NIKON Mount Lensbaby Spark 50mm f/5.6 for Nikon cameras

Ultra Wide Angle Prime Lens. Made in Japan. Lens with two caps. S/n: last photo Fully tested in excellent working condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/content/dam/consumer-products/downloads/historical-products/photography/zm-lenses/en/datasheet-zeiss-zm-distagon-418mm-en.pdf From KenRockwell.com. : Ideal Uses Could be the only wide lens you need for your Leica. Like all Leica M lenses, Zeiss 18mm f/4 ZM works on every Leica M camera, as well as Minolta CLE , Voigtländers, Konica Hexar Ms and Zeiss Ikons. This Zeiss 18mm lens is perfect for use on any Leica. It's super-sharp, free from distortion and easy to shoot, especially with filters. It comes in silver or black and couples to the rangefinder of every Leica or similar rangefinder camera. When I finally got one of these in my hands, it's much, much nicer than I had expected. This Zeiss 18mm's optics are superb, and it takes normal 58mm filters. It's small enough so that there is very little blockage of the image in the 18mm finder, so it's easy to go shoot well. This Zeiss lens feels great in hand, just like Leica lenses. Focus and aperture rings turn with the same smoothness and precision I expect from Leica, and even better than Leica's cheap new Summarit-M lenses. By comparison, the new Leica 18mm f/3.8 ASPH  is a dream lost. It's too big for practical use. The Leica 18mm is a poorer choice for photography because you have to use a special  Leica 14 484 filter adapter  to use filters, and then you have to use 77mm filters which will block your viewfinder. You can't compose well when you can't see what you're doing. Why bother? The  Leica Man  demands the Leica 18mm for his collection, but for actual photographers, the Zeiss 18mm is a better lens because it shoots better. I still need to have a shoot-out to compare optics; when I've had my hands on the Leica 18mm I wasn't at my optical test range. I'm unsure if the Leica will be as good optically as this Zeiss, but we'll see when I get a sample of the Leica 18mm with which to run a head-to-head shoot-out, hopefully in a few weeks. The Leica man doesn't trifle the price, and at any price, the Zeiss makes more sense for its superlative optics and superior usability. Photographers do consider price, and for them, this Zeiss costs less than half of the Leica 18mm. How does Zeiss make such a great lens so inexpensively? Efficiency. Zeiss puts its brilliance in the design, as Mozart and Beethoven put theirs in their scores, and Zeiss then has the performance (manufacture) done efficiently by Cosina in Japan for these consumer lenses. While Leica makes nothing optically more exotic than single-user camera lenses, survey equipment, instruments and scopes, Zeiss also makes enterprize-level optics used in cinematography, satellites and computer chip manufacturing. Zeiss Master Prime cine lenses, rented in Hollywood for $300 a day, sell for $20,000 - $25,000 each. The Zeiss lenses used in  ASML steppers  sell for close to seven figures each, and are made in the cleanest clean rooms in Germany. Leica doesn't even make medium-format lenses, as Zeiss has been doing for Hasselblad since forever. Whose lenses are used in spy satellites that can read the brand name off a golf ball — from space? Zeiss. What lenses did man take with him to record his most crowning achievement of all, the moon landings? Zeiss. Zeiss tests every single one of these lenses, including the 18mm ZM reviewed here, for MTF before it's sold to us. The MTF Zeiss specifies are actual tested, typical MTFs from actual lenses, not the pie-in-the-sky computed MTFs that other companies parade around but can't necessarily manufacture. With Zeiss, we the customers aren't paying for promotional cameras and lenses  given away to celebrities every other month. Zeiss is unsurpassed, but Zeiss doesn't attract the religious extremists that Leica does to tell you about it. Zeiss calls this the Zeiss Distagon  T*  4/18 ZM. "Distagon" is a trademark simply meaning "Zeiss retrofocus wide-angle lens;" it means nothing more specific about the design. T*  