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Olympus Pen E-P5 Wi-Fi and GPS Camera Body in Box

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Fully tested in very good condition.
Body with body cap, hot shoe cap, battery, metal strap clips, protective covers , charger, shoulder strap, User Manual, docs, Box.
Camera mount : Micro Four Thirds
S/n: last photo.
EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick

The PEN E-P5 Mirrorless Micro Four Thirds Digital Camera Body from Olympus is a Micro Four Thirds format camera that houses a 16.1MP Live MOS sensor and the TruePic VI Image Processor for clear, high resolution still photos and Full HD 1080p video capture. With ISO sensitivity up to 25600 and 5-axis Image Stabilization, low light imaging is clear and free from the blurring effects of camera shake. Shutter speeds as fast as 1/8000 second and burst shooting up to 9 fps will help you catch fast moving subjects and fast autofocus allows the camera to keep pace with the action. A 3.0" Tilt Touchscreen LCD provides image composition and playback. Tilting up 80º and down to 50º, the LCD monitor lets you avoid harsh glare and shoot from odd angles. It also provides touch control of autofocus, shutter release, menu navigation, Art Filter and Scene Mode selection, playback and Wi-Fi connection. 

Speaking of which, the E-P5 features built-in Wi-Fi connectivity which allows to you to instantly transfer images from your camera to smartphone for storage and sharing and it offers remote viewing, shutter release and Touch AF from your smartphone or tablet. GPS functionality and geo-tagging of your images is also possible with the Wi-Fi connection and QR Code connection makes establishing your connection simple.

The EP-5 continues in the PEN tradition of handsomely built, slightly retro looking bodies with accessible controls, a seamless build and solid thumb and hand grips. A built-in flash with 1/320s sync speed and wireless capability is provided, as is an accessory port/hot shoe. The accessory port can hold an external flash, video lights, monitors or the optional VF-4 Electronic Viewfinder.

A camera for every level of shooter, the E-P5 offers RAW format shooting with in-camera processing, full manual exposure control, interval shooting with auto time-lapse video and live bulb shooting. It also provides automatic modes for point and shoot style ease, focus peaking for confident focus control, a self-timer with audio countdown and art filters to add creative touches to your photos and videos.

16.1MP Live MOS Sensor and TruePic VI Image Processor

The 16.1MP Live MOS sensor and TruePic VI  Image Processor provide sharp, high resolution imaging, accurate color reproduction, and low-light, low-noise (up to ISO 25600) capability for both still and Full HD video imaging. Performance speeds are also impressive, including fast autofocus, up to 9 fps continuous shooting and short recovery times between shots.

5-Axis Image Stabilization

Built-in sensor-shift type image stabilization compensates for camera shake on 5 separate axes: yaw, pitch, roll, vertical shift and a horizontal shift. The result is that images taken at slower shutter speeds have less blur, providing you with greater flexibility when shooting in low light or at long focal lengths. Four I.S. modes are available and I.S. for Live View is also supported.

3.0" Tilt Touchscreen LCD

Image composition and playback are provided by the E-P5's bright 3.0" LCD monitor. With approximately 1037k-dot resolution, your playback is clear and composition is confident with accurate focus and color. Seven levels of brightness and color temperature control are supported and its tilting capability (80º up and 50º down) allows for odd-angle composition and glare control. Touchscreen control offers the ability to control camera functions with just a tap or swipe on the LCD. Touch control includes shutter release, autofocus, playback navigation, art filter selection, scene mode selection and Wi-Fi connection.

Full FD 1080p Video Capture

Video capture is supported in both MOV (MPEG-4 AVC/H.264) and AVI (Motion JPEG) formats. In MOV format, Full HD 1080p and HD 720p are offered at 30 fps. AVI format is at 30 fps in both HD and SD. Image Stabilization in Movie mode is supported and Movie Effect provides Art Filters, Art Fades and other functions. Manual exposure control is also supported in Movie mode and a built-in stereo microphone records quality audio.

Built-In Wi-Fi and GPS

Built-in Wi-Fi connectivity provides instant transfer of your images to your smartphone or tablet, allowing for simultaneous connection to four separate devices. Using the Olympus I.O Share SmartPhone App you can easily share images and it offers remote viewing, focus and remote shutter release of your E-P5 from your smartphone or device. With QR Code connection you can quickly link your camera to your Wi-Fi network. GPS data is also available via your connection to your smartphone.

1/8000s Mechanical Shutter

The E-P5 is equipped with a 1/8000 second high-speed mechanical shutter which allows you to freeze action without blur. Use prime lenses at their maximum aperture allowing you to capture shallow depth of field images with attractive bokeh even in very bright daylight.

