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Panasonic Lumix DMC-GX7 Camera Black Silver Body in Box, GX7 G-X7 GX-7

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Made in Japan. Tilting EVF and Monitor Design, MEGA O.I.S. in-camera image stabilization, Wi-Fi, NFC.
Used. Fully tested in excellent working condition. 100% workable. Cosmetically, it has traces and scratches on body that don't affect quality of photos.
Include: Used body with strap, body cap, battery, Panasonic Lumix CD, hot shoe cap, User Manual, box and charger.
S/n: last photo.
EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้)
or meeting in North Pattaya.
More photos and questions via Line ID: gnnick

The black/silver Panasonic Lumix DMC-GX7 Mirrorless Micro Four Thirds Digital Camera is a compact digital camera that features a 16 megapixel Micro Four Thirds Digital Live MOS sensor and Venus Engine image processor to produce high resolution imagery with notable low-light sensitivity to ISO 25600. The combination of these two technologies affords a wealth of detail and clarity in imagery and also supports full HD 1080p video recording at 60 or 24 fps in AVCHD or MP4 formats.
Both a tilting electronic viewfinder and a tilting touchscreen LCD monitor are integrated into the camera's design for working from a variety of angles. The EVF has a 2,764k-dot resolution and supports tilting 90° upward while the 3.0" 1,040k-dot LCD monitor is capable of tilting 45° upward and 80° downward. Its touchscreen functionality enables more intuitive playback and menu navigation for employing a host of camera settings and features, including control over the built-in wireless connectivity. This function pairs with the Panasonic Image App for remote control over camera settings and for instant transference of imagery between the camera and a mobile device.
Amongst other features housed within the GX7 is in-camera MEGA O.I.S. image stabilization, which helps to minimize the appearance of camera shake with any lens. Also benefitting image sharpness and clarity is the Light Speed AF system that utilizes a contrast-detection method for acquiring focus in a precise and fast manner, making it ideal for working with moving subjects. If working with manual focus, focus peaking is available as an aid for determining focus based on edges of contrast within the scene.
16MP Live MOS Sensor and Venus Engine
A 16 megapixel Micro Four Thirds Digital Live MOS sensor and Venus Engine image processor work together to produce high resolution imagery that exhibits a great deal of clarity, detail, and overall impressive image quality. The processing power affords heightened sensitivity to ISO 25600 with minimal noise for enhanced use in low-light conditions. The Venus Engine also provides a wealth of speed throughout the camera system, including the ability to record up 5 fps in full resolution, 40 fps using an electronic shutter, and continuous shooting at 4.3 fps with full-time AF.
Full HD Video Recording
The 16MP Micro Four Thirds sensor also supports full HD 1080p video recording in both 60 and 24 fps at a maximum bit rate of 24 Mbps. Both the high quality AVCHD and the Internet-friendly MP4 formats can be used depending on the intended output and editing workflow used and stereo sound is recorded with videos using a built-in microphone. Full-time continuous AF and tracking AF modes can be used during recording and exposure settings can be manually adjusted using either shutter speed or aperture controls. Touch AF and Touch AE controls also prove to be effective means for modifying the focus and exposure settings while recording video and focus peaking is ideal when working with manual focus.
Tilting EVF and Monitor Design
To better aid in live view monitoring, image playback, and menu navigation, both a tilting electronic viewfinder and rear LCD monitor are integrated into the design of the GX7. The EVF, or LVF (Live View Finder), features a 2,764k-dot resolution and approx. 100% color reproduction using the field sequential system for clear visibility in all conditions. It has a 90° upward tilting mechanism that permits easier viewing from low working angles. Additionally, Eye Sensor AF can be used to automatically begin auto focusing as soon as the viewfinder detects use, which greatly benefits working in a more spontaneous manner.
A large 3.0" 1,040k-dot touchscreen LCD is also available for viewing and features a tilting design that permits the monitor to be tilted 45° upward or 80° downward to benefit working from both high and low angles. The front panel of the monitor is attached directly to the In Cell Touch LCD without a gap between in order to reduce surface reflections and improve visibility of the screen in bright conditions. The touch functionality of the monitor also enhances efficiency by allowing for a more natural method of adjusting camera settings and navigating throughout the menu structure. Combining use of both the viewfinder and the touchscreen is Touch Pad, which allows you to use the EVF for monitoring along with the touch control functions of the rear LCD.
In-Camera Image Stabilization
MEGA O.I.S. in-camera image stabilization helps to minimize the appearance of camera shake when working with lenses that do not incorporate image stabilization. This added benefit enables sharp low-light shooting with any lens and is especially useful for handheld shooting with longer, telephoto lenses.
Focusing Performance
An array of focusing technologies are available to help ensure sharp focus when working in all shooting modes with any type of subject matter. Light Speed AF, a contrast-detection AF system, is used to intelligently and accurately determine critical focus in quick and efficient manner. The speed of this system is ideal for photographing and tracking fast-moving subjects in a variety of lighting conditions. Low Light AF is also available to help determine critical focus in dimly-lit (-4 EV) conditions without the need of an AF assist lamp.