is a brand name for Zeiss' excellent multicoating. ZM means it fits the eternal M series of Leica rangefinder cameras, as well as the Voigtländer Bessas, Zeiss Ikons and  Minolta CLE . Ergonomics are perfect. The aperture flicks with a fingertip, and the settings are obvious by feel. Focus flicks with a fingertip, and it's easy to use two fingers for precise focus. The focus ring feels great. One fingertip is all it takes to flick it. Focus is very fast and sure. A small twist of the ring leads to a huge movement in the rangefinder. Focus is faster and less precise than Leica's standard. The focus ring goes from infinity to 0.5 meters in just 100,º which is almost twice as fast as most Leica lenses. There is no focus tab; just a knurled ring. You can use one or two fingers, unlike with Leica, where you have only the tab for focus The Zeiss 18 4 is made very well, much better than Leica's Summarit M lenses . Everything is tight, smooth and solid. Unlike AF lenses, this lens feels like one solid ball of metal. Nothing wiggles, vibrates or clatters. Filter Threads: Chromed metal. Barrel: Silver anodized aluminum. Focus Ring: Anodized aluminum with triangular ribbing. Focus Tab: None. Aperture Ring: Anodized aluminum. Focus Helicoids: Brass. Other Internals: Metal. Mount: Chromed brass. Mounting Index Dot: Blue plastic ball. Markings: Engraved and filled with paint. Made in: Japan. This Zeiss 18mm f/4 lens is sharp! It's sharp even at f/4, and even in the far corners of the full 35mm frame. The half-frame M8's corners are still in the middle of this lens' image. The only way to make this lens unsharp is to stop down too far, like f/22 if you don't need it, in which case diffraction limits performance as it does with every lens. The 10-bladed diaphragm begets sharp, 10-pointed sunstars . Panoramas, landscapes, architecture, photos with dominating foreground and wide background, photography in confined spaces is the profession of this lens. It offers excellent optical performance in a 100 degree diagonal field angle and it’s distortion is almost invisible. Despite it’s comfortable F4 maximum aperture the photographer will enjoy the compactness and light weight of the lens. A full metal barrel, 1/3 f-stop’s, a sophisticated operating concept mark it distinctively as a member of the Carl Zeiss ZM lens family. This lens still provides an astonishing wide angle effect even when used with digital rangefinder cameras. Because of its wide field angle and the need of an external viewfinder this lens is ideally combined with the Zeiss Ikon SW camera body. A versatile wide-angle prime designed for M-mount rangefinder cameras, the silver  Distagon T* 18mm f/4 ZM Lens  from  ZEISS  provides an immense 98° angle of view to suit photographing wide-open expanses or tight, narrow interior locations with dimensional fidelity. Employing a Distagon optical design, distortion is significantly reduced for a realistic portrayal of scenes and both brightness and sharpness are maintained from edge to edge and three anomalous partial dispersion glass elements are also used to help control chromatic aberrations and color fringing for improved clarity and color fidelity throughout the aperture range. A T* anti-reflective coating has been applied to individual lens elements to control flare and ghosting when working in strong lighting conditions for increased contrast and color neutrality. Additionally, the lens's manual focus design permits working with subjects as close as 1.6' away. Employing a Distagon optical concept, this lens delivers virtually distortion-free performance that pairs well with the broad angle of view. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Manual focus design enables a minimum focusing distance of 1.6'.