F.A.S.T. Autofocus and Manual Focus Assist

Frequency Acceleration Sensor Technology (F.A.S.T.) AF in Single, Continuous and Tracking modes is available for high speed autofocus. 35-area focusing areas provide precise focus throughout the frame and four different AF area sizes can be selected. Face Detection and Eye Detection focusing is also supported and an AF Illuminator is available if needed. Focus Peaking with white or black edges is provided for ensured shooting. Manual focus is also available with two optional focus assist methods: a Magnified Focus (MF) Assist Function and Magnification Display. The MF Assist feature aids with critical focus by allowing you to zoom in on part of the image by simply turning the focusing ring on the front of the lens. Magnification Display enables you to selectively enlarge the image on the LCD at the touch of a button.

Built-in Flash with Wireless Control

Built-in flash with a GN of 7 (ISO 100) is provided with several modes and +/-3 compensation. The maximum flash sync shutter speed is 1/320 seconds. And the built-in flash can be used as a wireless flash commander with up to four channels, controlling up to three external flashes.

2 x 2 Dial Control with Custom Lever

2 x 2 dial control on the E-P5 provides two dials and a function lever, allowing fast and direct access to aperture/shutter speed, exposure compensation, ISO settings, and white balance - directly by dial.

i-AUTO with 42 Shooting Modes

i-AUTO mode selects from among 42 different photography modes the one that best matches the subject to automatically produce the optimal photo. It automatically picks from among such settings as Portrait + Backlighting & Vivid Colors or Spotlight and takes the photo with no other adjustment necessary. The E-P5 can also detect the subject's movements before taking a photo and instantaneously adjusts the ISO and shutter speed, reducing any blurring of the subject.

Sequential Shooting and Self-Timer

In High Speed mode, up to 9 fps can be shot at full resolution with a maximum of 15 frames in RAW and 19 frames in JPEG. Self-timer shooting can be set to fire at 2 seconds, 12 seconds or can be customized to shoot at rates between 1-30 seconds with controllable intervals and maximum shots.

Scene Select AE

Scene Select AE gives you the advantage letting the camera adjust its settings to match the type of scene you will be shooting. Selectable scenes include: Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Converter, Wide Converter, Macro Converter and 3D.

Art Filters and Photo Story

Art Filters allow you to add creative flourishes to your images, touching them with special effects such as WaterColor, Cross Process or Pop Art. Twelve Art Filters are available in all. Photo Story allows you to add frames and specialized windows to your photos, including creating an image essay from several photos.

HDR and Bracketing

The E-P5 offers several bracketing functions allowing you to quickly shoot 2-5 frames of the same shot with varied adjustments. Exposure, ISO, White Balance and Flash bracketing is supported as is bracketing for the above Art Filters. Up to seven shots can be taken to be used later in HDR post-processing for creating a nicely balanced image of a high contrast scene.

Interval Mode, Multiple Exposure and Live Bulb

For making time-lapse videos, interval mode shooting is supported to a maximum of 99 frames with the interval time set to between 1 second and 24 hours. Two-frame multiple exposure shots can be taken with the E-P5 and you can take long exposure Bulb shots in Live View, watching the exposure's progression.

Level Gauge

A two-axis level gauge is provided to help align your images.

Playback Modes

Numerous Playback options are provided: Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow (with sound including BGM, two selectable slide show effects, replaceable BGM), and Light Box Display. The information display includes: Histogram (independent luminance/RGB available), Highlight/Shadow point warning, AF frame, Photographic information, and OFF.

Languages Supported

English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
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  • 08 Sep 2021 : 15:32 pm

