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Panasonic Lumix DC-G100 4K Vlogger Wi-Fi, Bluetooth Black Body, G100

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Fully tested in excellent working condition.
https://www.youtube.com/watch?v=XMEyVXepVGw
https://www.youtube.com/watch?v=YqSRJTzz_Lc
Include: body, body cap, battery, charger.
Serial number : Last photo
EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick

Brand : Panasonic
Model : LUMIX DC-G100
Color : Black
Camera mount : For Micro Four Thirds

Capture everyday life with ease and quality with the Panasonic Lumix G100 Mirrorless Camera. Leaps and bounds above your average smartphone, the G100's larger 20.3MP Micro Four Thirds sensor will capture rich imagery and detailed 4K video of your precious memories. This is all available in a lightweight and compact body that deserves a spot in your daily bag. Plus, simple connectivity with smartphones makes it easy to transfer, edit, and share your images with your friends and family.

Stills are solid with the G100, though video has some additional tech that will upgrade your recordings. The camera's design is light enough to make one-handed shooting easy and the 3.0" touchscreen is a full vari-angle design that flips out for selfies. OZO Audio then ensures sound is clear with automatic tracking to record your main subjects. This makes it also a great pick for general content creators and vloggers.

Vlogging Features

Benefitting recording while walking, riding, or even just working in low-light conditions, 5-axis Hybrid I.S. is an optimized image stabilization system that works in conjunction with lens-based OIS to reduce the appearance of camera shake for smoother video footage and sharper stills.
The rear 3.0" 1.84m-dot LCD features a static touchscreen design for intuitive and responsive use and it has a free-angle design that benefits working from high, low, and front-facing (selfie) angles.
Updated UI for vlogging includes a REC Frame Indicator, which presents a red border around the image frame, so you can easily confirm recording or not. Also, a Frame Marker overlay can be used to highlight the specific region of the frame that will show depending on the selected aspect ratio, which is perfect for direct output to social media platforms.
Vertical video recording support is especially useful for video content intended to be viewed on a smartphone.
Dedicated Video Selfie Mode can be set to automatically begin when the screen is rotated forward and will automatically highlight the main subject by optimizing depth of field, using face detection AF and AE settings, and automatically configuring the sound pickup range area depending on where the subject is.
OZO Audio, by Nokia, has been integrated to enable spatial audio recording via three built-in microphones for improved richness and accuracy depending on where the desired sound is coming from. These three internal mics, which can be configured manually or automatically, also enable a unique Tracking setting, which works in conjunction with the detected angle of view of the lens and face recognition functions, for clearer audio during interviews, selfie videos, or in other speaking situations. For manual control, you can select Surround for recording within a wide range in all directions; Front, for recording subjects in front of the camera; and Back, for recording yourself or another subject behind the camera.
20.3MP Digital Live MOS Sensor and Venus Engine

Optimized for high-speed, high-resolution imaging, the G100 features a 20.3MP MOS Micro Four Thirds sensor, without a low pass filter, and an enhanced Venus Engine processor to create sharp, detailed stills and UHD 4K video. This configuration maximizes resolution while keeping noise to a minimum, permitting the use of sensitivities up to ISO 25600.

UHD 4K Video Recording

Versatile video capabilities means the G100 can record UHD 4K at up to 30p, with 8-bit color depth and 4:2:0 sampling while recording internally, along with Full HD at up to 60p. Alternatively, Full HD external recording is supported via micro-HDMI with 4:2:2 sampling and 8-bit color depth. V-Log L has been pre-installed and is used to capture a flat, neutral gamma curve well-suited for grading in conjunction with a LUT for greater control over color. Also, for creatively affecting how motion is portrayed, 4x and 2x slow and 8x, 4x, and 2x quick motion settings can be used with Full HD recording and Time Lapse and Stop Motion settings are also available for recording subjects transform over time. Additionally, a 3.5mm microphone input is available for improved external audio capture.

