light, which can have a negative effect on rendering performance. Hyper Sonic Motor ensures high AF speed The Hyper Sonic Motor (HSM) ensures silent, high-speed autofocusing, while the optimized AF algorithm helps realize even smoother AF performance. At any time during AF, users may access MF simply by rotating the focus ring. This feature makes faster focus adjustment possible, since there is no need to use the AF/MF focus mode switch. Also, the optional SIGMA USB DOCK allows the user to set the lens to conventional full-time manual focus override. Note: The operation of full-time MF may vary based on mount type. High-precision, rugged brass bayonet mount This lens incorporates a brass made bayonet mount which has both high accuracy and durability. A special treatment to reinforce its strength is applied to the surface giving it greater strength and making it highly resistant to long-term use. Made in Japan All Sigma products, lenses, cameras and flash units are manufactured exclusively by Sigma in Sigma’s own factory in Aizu, Japan. No Sigma Corporation product – lens, camera or flash – is manufactured outside of Japan. This is very unusual these days, as most companies have at least some of their products produced outside of Japan because of cost considerations. There's a reason why SIGMA continues to insist on the very highest quality in its product manufacturing: our love of photography is second to none. We deeply appreciate the photographer's desire to record and express—the passion of the photographer. Compatible with full-frame Sony E-mount cameras The version of this lens compatible with Sony E-mount mirrorless cameras contains the same optical system as for SLRs. SIGMA MOUNT CONVERTER MC-11 is not required, as the lens performs the same functions as the converter, including in-camera image stabilization and in-camera lens aberration correction. In addition, the lens is compatible with Sony’s Continuous AF, which is not addressed by MOUNT CONVERTER MC-11. SIGMA plans to offer over time Sony E-mount versions of every full-frame prime lens currently available in the Art line, from 14mm to 135mm. Note: This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Advanced technologies make a 20mm F1.4 lens possible To offer an ultra-wide-angle 20mm focal length and F1.4 brightness at wide-open aperture, this lens incorporates a large double aspherical lens 59mm in diameter. Lenses of this type had been considered extremely difficult to manufacture, but SIGMA took on the challenge to realize an F1.4 ultra-wide-angle lens that fulfills the strict performance requirements of the SIGMA Art line. What made this breakthrough possible were SIGMA’s advanced manufacturing technologies, which the company has developed over time. Moreover, SIGMA’s advanced optical design minimizes distortion, transverse chromatic aberration, sagittal coma flare, and the reduction of brightness toward the edges of the image. Delivering top performance even at wide-open aperture, this lens can be considered the culmination of SIGMA’s Art line. * Left side: The aspherical glass element used in the SIGMA 18-35mm F1.8 DC HSM | Art、Right side: The aspherical glass element used in the SIGMA 20mm F1.4 DG HSM | Art. Supplied Accessories COVER LENS CAP LC907-01 REAR CAP LCR II By connecting a SIGMA Art, Contemporary, or Sports lens to a computer with the SIGMA USB DOCK, photographers can update the lens firmware and adjust focus position and other parameters. Exclusive SIGMA Optimization

Sony GP-X1EM Original Genuine Grip Extension for Sony Alpha, GPX1EM

Sony GP-X1EM Original Genuine Grip Extension for Sony Alpha, GPX1EM

  • 14 Feb 2024 : 18:59 pm

For SONY α9, α7R II, α7R III, α7R IIIA, α7S II, α7 II, α7 III, α99 II, ILCE-7M2, ILCE-7M2K, ILCE-7RM2, ILCE-7RM3, ILCE-7SM2, ILCE-9. New from showcase. Last one. Include: tripod, no more. Sophisticated design features the same surface material used on the camera grip, providing a uniform and comfortable feel when griped ● Enhanced scratch resistance material ● Connects via the tripod mount screw Sony GP-X1EM Overview Improve the comfort and stability of your a9, a7 II, or a7 III series camera with the GP-X1EM Grip Extension from Sony. It mounts to the camera's tripod socket and provides a larger and taller grip for a more ergonomic shooting setup. Additionally, it has durable aluminum construction. Compatible Cameras a9 a7 III a7R III a7 II a7R II a7S II Construction Aluminum Dimensions H: 2.25 x W: 3.75 x D: 0.8" / H: 56.00 x W: 95.00 x D: 21.00 mm Weight 2.6 oz / 73.7 g Packaging Info Package Weight 0.25 lb Box Dimensions (LxWxH) 4.8 x 4.7 x 1.5" Original aluminum grip extension for your Sony Alpha camera, which provides increased stability and high comfort. Top-Features ● Made of Aluminum

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