If working with manual focus, focus peaking is available to provide a more objective means for determining exacting focus based on highlighting edges of contrast within the scene. Pin-Point AF allows for live view images to be magnified from 3-10x during shooting for homing in on tight details and One-Shot AF allows focus to be acquired quickly and automatically with manual focusing abilities available for greater focus refinement and creative control. Full-area focus makes use of the intuitive touchscreen design and allows you to tap anywhere within the frame to set focus and AFF mode acquires autofocus as normal and then can reset focus if the determined target moves.
Built-In Wireless Connectivity
Wireless connectivity is integrated into the GX7 to enabled remote transferring and control of the camera from mobile devices when using the Panasonic Image App. Zoom and focus can be controlled through the app as well as remote releasing of the shutter. Images can be sent directly to mobile devices for instant sharing online and NFC (Near Field Communication) technology allows for a simplified method of connecting the camera to the mobile device.
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SONY A9 Professional Full-Frame Camera, Wi-Fi / BT NFC Alpha ILCE-9

SONY A9 Professional Full-Frame Camera, Wi-Fi / BT NFC Alpha ILCE-9

  • 14 Feb 2024 : 19:00 pm

https://www.youtube.com/watch?v=ILisOOe3iLs The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Shutter count: 19xxx Review: https://www.kenrockwell.com/sony/a9.htm Excellent condition body with body cap, 2650 mAh battery, Sony AC-UB10C charger, Sony Alpha strap, hot shoe cap, Sony FDA-EP18 Eye cap, AC cord, USB cable, docs. English / Thai + menu. https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● Stacked CMOS Sensor Full-Frame Resolution 24.2 Megapixels ● 20 frames per second continuous shooting without Back Out. ● Shutter speed at 30-1/8000 sec. ● Buffer JPEG up to 362 images, RAW up to 241 images. ● ISO 100-51,200 (expandable to 50-204,800) Keep every detail realistic even in low light. ● 693 focus points, phase detection ● Record Video 4K/30 FPS (6K Video style with 4K Output) ● 5-axis anti-shake stabilization system can reduce the shutter 5 Stops. ● 3-inch touch screen and Joystick. Product Highlights ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

