OLYMPUS OM-D E-M10 Black Silver Body, OMD EM-10 EM10 M10

https://www.youtube.com/watch?v=W6YBnjNOi1U Fully tested in excellent working condition. Excellent condition body with Sony battery, Sony Wall charger, booklets, Sony Alpha strap, body cap, box. Shutter counter: 38xxx English / Thai + menu. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Proving that speed, resolution, and video capabilities can all coexist, the a7R III Mirrorless Camera from Sony is a versatile, high-performance camera characterized by not only its resolution, but by its multimedia versatility. Revolving around a full-frame 42.4MP Exmor R BSI CMOS sensor and updated BIONZ X image processor, the a7R III affords an impressive 10 fps continuous shooting rate along with improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity throughout the sensitivity range from ISO 100-32000, which can further be expanded to ISO 50-102400. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor, or when using a Super35 area and 5K oversampling to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7R III retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5.5 stops. In addition to imaging updates, the a7R III also sports a revised body design, which includes a 3.69m-dot Tru-Finder OLED electronic viewfinder for bright, clear, and realistic eye-level monitoring. A rear 3.0" 1.44m-dot tilting touchscreen LCD is also available for intuitive settings control and to better support working from high and low angles. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 530 shots per charge when using the viewfinder. Suiting the camera's use in trying conditions, the magnesium alloy chassis and extensive weather-sealing also render the a7R III dust- and moisture-resistance 42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 42.4-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 42.4-megapixel stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 76 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible. Fast Hybrid AF System An evolved 4D FOCUS system now employs a combination of 399 phase-detection points, which cover approximately 68% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7R models, as well as improved low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. For more personalized control over focus, and benefitting working in either vertical or horizontal shooting orientation, the AF area can be switched in orientation to better suit your subject matter. AF tracking sensitivity can also be customized in five steps to match how a subject is moving and frequently used focus point settings can be memorized and recalled with a custom button for faster switching between focus settings. 5-Axis SteadyShot INSIDE Image Stabilization Packed into the robust a7R III is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 5K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file. Additional Video Features Support for HDR Content: ● Affording extensive customizable color and gamma controls, the a7R III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Slow & Quick Motion: ● Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable. Enhanced Zebra Function: ● An enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier. Time Code and User Bit Settings: ● A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras. Proxy Recording: ● UHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing. Body Design and Built-In Wi-Fi/Bluetooth ● An updated Quad-VGA OLED Tru-Finder EVF is featured, and has a 3.69m-dot resolution for bright, clear viewing in high detail. Both Standard and High quality settings can be used, depending on the shooting situation, in order to optimize the viewing experience. This updated viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation. ● In addition to the EVF, a 3.0" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles. ● Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding. ● A durable shutter unit incorporates a coreless motor and brake system that reduces vibrations to better control shutter shock as well as extend its rated lifespan to approximately 500,000 actuations. ● Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions. ● Using the same NP-FZ100 battery as the a9, the a7R III has improved battery life and is now rated for approximately 530 shots per charge with the EVF or 650 shots with the rear LCD. ● Dual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards. ● Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes. ● A USB 3.1 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected. ● The a7R III features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more, the camera is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio, a 3.5mm headphone jack is available as well as real time audio levels for a visual reference. ● Built-in Wi-Fi enables the a7R III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter. ● Bluetooth connectivity allows for location data acquisition. Pixel Shift Multi Shooting This unique compositing mode allows you to achieve even greater resolution than the 42.4MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making four consecutive exposures in order to acquire approximately 169.6MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite. Other Camera Features ● A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production. ● An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes. ● Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively. ● Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. ● Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key. ● Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

The first and fastest of its kind. A best-sellermade even better. This large-aperture standard DSLR camera lens is in APS-C format, making it ideal for many different types of photographic expression. Made in Japan. Used. Fully tested in very good working condition. 100% workable. Lens with two caps. S/n: last photo. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Sigma 18-35mm F1.8 DC HSM | A Lens The first and fastest of its kind Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal focusing and zooming allows for more usability and functionality. The 18-35mm is ideal for landscapes, portraits, still life, snap shots, casual, and close-ups and the Hyper Sonic Motor (HSM) ensures smooth, fast and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces size and weight but increases the lens durability. Its new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9 blade rounded diaphragm also creates beautiful background blur. The Sigma 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must have for every camera bag. USB Dock Compatibility Sigma has developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus. About Sigma Since 1961, and with the recent introduction of Sigma Global Vision, we have worked toward one single, simple goal: To hold ourselves to the highest standard of design & manufacturing of imaging products. Photography is all we do. And it’s all we’ve done. So you can rest assured that it’s something we know extensively and care deeply about. You have a vision. We’ve made it our mission. Distinguished by a uniquely fast and versatile design, the Sony A-mount Sigma 18-35mm f/1.8 DC HSM is an Art-series zoom, covering wide-angle to normal focal lengths. Separating itself from the pack, this zoom features an exceedingly bright f/1.8 constant maximum aperture, which suits its use in difficult lighting conditions and offers impressive depth of field control throughout the zoom range. The optical design incorporates a series of SLD and aspherical elements, which help to achieve high clarity and sharpness by suppressing various aberrations, color fringing, and distortion. A Super Multi-Layer Coating has also been applied, too, which controls lens flare and ghosting for improved contrast and color accuracy. Balancing the optical merits, this 18-35mm also sports an advanced Hyper Sonic Motor, along with an internal focusing design, to promote fast, quiet, and precise autofocus performance. As part of the Art line within Sigma's Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications. Wide-to-normal zoom is designed for APS-C-format Sony A-mount cameras and provides a 27-52.5mm equivalent focal length range. Impressively bright constant f/1.8 maximum aperture is well-suited for working in low-light conditions and also provides greater control over the focus position when using shallow depth of field techniques. Five Special Low Dispersion (SLD) elements are featured in the optical design and help to reduce color fringing and chromatic aberrations for improved clarity and color accuracy. Four aspherical elements are used to help limit distortion and spherical aberrations and also contribute to greater overall sharpness and accurate rendering. A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions. Integrated HSM (Hyper Sonic Motor), along with an internal focusing system, realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time. Rounded nine-blade diaphragm contributes to a smooth and pleasing bokeh quality. Constructed using a Thermally Stable Composite (TSC) material for greater precision and use in wide temperature variations. Additionally, a brass bayonet affords improved mounting accuracy and rigidity.