https://www.youtube.com/watch?v=HdDH7kq3CCw Made in Japan Lens with two original caps, docs, Box. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/10_5mm_0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.voigtlaender.de/lenses/mft/105-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. Voigtlander 10.5mm f/0.95 Nokton Aspherical Overview With a 21mm equivalent focal length and an extremely fast f/0.95 maximum aperture, the Nokton 10.5mm f/0.95 Lens from Voigtlander offers Micro Four Thirds users a wide-angle lens well-suited for low-light still photography and video. The lens utilizes a pair of aspherical elements to reduce aberrations and distortions, as well as maintain a compact form factor. This manual focus, manual exposure prime lens also features the Selective Aperture Control System, which permits switching between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. When set to the stepless setting, silent and smooth exposure adjustments can be made that are especially beneficial when recording video. Extremely bright and fast 10.5mm f/0.95 lens produces a 21mm equivalent focal length on Micro Four Thirds cameras. Selective Aperture Control System produces a stepless, de-clicked aperture ring, which provides silent and smooth exposure adjustment that is well-suited for video application. The aperture ring can also be configured to utilize traditional click stops for more intuitive tactile control over exposure settings. A pair of aspherical elements controls aberrations and distortions for greater sharpness and clarity. Fully manual focus and exposure lens features an all-metal lens barrel and a 10-blade diaphragm. Product Description Nokton 10.5mm F0.95 is the super wide-angle lens designed exclusive for Micro Four Thirds mount. The angle of view 93° is equivalent to 21mmwide lens (Crop factor : x2). This lens is achieved to get amazing high speed of F0.95 at wide open, and has 2pcs Aspherical Lenses (3 surfaces are Aspherical) so that you can get sharp images even at wide open. 10.5mm F0.95 also has Selective Aperture Control System as same as the other Voigtländer MFT series lenses. ■ Exclusive for Micro Four Thirds Mount ■ 13 elements in 10 groups with Super High Refractive element and Aspherical element. ■ Newly adopted Selective Aperture Control System ■ Full Metal Barrel with high toughness and durability ■ Manual Focus for Smoothly and Perfectly focusing ■ 10 aperture blades brings you a beautiful Bokeh Voigtlander Nokton  10.5mm  f0.95  ตัวนี้นี่ เป็นเลนส์ที่เพิ่งเปิดตัวราวๆต้นปีที่ผ่านมานี่หละครับ พอเปิดตัวมาก็เป็นที่ฮือฮา วิพากษ์วิจารณ์กันในวงเมาท์ต่างๆพอสมควร เพราะว่า หน้าตามันหล่อสะดุดตามากๆ และ มันเป็นเลนส์มุมกว้าง  ที่ f ก็กว้างถึง f/0.95  ด้วย ทีนี้หละ พวกนักล่าทางช้างเผือก  นักถ่ายภาพยามวิกาล เอ้ย ยามราตรีทั้งหลาย  จะทำงานสะดวกขึ้นเยอะเลย   เพราะว่าความสว่างที่เพิ่มขึ้น ก็คือ  iso ที่ต่ำลง  และความไวชัตเตอร์ที่สั้นลง ไม่ต้องเผาเซ็นเซอร์กันนานๆเป็นนาทีๆ เลนส์ตัวนี้เป็นเมาท์ micro 4/3  โดยกำเนิด ใส่กับกล้อง olympus  panasonic  เข้าไปตรงๆ ได้เลยโดยไม่ต้องใช้ adapter และหาโฟกัสด้วยวิธี หมุนด้วยมือ หรือที่ชาวบ้านเรียกกันว่า เลนส์มือหมุนหละครับ หน้าตา  คุณภาพงานผลิต การออกแบบของ voigtlander  นี่ ถือว่าออกแบบมาอย่างเรียกคะแนนความสนใจจากผู้ใช้สุดๆครับ   ดุดัน  ดู vintage  ให้คำนิยามสั้นๆว่า โคดหล่อ   งานผลิตก็มาตรฐานญี่ปุ่น เป๊ะ เนี้ยบ ตามมาตรฐานญี่ปุ่นไฮเอนด์ละครับ พอแปะยี่ห้อ ที่มีเชื้อสายเยอรมันเข้าไป   ยิ่งทำให้มันได้ฟีล     หน้าตาเลนส์ก็ออกแนวฝรั่งๆอยู่แล้ว   ใส่กับกล้องแล้ว  ไม่ว่าจะกล้องอะไร  ตัวเลนส์มันก็ทำให้กล้องหล่อขึ้นไป 3 เท่าหละครับ

Lens with two caps. S/n: last photo. http://www.nikon.co.th/th_TH/product/nikkor-lenses/f-mount/dx-format/zoom/af-s-dx-nikkor-18-55mm-f-3-5-5-6g-vr-ii AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II คือเลนส์ใหม่ที่มีขนาดกะทัดรัดและน้ำหนักเบา ลงตัวสำหรับกล้อง Nikon D3300 ด้วยประสิทธิภาพที่ถูกพัฒนาไปอีกขั้น ฟังก์ชั่นลดการสั่นไหว (VR) และระยะการโฟกัสใกล้สุดที่ 0.25 ม./0.8 ฟุต ล้วนทำให้เลนส์รุ่นนี้เป็นเพื่อนร่วมทางที่คุณขาดไม่ได้ Popular “walk-around” zoom lens with a remarkably compact and lightweight build that offers superior portability. Designed for use with Nikon DX-format SLRs, this lens is ideal for shooting everyday photos and HD movies. The 3x zoom covers the commonly used focal length range of 18–55mm, and Nikon’s Silent Wave Motor (SWM) enables quiet autofocus, which is an advantage when shooting movies. Despite its compact size, this lens still boasts Nikon’s Vibration Reduction system for clear, blur-free images, whether you’re taking a wide-angle group portrait in low light, or zooming in to capture distant subjects. ประสิทธิภาพที่ยอดเยี่ยมกว่า ในขนาดที่กะทัดรัดและเบา นวัตกรรมของกลไกใหม่ทำให้เลนส์รุ่นนี้คงขนาดที่เล็กแต่ส่งมอบภาพถ่ายที่เปี่ยมไปด้วยประสิทธิภาพในเรื่องความคมและความชัดของภาพ ด้วยขนาดเล็กลงประมาณ 30% และนํ้าหนักเบาขึ้นประมาณ 25% วงแหวนใส่ฟิลเตอร์ตัดแสงสะท้อน (Circular Polarizing Filter) ได้รับการปรับปรุงจากเดิมที่ไม่สามารถปรับหมุนได้ เพื่อการใช้งานที่ง่ายขึ้น ทำให้การควบคุมภาพที่มีแสงสะท้อนกลายเป็นเรื่องแสนง่าย