Body Design and Wireless Connectivity

A large OLED Live View Finder has a high 3.68m-dot resolution and 0.73x magnification for bright and clear eye-level composition.
A larger means for image composition and playback, the 3.0" 1.84m-dot rear LCD monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
DMW-BLG10PP lithium-ion battery offers approximately 270 shots per charge with the rear LCD, 250 shots per charge with the LVF, or approximately 900 shots per charge when working in the Power Save LVF mode. Additionally, the battery can be charged in-camera via USB or via AC power.
A dedicated Send Images button on the top plate, along with built-in 2.4 GHz Wi-Fi and Bluetooth 4.2 Low Energy connectivity, allows for wireless image sharing and remote camera control from linked smartphones and tablets. Bluetooth LE also enables a constant connection to your mobile device, allowing for functions such as geolocation and automatic image transfer.
4K PHOTO Modes

Utilizing the G100's video recording capabilities, a trio of still shooting modes are available for recording continuous 8MP stills at a 30-fps shooting rate:

Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment.
Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8MP frame.
Post Focus and Focus Stacking

Another attribute of the 4K capabilities is a unique focusing method called Post Focus. Working in conjunction with the contrast-detection focusing system and the intelligent Depth from Defocus (DFD) technology, Post Focus records imagery as a 4K MP4 file at 30 fps and shifts the specific point of focus throughout the burst shooting in order to offer a range of distinct focusing ranges to choose from. During playback, via the camera's touchscreen, you can then tap the specific region of the image you wish to be in focus and an 8MP JPEG file will be created. Multiple individual files with different points of focus can be created from the original burst, and focusing assist functions can also be used to gain even more precise control over the specific in-focus region.

This technology also allows for producing focus stacked images in-camera to realize a greater depth of field, especially when photographing close-up subjects. In this mode, images are recorded and saved with varying points of focus and then blended together to gain an extended depth of field.

Depth-From-Defocus AF System

For accelerated autofocus performance, DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position, which enables continuous shooting with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face/eye detection capabilities make it easier to photograph people and prioritize focusing as specifically as on a subject's pupil. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. Additionally, AF sensitivity down to -4 EV supports working in low-light conditions.

Other Camera Features

Selfie Functions: Soft Skin Mode, Filter Effects, Background Control, Slimming Mode, Hands-Free Face Shutter Mode, and Self Timer.
In-camera image editing is possible, and enables you to split video clips, resize and crop images, develop raw image files, and even retouch and remove objects from photos.
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Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