Camera in excellent condition, USB cable, box, stand, User Manual, Warranty card, hand strap. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.youtube.com/watch?v=GrOmKKSRu8c https://www.insta360.com/product/insta360-one/ About this item 360 Degree Capture — The ONE shoots in every direction at once, capturing life in seamless 4K 360° video and 24 MP 360° photos. Once you’ve got your shot, re-frame the best parts, or share a full 360° experience straight from your phone. FlowState Stabilization — Best in class stabilization ensures pro-level footage, no matter what you’re doing. Running, cycling, even letting your dog carry the camera—it all comes out hypnotically smooth. It’s better than a gimbal, and with none of the hassle. Shoot First Point Later — Create a stunning edit with a few taps. Mark off the best parts of your 360° footage and the ONE connects them with ultra-smooth camera movements. Invisible Selfie Stick — Mount the ONE on a selfie stick and watch as it instantly disappears from view. The result: easy aerial shots without a drone. Three Ways to Shoot — Use the ONE on its own, control it with Bluetooth, or connect directly to your iPhone and preview shots in real time. No cables. No hassle. Tons of flexibility. The Insta360 ONE shoots 360 photo and video, at resolutions of 4K and 24 MP (7K: 6912 x 3456). Together with the optical flow image stitching, it significantly advances Insta360's signature adaptability and convenience, offering three modes of operation: standalone use, remote control via Bluetooth, and control via direct Lightning connection. The Insta360 ONE introduces groundbreaking FreeCapture technology. You can effortlessly hone in on the key moments of a spherical video, transferring the original 360 footage into a standard 1080p fixed-frame video that’s ready to share anywhere. You can also seamlessly shift from standard perspectives to the unique shots that are only possible with 360 cameras, such as “tiny planet” and “rabbit hole” effects.  The slow-motion mode and advanced stabilization algorithm work together to achieve the Bullet-time effect. You can start your own epic shots with no hassle. After attaching the ONE to a selfie stick, the stick will be automatically erased from the footage. Once the stick’s out of the picture, the ONE works like a flying camera – capturing stunning 360 views from an overhead angle.  An all can be realized through the multiple shooting modes and the powerful in-app editor right on your smart phone. Whoever you are, a hobbyist, a journalist or an outdoor adventurer, it can effectively act as your own camera crew.   Slow motion mode: create your own Hollywood blockbusters Bullet-time: unlock the bullet time effect with slow motion mode Speed: shoot at a maximum speed of 120 FPS, while 240 FPS video is achieved algorithmically with the companion app. Edit&Export: slow-motion 1/8 speed videos (30 FPS) can be edited and exported with the free Insta360 One App. Shoot and share awesome 360 video and photos, anytime, anywhere. Insta360 ONE is the control app of the Insta360 ONE camera. With this app, you can effortlessly capture 4K 360 video and 24-megapixel photos, or go live in 360 on Facebook, YouTube, Twitter and more. -Use all-new FreeCapture editing to turn the best of your 360 videos into classic-sized 1080p video ready to share on Instagram, Snapchat and all of your favorite apps. -Capture and edit epic 240 FPS bullet-time shots, and customize the music. -Capture extremely smooth videos without camera stabilizer and sports type limitation -Use SmartTrack to lock on to a key subject and automatically create a video where they’re always center-frame. -Instantly erase the selfie stick from your 360 photos and videos to get a “flying camera” effect. -Control your Insta360 ONE with Bluetooth. -Do the time warp (again!) with time-lapse video. -Take creative control with RAW photos, LOG videos, and a full-featured suite of camera settings. -Instantly go live in 360 on Facebook, YouTube, Twitter and any other 360-supporting platform. -Customize your favorite 360 moments with a range of filters and stickers. -Share your 360 photos and videos to any social app with one touch. -More amazing contents in Insta360 Community, allowing you to watch brilliant daily stories around the world.

Canon Mount Sigma 4.5mm F2.8 EX DC Circular Fisheye HSM

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  • 13 Aug 2021 : 12:41 pm

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Fuji Fujifilm FinePix S2500HD Digital Black Camera  (28-504mm), EVF