Sony RX0 II Cybershot DSC-RX0M2 Ultra-compact Water, Dust, Shock, and Crushproof Wi-Fi & Bluetooth Camera Carl Zeiss Tessar Lens DSC-RX0 RX0 Vlog Internal UHD 4K30 Video & S-Log2 Gamma, HFR Mode for Slow Motion up to 1000 fps, 15.3MP 1" Exmor RS Stacked Unleash your sense of beauty: https://www.youtube.com/watch?v=SZ4s2LCzx94Travel in Spain - 4K movie: https://www.youtube.com/watch?v=glFGnu-nl6E Super slow motion: https://www.youtube.com/watch?v=SbPdoThBDnU Interval recording for time-lapse movies: https://www.youtube.com/watch?v=lnMxGPyWcIc กล้องจิ๋ว พับได้ MayVlog with Sony RX0 Mark II: https://www.youtube.com/watch?v=XxA3G26iMkY S/n: last photo. Perfectly working order! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Sony has worked wonders with the Cyber-shot DSC-RX0 II, creating a premium, ultra-compact, and tough camera with an outstanding feature set for both stills and video. This form factor makes it ideal for travel and everyday life while the 15.3MP 1" Exmor RS stacked CMOS sensor and BIONZ X image processor ensure your images are of the highest quality. Also, this model offers internal UHD 4K30 video recording, electronic image stabilization for movies, and a 1.5" 230k-dot 180° tilting LCD that is perfect for selfies and vlogging. Beyond that, the RX0 II can handle adverse conditions with ease, being waterproof to 33', dustproof, crushproof to 440 lb, and shockproof to 6.5'.Image quality is of the utmost importance, and the relatively large 1"-type sensor benefits from a stacked architecture and dedicated DRAM chip that dramatically speeds up processing and performance. Tied into this system is the BIONZ X processor, enabling outstanding low-light performance with sensitivities up to ISO 12800 as well as continuous shooting at 16 fps and support for Eye AF in select modes. The fast sensor readout also improves rolling shutter and speeds of up to 1/32000 second. Benefitting this imaging system is a ZEISS Tessar T* 24mm equivalent f/4 lens that ensures minimal distortion, excellent sharpness, and a minimum focus distance of just 7.9".All this technology makes the RX0 II a stellar video camera, too, as it offers internal UHD 4K30 video along with Picture Profiles, including the advanced S-Log2 gamma. Users looking for the best can still output an uncompressed and clean 4:2:2 4K image over HDMI as well as benefit from the camera's 3.5mm microphone input for improved audio capture. The RX0 II has electronic image stabilization for steady handheld footage. Full HD video at up to 120 fps is available as well, though a High Frame Rate or HFR Mode will enable super slow-motion capture at up to 960 fps in NTSC or 1000 fps in PAL. Additionally, interval recording is possible for creating time-lapse movies.Taking things a step further are the RX0 II's advanced connectivity options. Built-in Wi-Fi and Bluetooth allow for remote control and image transfer to a mobile device via the Imaging Edge Mobile app. This setup can operate multiple RX0 II cameras at once. The camera also benefits from other optional accessories that allow the RX0 II to be integrated into advanced configurations with up to 100 cameras. 