https://www.youtube.com/watch?v=WyUkvT3eEEA The Nokton 0.95 / 17.5 mm is a true light giant for MFT cameras. The finely processed manual lens offers a 35 mm equivalent focal length of 35 mm and thus moderate wide angle for objective and sophisticated photography at the highest level with maximum light intensity. Made in Japan Lens with two caps, docs, Box. Look at photos. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/17_5mm_F0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. https://www.voigtlaender.de/lenses/mft/175-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Voigtlander's Nokton 17.5mm f/0.95 Lens for Micro Four Thirds Cameras is a breathtaking wide-angle lens that combines an extraordinary maximum aperture of f/0.95 with a superb 10-blade diaphragm for magnificent low-light/shallow depth-of-field images--photographs or video. A selective aperture control system allows a continuous and soundless change of the aperture (and depth-of-field as well, of course). This manual focus lens (equivalent to a 35mm lens on a full-frame camera) focuses down to a very close 5.9". The Nokton 17.5mm f/0.95 is destined to become the standard wide-angle, low-light, shallow depth-of-field lens for Micro 4/3 camera users. It's ready for its close-up. Exceptionally fast f/0.95 wide-angle lens (35mm equivalent) for Micro 4/3 cameras Continuous and soundless change of the aperture (and depth of field) is possible with selective aperture control system Very close-focusing lens--5.9" Aspherical lens elements provide crisp images Diaphragm has 10 blades, producing outstanding, beautiful bokeh in the out-of-focus areas of your images

Ultra Wide Angle Prime Lens. Made in Japan. Lens with two caps. S/n: last photo Fully tested in excellent working condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/content/dam/consumer-products/downloads/historical-products/photography/zm-lenses/en/datasheet-zeiss-zm-distagon-418mm-en.pdf From KenRockwell.com. : Ideal Uses Could be the only wide lens you need for your Leica. Like all Leica M lenses, Zeiss 18mm f/4 ZM works on every Leica M camera, as well as Minolta CLE , Voigtländers, Konica Hexar Ms and Zeiss Ikons. This Zeiss 18mm lens is perfect for use on any Leica. It's super-sharp, free from distortion and easy to shoot, especially with filters. It comes in silver or black and couples to the rangefinder of every Leica or similar rangefinder camera. When I finally got one of these in my hands, it's much, much nicer than I had expected. This Zeiss 18mm's optics are superb, and it takes normal 58mm filters. It's small enough so that there is very little blockage of the image in the 18mm finder, so it's easy to go shoot well. This Zeiss lens feels great in hand, just like Leica lenses. Focus and aperture rings turn with the same smoothness and precision I expect from Leica, and even better than Leica's cheap new Summarit-M lenses. By comparison, the new Leica 18mm f/3.8 ASPH  is a dream lost. It's too big for practical use. The Leica 18mm is a poorer choice for photography because you have to use a special  Leica 14 484 filter adapter  to use filters, and then you have to use 77mm filters which will block your viewfinder. You can't compose well when you can't see what you're doing. Why bother? The  Leica Man  demands the Leica 18mm for his collection, but for actual photographers, the Zeiss 18mm is a better lens because it shoots better. I still need to have a shoot-out to compare optics; when I've had my hands on the Leica 18mm I wasn't at my optical test range. I'm unsure if the Leica will be as good optically as this Zeiss, but we'll see when I get a sample of the Leica 18mm with which to run a head-to-head shoot-out, hopefully in a few weeks. The Leica man doesn't trifle the price, and at any price, the Zeiss makes more sense for its superlative optics and superior usability. Photographers do consider price, and for them, this Zeiss costs less than half of the Leica 18mm. How does Zeiss make such a great lens so inexpensively? Efficiency. Zeiss puts its brilliance in the design, as Mozart and Beethoven put theirs in their scores, and Zeiss then has the performance (manufacture) done efficiently by Cosina in Japan for these consumer lenses. While Leica makes nothing optically more exotic than single-user camera lenses, survey equipment, instruments and scopes, Zeiss also makes enterprize-level optics used in cinematography, satellites and computer chip manufacturing. Zeiss Master Prime cine lenses, rented in Hollywood for $300 a day, sell for $20,000 - $25,000 each. The Zeiss lenses used in  ASML steppers  sell for close to seven figures each, and are made in the cleanest clean rooms in Germany. Leica doesn't even make medium-format