Fuji Fujifilm FinePix S2500HD Digital Black Camera (28-504mm), EVF

  • 29 Jul 2021 : 00:34 am

Excellent condition camera with Fujifilm lens cap and Fuji strap. S/n: last photo. Perfectly working order! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick About this item 12.2 MegaPixel sensor captures enough detail for photo-quality 18 x 24-inch prints 18x Optical Zoom; Wide-Angle Lens 3 inch LCD screen; Dual Image Stabilization Panorama Mode * SR AUTO & Face Detection HD compatible * Capture images to SD/SDHC memory cards (not included) Introduction The Fujifilm FinePix S2500HD is a new super-zoom digital compact camera that looks and feels like a DSLR. Featuring an 18x zoom lens with a 28-504mm focal range, 12 megapixels and a 3 inch LCD screen, the Fujifilm S2500HD offers full manual photographic control for the more experienced user and an Automatic Scene Recognition mode for beginners. 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The cost is likewise unthreatening, which at a suggested asking price of an affordable £219 / $249.95 is less than both more fashion-orientated snapshot models and competing super-zoom rivals. Size and pricing aside, this 12-megapixel camera is as much about user friendliness as creative flexibility. For those with kids or subjects that don't stay put its auto focus tracking ability will doubtless come in handy, as will its most prominent feature, the immensely versatile 18x optical zoom, which has been both widened and lengthened in comparison to the S1500's mere 12x lens. Given the enormous lens reach of 504mm, image stabilisation is included, here the 'belt and braces' arrangement of CCD shift anti shake plus high ISO speed (up to ISO 6400, albeit with a drop to 3 megapixels if straying above ISO 1600). In practice therefore with the Fujifilm FinePix S2500HD it's mostly a case of a half press of the shutter release button and the camera does the rest, particularly with Fujifilm here including an 'auto everything' scene recognition (SR) auto mode. Although far from infallible - if you're not paying close attention and it's presented with a busy scene it'll call up landscape when macro is needed and vice versa - it adds to the beginner friendly feel. And, if there's not time to set the photograph up manually, with a single button press an instant zoom feature crops in closer (using either 1.4x or 2.0x digital zoom), providing either a landscape or portrait format image. Also worth a mention up front is the S2500HD's high speed-capture capability - up to 20 pictures sequentially at 8 frames per second - albeit with, as perhaps expected, resolution dropping to three megapixels to achieve its headline-grabbing numbers. A compromise would be 10 sequential photographs at 3.3fps at a reduced resolution of 6 megapixels - at least that way a level of quality might be achieved that you would actually want to produce a print from. As its name suggests, the S2500HD introduces high-definition video for the first time to the Fujifilm S-series, capturing 1280 x 720 pixel footage at 30fps with mono sound, full use of the 18x zoom and a maximum recording time of 15 minutes per clip. Alternatively there are also 640 x 480 pixels and 320 x 240 pixels modes, also at 30 fps. As with all other cameras with HDMI ports, there's no HDMI cable included in the box. You could use Fujifilm’s optional HD Player Kit instead, which includes an HD card reader that connects the camera to your HDTV, and even a wireless remote control. Given its beginner market the Fujifilm FinePix S2500HD's buttons and controls are for the most part large, particularly the familiar mode dial on top. They're also sufficiently self-explanatory that the manual - a full version here on CD only - doesn't need to be digested before you're up and shooting. As for the remainder of the box contents, you'll need to supply your own SD, SDHC or SDHX card for image storage, though thankfully the four AA batteries required for power are included. The front of the S2500HD looks much the same as any bridge model; that's to say it's dominated by the lens barrel, the tip of which extends 1.5cms past the grip when the camera is inactive, and then extends by a further 3cms when zoomed to full telephoto. Above the lens sits the forward sloping ridge housing the integral pop-up flash. A dedicated button for activating this spring-loaded mechanism sits to its right, three pin prick-sized holes for the built-in microphone just below. Over at the other side of the lens is a portal housing the AF assist light, to the left of which is the comfortably moulded grip, with some leather-effect padding to help prevent your fingers slipping. For anyone with average sized hands there's just enough room to squeeze three fingers around the grip, leaving your forefinger automatically hovering over the shutter release button situated at the front of its slope, and your thumb pressed against the slightly indented pad at the rear. While you certainly wouldn't want the grip to be any smaller, it feels just about right given the overall size of the camera. The Fujifilm FinePix S2500HD's L-shaped top plate looks at once familiar and approachable, the largest control being a ridged mode wheel featuring 10 settings. Starting with full auto mode and moving clockwise we come to one of the camera's main selling points, the aforementioned SR (Scene Recognition) auto, and, continuing in the same direction next alight on SP (Scene Position). This mode features standard pre-optimised settings for 15 familiar scenes and subjects, accessed by pressing the 'menu' button at the camera's rear, and includes portraits, landscapes, sunsets, fireworks plus a natural light and museum mode amongst its selection. Continuing clockwise around the dial we come to another of the Fujifilm's user-friendly features, its panorama mode, which allows the user to shoot a sequence of three images that the S2500HD automatically stitches together in-camera - no additional software or technical skills required. A narrow portion of the previous frame is displayed as the user pans from left to right taking shots, so you can line up the joins with a reasonable level of accuracy. Though not essential, it's another fun extra that should appeal to the family target market, and will surely come into its own as an aide memoir for holiday vistas. After a little practice, surprisingly successful results can be achieved, although the overall resolution of the resulting picture is limited to 4880x1296 pixels. Next around