Voigtlander Ultron 21mm F1.8 For Leica M Mount Cameras

Voigtlander Ultron 21mm F1.8 For Leica M Mount Cameras

  • 09 Feb 2024 : 16:39 pm

https://www.youtube.com/watch?v=l1tcMjzMHaQ Easily Adaptable to Sony, Canon, Panasonic, Fujifilm, Olympus cameras Full Frame, APS-C and M4/3 with proper adapter รูรับแสงกว้าง โบเก้สวย M-mount ที่แปลงใส่ได้ทั้งกล้อง Sony, Canon, Panasonic, Fujifilm, Olympus ใช้งานได้ทั้งเซ็นเซอร์ Full Frame, APS-C และ M4/3 ให้ภาพคมสีสวย Made in Japan. Used lens with two original caps, Built-in lens hood, Box. Look at photos. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/03/21mm_F1_8_Ultron__VM_Manual_D_E.pdf Fully tested in very good working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick รีวิว Voigtlander 21mm f1.4 VM เลนส์มุมกว้างหลังละลาย: https://www.youtube.com/watch?v=7qrKd_Xj3ew https://www.voigtlaender.de/lenses/vm/21-mm-11-8-ultron-aspherical/?lang=en Exceptionally bright wide-angle lens whose combination of large viewing angle and large opening opens up a multitude of creative design possibilities. When the aperture is open, the 10 diaphragm blades produce a fine bokeh, which is not self-evident in the wide-angle range. The Ultron covers a diagonal angle of view of 91 degrees and offers a 50 cm minimum focusing distance. The 1.8 / 21 mm is 78.4 millimeters long, weighs 412 grams and has a maximum diameter of 69 mm. The sun visor is permanently installed. Voigtlander Ultron 21mm f/1.8 Overview Pairing an ultra-wide focal length with a bright maximum aperture, the Ultron 21mm f/1.8 from Voigtlander is a versatile lens designed for M-mount rangefinder cameras. Its expansive field of view is well-suited to architectural and interior subjects while the bright f/1.8 maximum aperture benefits working in low-light conditions. One aspherical element is featured in the optical design to help reduce spherical aberrations in order to produce greater sharpness and clarity throughout the aperture range. The lens also features a manual focus design, which permits working with subjects as close as 1.6' away, and it has a built-in lens hood to shield the front element and minimize lens flare and ghosting. Fast f/1.8 maximum aperture benefits working in difficult lighting conditions. One aspherical is featured to control spherical aberrations and distortion for improved sharpness and clarity. Manual focus design enables a minimum focusing distance of 1.6', and it is rangefinder coupled for accurate focusing to 2.3'. Built-in, non-removable lens hood helps to prevent lens flare and ghosting for increased contrast and color fidelity when working in strongly lit conditions. This Voigtländer 21mm f/1.8 lens fits LEICA M cameras, and it's a much better performer than I expected. It has less distortion than any other 21mm LEICA or LEICA-mount lens I've tested, and it's sharp, making it a great choice for any kind of photography, even if you don't need its super speed for low-light. It's almost as sharp as LEICA's 21mm f/3.4 ASPH and previous 21mm f/2.8 ASPH lenses, meaning this Voigtlander lens is still much sharper than any SLR zoom, and more than sharp enough for any purpose to which anyone who buys this lens will put it. This 21mm f/1.8 surprisingly has very little distortion – less than LEICA's own current 21mm lenses! You'll never see any sharpness difference between this Voigtlander and LEICA's 21mm lenses in real pictures, and if brick walls are your thing, you will see the lack of distortion in this Voigtlander lens compared to the stronger distortion in LEICA's 21mm lenses. I have not yet tested the LEICA SUMMILUX-M 21mm f/1.4 ASPH. The LEICA 21/1.4 is almost a stop faster, but at $7,000, is two-and a half stops (5.6 times) more expensive, as well as an ergonomically foolish lens needing VIII filters intended mostly for playboys. Based on my test of the very similar LEICA SUMMILUX-M 24mm f/1.4 ASPH, I predict that the LEICA 21mm f/1.4 has much worse distortion and probably is only about as sharp as this Voigtlander lens. The 24mm f/1.4 is loaded with distortion, and its curved field makes it much less sharp (by LEICA standards) than slower lenses for many uses. I'd rather have this very practical (58mm filters) Voigtlander 21/1.8 than the crazy LEICA 21/1.4. I actually own the far more practical LEICA 21/3.4 ASPH, which replaced my 21/2.8 ASPH, which are slightly sharper than any of these super-speed lenses. This Voigtlander 21/1.8 is pretty handy; it works well on a LEICA and it's fast, too. I'm more impressed with this lens than I expected it to be. Luckily for use on the LEICA M9, this Voigtlander 21 1.8 performs marvelously when set manually to the LEICA 21mm f/2.8 11 134 profile. When set this way there is minimal corner falloff or color shift. Even without a profile, it works pretty well on an M9. For normal photography and especially for 35mm photography, the optics of this fast ultrawide are superb – so long as you're not comparing to LEICA lenses under the microscope. https://www.kenrockwell.com

Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP

Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP

  • 09 Feb 2024 : 16:39 pm

World's smallest and lightest full-frame camera https://www.youtube.com/watch?v=s5e580-K2z8 Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP BSI Bayer CMOS Sensor, Dust and splash proof structure aluminum body, UHD 4K30p Video 12-bit Cinema DNG, 3.15" Touchscreen LCD, 49-Point AF System, Electronic image stabilization, HDR Shooting... Excellent condition body with Sigma Hot Shoe Unit HU-11, Sigma LI-ION BATTERY BP-51, Sigma Wall charger UAC-11 US, User Manual, docs, Sigma Neck strap with clips (STRAP HOLDER SH-11 (2 pcs.)), USB CABLE SUC-11, body cap - CONVERTER CAP LCT-Ⅱ TL, box. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sigmaphoto.com/cameras/mirrorless/sigma-fp ● กล้องฟูลเฟรมที่เล็กที่สุด เเละเบาที่สุด ● SIGMA fp เป็นกล้องที่ออกแบบมาให้ยืดหยุ่นทั้งการถ่ายภาพนิ่งและวิดีโอในระดับมืออาชีพ ● รองรับการถ่ายวิดีโอ 12-bit CinemaDNG format ความละเอียดแบบ 4K 24fps ความสามารถนี้ตอบโจทย์งานภาพยนตร์ได้เลย ● มี Cine Mode สำหรับงาน Cinema ภาพยนตร์โดยเฉพาะ เพื่อใช้งานในระดับมืออาชีพ ● Electronic shutter ให้เสียงที่เงียบมาก ● ฟีเจอร์มากมายรองรับการถ่ายวีดีโอ HDR shooting, Cinemagraph, Face/Eye Detection AF, ● L-Mount เพื่อให้เชื่อมต่อกับเลนส์ทุกประเภทได้อย่างง่ายดาย ● รองรับการสร้างภาพยนตร์อย่างมืออาชีพ ด้วย SIGMA fp’s Cine mode ● เปลี่ยนโหมดจากภาพนิ่งเป็นภาพยนตร์เต็มรูปแบบด้วยนิ้วเพียงนิ้วเดียว Memory Media SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported) The Sigma fp Mirrorless Camera delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera. Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses. Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port. Firmware Version 3.00 Introduced Features ● Adds new color modes "Powder Blue" and "Duotone" ● Adds the "Save/Load Settings" function saves and loads camera settings using a QR code ● Adds compatibility with the Sigma Electronic Viewfinder EVF-11 ● Adds the "Automatic switch to the LCD monitor display" function to preview images and operate the menu on the camera's LCD monitor while using the View button, MENU button, and QS button ● Adds the "Quick Focus Frame Shift" function to the Rear Dial's direction buttons to directly move the focus frame ● Adds "Custom Buttons" able to assign their desired functions such as "Exposure Compensation" and "Depth of Field Preview" to the AEL button, Rear Dial (direction button), Tone Control button, Color Mode button, and MODE (Shooting Mode) button ● Adds "LCD Off Mode" to the Display Mode settings whereby the LCD monitor turns off during shooting or when the camera is not in operation ● Adds a "Screenshot" feature to save any screen displayed on the LCD monitor as a still-image file ● Enables focus frame to be moved even when the image is enlarged during shooting in AF or MF ● Adds 24 and 48 fps frame rates (only at FHD resolution) in the Movie Record Setting ● Adds "KOMODO 6K" by RED Digital Cinema in the Director's Viewfinder mode ● Adds a "Custom Frame" option to the Frame Guide function, to select any desired aspect ratio or absolute size value on the image sensor ● Enables the "Color Temperature" setting to be adjusted in "White balance" in custom 50K increments ● Improved AF operation to achieve better accuracy, stability, and followability ● Enhanced "Flicker Control" function ● Improve JPEG file image quality ● Launched 2021.06.03 Firmware Version 2 Introduced Features ● Cinemagraph creation and playback ● CinemaDNG footage playback ● Still capture during live view and movie shooting in Cine mode ● Still image capture from CinemaDNG and MOV movie files ● HDR in movie shooting ● Still and movie shooting in Director's Viewfinder mode ● Supports DCI 4K 12-bit with raw output over HDMI ● Supports raw over HDMI recording with Atomos Ninja V recorder ● Supports recording Blackmagic RAW codec over HDMI with Blackmagic Video Assist 12G models ● Camera movement control is compatible with ZHIYUN Weebill S gimbal ● Supports camera control in USB mode with forthcoming Software Development Kit Updates and Enhancements ● Supports Dual Base ISO at ISO 100 and 3200 ● Supports CinemaDNG at 25 and 29.97 fps for UHD 4K 12-bit shooting ● Supports CinemaDNG at 100 fps for FHD 12-bit shooting ● Supports CinemaDNG 100 and 119.88 fps for FHD 8-bit and 10-bit shooting ● Exposure adjustment now available in QS Menu ● Tone control setting now available during movie shooting ● Supports USB Video Class (UVC) setting adjustments while the fp is connected to USB ● Supports time code generation ● Compatible with BWF format ● Supports file size changes at aspect ratio 7:6 ● Optional shutter sound effect General Features Full-Frame Sensor Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images. Robust & Lightweight Aluminum Body A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light. Large Heat Sink Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use. Splash and Dustproof Structure The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions. Same Screw Threads for Strap Fittings and Tripod The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base. Full-Time Electronic Shutter Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera. "Teal and Orange" Color Mode Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode. Fill Light A function formerly available only in Sigma Photo Pro, Sigma's proprietary image development software, Fill Light has now been incorporated into the body of Sigma fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings. The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more. Tone Control & Color Mode The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves. The Sigma fp also has an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to 5, which enables the fine-tuning of the color mode. Additionally, "TONE" and "COLOR" buttons allow for quick access to the tone control and color mode menus. With these enhanced functions and a variety of operation elements, the Sigma fp makes it simple and easy to create an image, in-camera with great details, be it still or video. HDR Shooting The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a greater dynamic range that could not have been achieved in normal shooting. Cinemagraph The Sigma fp comes with a feature to make "Cinemagraphs," which are animated GIFs that are a hybrid between still photography and video. With this function, the Sigma fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera. Face/Eye Detection AF The Face/Eye Detection AF function allows the Sigma fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field. Focus Peaking The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually. L-Mount L-Mount is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and improved durability. As an L-Mount camera, the Sigma fp can be used with various L-Mount lenses offered by Leica, Panasonic, and Sigma. Supports Raw Video Data Recording Aside from professional cinema cameras, the Sigma fp supports external recording in 12-bit CinemaDNG format. With up to 4K UHD recording at 24 fps, it produces video data that can be used even in filmmaking. It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. Director's Viewfinder The Sigma fp has a "Director's Viewfinder" function that allows the user to simulate different angles of view and how an image looks on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K, but also film cameras and anamorphic lenses. Supported cameras include ARRI's ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, and ALEXA XT; Sony's VENICE; and RED's MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, and GEMINI 5K. Functions Comparable to Pro Cinema Cameras The Sigma fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment. UI Optimized for Different Shooting Modes Preserving the distinctive "feels" of Sigma cameras including dials and QS (Quick Set) buttons, the Sigma fp has specially-designed operation systems and displays for Still and Cine modes. At the flick of a special switch, it can move back and forth between the two modes. This presents a shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos. 24.6MP Full-Frame BSI Bayer CMOS Sensor ● Electronic Shutter & L Lens Mount ● 49-Point AF System ● UHD 4K30p Video with 12-Bit CinemaDNG ● 3.15″ 2.1m-Dot Touchscreen LCD ● Electronic Image Stabilization System ● 18 fps Shooting, ISO 102400 ● UHS-II SDXC Memory Card Slot ● Dust- and Splash-Proof ● USB 3.1 Gen 1 Type-C & Micro-HDMI 1.4

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