lenses, as Zeiss has been doing for Hasselblad since forever. Whose lenses are used in spy satellites that can read the brand name off a golf ball — from space? Zeiss. What lenses did man take with him to record his most crowning achievement of all, the moon landings? Zeiss. Zeiss tests every single one of these lenses, including the 18mm ZM reviewed here, for MTF before it's sold to us. The MTF Zeiss specifies are actual tested, typical MTFs from actual lenses, not the pie-in-the-sky computed MTFs that other companies parade around but can't necessarily manufacture. With Zeiss, we the customers aren't paying for promotional cameras and lenses  given away to celebrities every other month. Zeiss is unsurpassed, but Zeiss doesn't attract the religious extremists that Leica does to tell you about it. Zeiss calls this the Zeiss Distagon  T*  4/18 ZM. "Distagon" is a trademark simply meaning "Zeiss retrofocus wide-angle lens;" it means nothing more specific about the design. T*  is a brand name for Zeiss' excellent multicoating. ZM means it fits the eternal M series of Leica rangefinder cameras, as well as the Voigtländer Bessas, Zeiss Ikons and  Minolta CLE . Ergonomics are perfect. The aperture flicks with a fingertip, and the settings are obvious by feel. Focus flicks with a fingertip, and it's easy to use two fingers for precise focus. The focus ring feels great. One fingertip is all it takes to flick it. Focus is very fast and sure. A small twist of the ring leads to a huge movement in the rangefinder. Focus is faster and less precise than Leica's standard. The focus ring goes from infinity to 0.5 meters in just 100,º which is almost twice as fast as most Leica lenses. There is no focus tab; just a knurled ring. You can use one or two fingers, unlike with Leica, where you have only the tab for focus The Zeiss 18 4 is made very well, much better than Leica's Summarit M lenses . Everything is tight, smooth and solid. Unlike AF lenses, this lens feels like one solid ball of metal. Nothing wiggles, vibrates or clatters. Filter Threads: Chromed metal. Barrel: Silver anodized aluminum. Focus Ring: Anodized aluminum with triangular ribbing. Focus Tab: None. Aperture Ring: Anodized aluminum. Focus Helicoids: Brass. Other Internals: Metal. Mount: Chromed brass. Mounting Index Dot: Blue plastic ball. Markings: Engraved and filled with paint. Made in: Japan. This Zeiss 18mm f/4 lens is sharp! It's sharp even at f/4, and even in the far corners of the full 35mm frame. The half-frame M8's corners are still in the middle of this lens' image. The only way to make this lens unsharp is to stop down too far, like f/22 if you don't need it, in which case diffraction limits performance as it does with every lens. The 10-bladed diaphragm begets sharp, 10-pointed sunstars . Panoramas, landscapes, architecture, photos with dominating foreground and wide background, photography in confined spaces is the profession of this lens. It offers excellent optical performance in a 100 degree diagonal field angle and it’s distortion is almost invisible. Despite it’s comfortable F4 maximum aperture the photographer will enjoy the compactness and light weight of the lens. A full metal barrel, 1/3 f-stop’s, a sophisticated operating concept mark it distinctively as a member of the Carl Zeiss ZM lens family. This lens still provides an astonishing wide angle effect even when used with digital rangefinder cameras. Because of its wide field angle and the need of an external viewfinder this lens is ideally combined with the Zeiss Ikon SW camera body. A versatile wide-angle prime designed for M-mount rangefinder cameras, the silver  Distagon T* 18mm f/4 ZM Lens  from  ZEISS  provides an immense 98° angle of view to suit photographing wide-open expanses or tight, narrow interior locations with dimensional fidelity. Employing a Distagon optical design, distortion is significantly reduced for a realistic portrayal of scenes and both brightness and sharpness are maintained from edge to edge and three anomalous partial dispersion glass elements are also used to help control chromatic aberrations and color fringing for improved clarity and color fidelity throughout the aperture range. A T* anti-reflective coating has been applied to individual lens elements to control flare and ghosting when working in strong lighting conditions for increased contrast and color neutrality. Additionally, the lens's manual focus design permits working with subjects as close as 1.6' away. Employing a Distagon optical concept, this lens delivers virtually distortion-free performance that pairs well with the broad angle of view. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Manual focus design enables a minimum focusing distance of 1.6'.