the dial is a setting for the already mentioned video capture - note that there's no one-touch video-record button on this camera. What's more of a surprise is that with a successive turn of the dial we come to a user-attributable custom setting, a feature more commonly found on a DSLR proper. Compounding the indication that the S2500HD perhaps has something to offer the photo enthusiast after all, there follows the creative quartet of manual, aperture priority, shutter priority and program modes, allowing full access to manually selectable ISO speeds, quality settings and of course colour effects. And, with a further twist, we're back to full auto again. Alongside the shooting mode dial is a larger than average on/off slider, partly recessed into the bodywork to prevent accidental activation. Slide this to the right and the S2500HD powers up in just over a second - pretty quick for this class of camera - the rear LCD displaying a Fujifilm logo initially before blossoming into life. There's also the option of an electronic viewfinder for shot composition - more on which later. Forward of this slider are a pair of raised, identically sized buttons. To the left is a dedicated control for activating face detection which biases the focus and exposure toward any faces in the frame. Press it once to couple this with automatic red eye removal (if using flash obviously), or again to shoot without the red eye removal option. Joining face detection are blink detection, which warns you if any of your subjects have blinked, and Smile Detection, which automatically takes the picture when your subject bares their pearly whites. The button to the right is for accessing the various burst mode settings, as mentioned above. This replaces the S1500's Image Stabilisation button, which is now found in the main menu system. Like every other such system in existence, the one employed by the Fujifilm FinePix S2500HD isn't infallible - it's tricky, if not impossible, to get a perfectly sharp image when shooting handheld at maximum telephoto even in seemingly ideal light conditions. But, given the focal range, its inclusion here is a must. Forward again of these buttons is the shutter release button, surrounded by a lever for operating the zoom. Happily the former has a definite halfway point so that a premature capture is avoided, the camera giving an affirmative 'beep' when focus and exposure have been determined and the AF point highlighted in green dancing around the screen if either your camera or subject is moving. With a nudge of the zoom lever, the camera takes just under four seconds to move through the range from maximum wideangle to telephoto. Full resolution JPEG images are saved almost instantaneously when shooting in single shot mode, so no complaints there. At the rear of the S2500HD we find the rest of the operational controls. Like the top plate, these are well laid out and their functions ably illustrated. Starting top right of the 3-inch, 230k-dot LCD screen, there's an EVF/LCD button for alternating between the two features, although, with the larger screen literally staring you in the face when you pick the camera up, it's hard to see the S2500HD's target audience bothering to squint to use the EVF situated above. Directly below this button there's an identically sized one for playback, and, to its right, one for Fujifilm's 'F' (for 'Foto') mode. As with the rest of the manufacturer's compact range, one press of this provides access to an abbreviated menu containing just the essentials: resolution and compression level, ISO setting and, arguably less essential, three different colour effects. Immediately below this again we have a four-way control pad/jog dial with a familiar menu/OK (set) button at its centre. Placed at the four points are icons for deleting images and setting the monitor brightness, selecting flash modes (auto/slow synchro/forced flash), the aforementioned image-cropping 'instant zoom' feature which presents a choice of two successive landscape ratio crops and two portrait ones, plus macro and super macro settings. Press the Fujifilm FinePix S2500HD's central 'menu' button in anything but auto mode and you're presented with two clearly read screens of shooting options when in capture mode or review mode (if shooting using one of the auto settings, options are abbreviated to turning self timer or high speed shooting on or off, plus access to the set up menu). The set up menu itself is divided into three folders allowing the adjustment of operational volumes, screen brightness, and the ability to format the inserted memory card or internal memory. Thankfully here Fujifilm has indeed gone with the more widely available SD than retaining historical loyalty to the now outgunned (in terms of available capacity) xD-Picture Card, a slot for which is provided at the base of the camera where it's shared with the four regular AAs required for power. This means that if you're shooting with the camera on a tripod, you have to first remove the camera to remove the card, which is a bit of a pain but far from uncommon. Located beneath this central four-way pad is a final pairing of buttons. On the left we have the self-explanatory 'Display/Back'. Pressing this turns off the visible icons on screen and/or calls up a nine zone compositional grid when in capture mode, or, as it sounds, jumps back a step if you are poised to delete an image in playback mode but think better of it. The final button to the right is for exposure compensation. Press this in any of the auto modes and a live histogram displaying the areas of brightness across the image is revealed. Press it again in any of the creative modes and the user not only gets a histogram but an adjustable exposure slider too, plus the ability to change the aperture and/or shutter speed, depending on which mode you're using. The right hand flank of the S2500HD (when viewed from the back) features a plastic flap covering a combined AV out and USB port, above which is an eyelet for attaching the provided shoulder strap. On the left hand flank there's another eyelet at the top plus a built-in speaker near the base. The base of the Fujifilm FinePix S2500HD meanwhile features a plastic screw thread for a tripod next to the large compartment housing the memory card and batteries. Image Quality All of the sample images in this Review were taken using the 12 megapixe Finel JPEG setting, which gives an average image size of around 5.5Mb. 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