Voigtlander Nokton 10.5mm F/0.95 Superwide Superfast 21mm Eq. Lens

Voigtlander Nokton 10.5mm F/0.95 Superwide Superfast 21mm Eq. Lens

  • 09 Feb 2024 : 16:39 pm

https://www.youtube.com/watch?v=HdDH7kq3CCw Made in Japan Lens with two original caps, docs, Box. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/10_5mm_0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.voigtlaender.de/lenses/mft/105-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. Voigtlander 10.5mm f/0.95 Nokton Aspherical Overview With a 21mm equivalent focal length and an extremely fast f/0.95 maximum aperture, the Nokton 10.5mm f/0.95 Lens from Voigtlander offers Micro Four Thirds users a wide-angle lens well-suited for low-light still photography and video. The lens utilizes a pair of aspherical elements to reduce aberrations and distortions, as well as maintain a compact form factor. This manual focus, manual exposure prime lens also features the Selective Aperture Control System, which permits switching between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. When set to the stepless setting, silent and smooth exposure adjustments can be made that are especially beneficial when recording video. Extremely bright and fast 10.5mm f/0.95 lens produces a 21mm equivalent focal length on Micro Four Thirds cameras. Selective Aperture Control System produces a stepless, de-clicked aperture ring, which provides silent and smooth exposure adjustment that is well-suited for video application. The aperture ring can also be configured to utilize traditional click stops for more intuitive tactile control over exposure settings. A pair of aspherical elements controls aberrations and distortions for greater sharpness and clarity. Fully manual focus and exposure lens features an all-metal lens barrel and a 10-blade diaphragm. Product Description Nokton 10.5mm F0.95 is the super wide-angle lens designed exclusive for Micro Four Thirds mount. The angle of view 93° is equivalent to 21mmwide lens (Crop factor : x2). This lens is achieved to get amazing high speed of F0.95 at wide open, and has 2pcs Aspherical Lenses (3 surfaces are Aspherical) so that you can get sharp images even at wide open. 10.5mm F0.95 also has Selective Aperture Control System as same as the other Voigtländer MFT series lenses. ■ Exclusive for Micro Four Thirds Mount ■ 13 elements in 10 groups with Super High Refractive element and Aspherical element. ■ Newly adopted Selective Aperture Control System ■ Full Metal Barrel with high toughness and durability ■ Manual Focus for Smoothly and Perfectly focusing ■ 10 aperture blades brings you a beautiful Bokeh Voigtlander Nokton  10.5mm  f0.95  ตัวนี้นี่ เป็นเลนส์ที่เพิ่งเปิดตัวราวๆต้นปีที่ผ่านมานี่หละครับ พอเปิดตัวมาก็เป็นที่ฮือฮา วิพากษ์วิจารณ์กันในวงเมาท์ต่างๆพอสมควร เพราะว่า หน้าตามันหล่อสะดุดตามากๆ และ มันเป็นเลนส์มุมกว้าง  ที่ f ก็กว้างถึง f/0.95  ด้วย ทีนี้หละ พวกนักล่าทางช้างเผือก  นักถ่ายภาพยามวิกาล เอ้ย ยามราตรีทั้งหลาย  จะทำงานสะดวกขึ้นเยอะเลย   เพราะว่าความสว่างที่เพิ่มขึ้น ก็คือ  iso ที่ต่ำลง  และความไวชัตเตอร์ที่สั้นลง ไม่ต้องเผาเซ็นเซอร์กันนานๆเป็นนาทีๆ เลนส์ตัวนี้เป็นเมาท์ micro 4/3  โดยกำเนิด ใส่กับกล้อง olympus  panasonic  เข้าไปตรงๆ ได้เลยโดยไม่ต้องใช้ adapter และหาโฟกัสด้วยวิธี หมุนด้วยมือ หรือที่ชาวบ้านเรียกกันว่า เลนส์มือหมุนหละครับ หน้าตา  คุณภาพงานผลิต การออกแบบของ voigtlander  นี่ ถือว่าออกแบบมาอย่างเรียกคะแนนความสนใจจากผู้ใช้สุดๆครับ   ดุดัน  ดู vintage  ให้คำนิยามสั้นๆว่า โคดหล่อ   งานผลิตก็มาตรฐานญี่ปุ่น เป๊ะ เนี้ยบ ตามมาตรฐานญี่ปุ่นไฮเอนด์ละครับ พอแปะยี่ห้อ ที่มีเชื้อสายเยอรมันเข้าไป   ยิ่งทำให้มันได้ฟีล     หน้าตาเลนส์ก็ออกแนวฝรั่งๆอยู่แล้ว   ใส่กับกล้องแล้ว  ไม่ว่าจะกล้องอะไร  ตัวเลนส์มันก็ทำให้กล้องหล่อขึ้นไป 3 เท่าหละครับ

Irix 15mm f2.4 Ultra Wide-Angle Lens for Nikon F Mount, Weather-Sealed

Irix 15mm f2.4 Ultra Wide-Angle Lens for Nikon F Mount, Weather-Sealed

  • 22 Mar 2024 : 14:10 pm

https://www.youtube.com/watch?v=hzaBoZASJwk Swiss design. Made in Korea. Used lens with two original caps, ILH-15A Hoos, Warranty Card, Irix Soft Case, Irix Metal Box, Irix Box. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. Perfectly working order! Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast 15 elements in 11 groups for extremely high image quality Focus lock allowing you to lock the chosen setting at any time Weather sealed construction resists the elements for use in the harshest conditions Hyperfocal distance scale for precise information about depth of field Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark Minimum focus distance of 11.02" (0.28m) Ergonomic focus ring for faster focus 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection, it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.

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