15.3MP 1" Exmor RS Stacked CMOS Sensor & BIONZ X Image Processor Squeezed into that pocketable and rugged frame is a large 15.3MP 1" Exmor RS stacked CMOS sensor with dedicated DRAM chip. By integrating the DRAM so tightly with the sensor, Sony was able to dramatically speed up read times, allowing an anti-distortion shutter at up to 1/32000 second, a wide dynamic range, and sensitivities that range from ISO 80-12800. Working with this sensor is the BIONZ X image processor which ensures images are captured with a wide dynamic range, reduced noise, and natural-looking colors. Eye AF is supported now, and the RX0 II can shoot full-resolution stills continuously at up to 16 fps. The contrast-detect AF system will operate in single-shot AF, preset focus, or manual focus. ZEISS Tessar T* 24mm f/4 Lens Integrated into the body of the RX0 II is a ZEISS Tessar T* 24mm equivalent f/4 lens. These optics are optimized to capture high-resolution images with minimal distortion and high sharpness. It also sports a minimum focus distance of 7.9" for versatility and can work with Clear Image Zoom to provide a 2x digital zoom with a minor loss in quality. Additionally, ghosting and flare is well controlled and a coating on the front of the body makes it easy to clean water drops and dust. UHD 4K Video Recording & S-Log2 Gamma Another benefit of upgraded processing in the RX0 II is the ability to record UHD 4K30 video internally to a memory card and Full HD at up to 120 fps. These videos are recorded with full pixel readout of the sensor and no pixel binning, meaning that about 1.7x the data required for 4K resolution is captured and down sampled to produce higher-quality footage. It will record footage in the high-quality XAVC S format at up to 100 Mb/s for ensuring excellent detail in your final recordings.For advanced filmmaking, the RX0 II offers shooters Picture Profiles, including the S-Log2 gamma, for additional control over the look of your final images and the ability to capture video with a wide dynamic range to be edited in post. Electronic SteadyShot image stabilization is available as well for steady handheld operation. Another function supported by the system's advanced processing is an HFR or High Frame Rate Mode. This will allow users to capture extreme slow motion at up to 960 or 1000 fps for NTSC or PAL, respectively. Quality Priority Mode can be used when resolution is critical to record up to HD at 240 or 250 fps. A helpful option for HFR is an end trigger function so you can record the 2-4 seconds prior to the shutter being pressed so you don't miss the shot.Users looking to integrate the RX0 II into a professional workflow can benefit from the camera's uncompressed and clean HDMI output via a micro-HDMI port and the 3.5mm microphone input for connecting audio equipment. The camera is also equipped with MF Assist and Peaking functions to help make sure your subject is in focus. And interval recording is available for creating time-lapse movies. Rugged, Pocketable Body Design and Connectivity Core to the RX0 II's identity is a durable extra-super-duralumin body with a sleek exterior. Measuring just 2.4 x 1.6 x 1.4" and weighing just 4.7 oz, this camera is extremely portable and can be used in the tightest locations. Added in this model is a 1.5" 230k-dot 180° tilting LCD, allowing for easier selfies and vlogging. The screen can tilt downward 90° for additional flexibility when shooting at different angles. In terms of toughness, the RX0 II is waterproof to 33', shock resistant to drops from up to 6.5', and crushproof to 400 lbf, as well as dustproof. Wireless Connectivity and Multi-Camera Setups Built-in Wi-Fi and Bluetooth connectivity can be used to access more features via a connected mobile device. The Image Edge Mobile app will support remote control of the camera and can even control multiple RX0 cameras at the same time. Bluetooth can be used for remote power on/off and recording location data. A Movie Edit add-on can also be used to transfer videos to your mobile device and will provide automatic image stabilization and reframing for various social media networks.Various accessories will amplify the RX0 II shooting experience. Shooting grips, mounts, and imaging tools can help ensure the best handling and image quality for your setup. Also, the RX0 II is a great choice for multi-camera installations. It can be easily used in a dual-camera shooting setup with the optional VMC-MM2 Release Cable or can be combined with the separately available CCB-WD1 Camera Control Box for working with up to 100 RX0 II cameras simultaneously.