SONY FDR-AXP55 AXP55 4K Handycam Built-in projector Wi-Fi, NFC

TImelapse of Hong Kong | Laowa 9mm f/2.8 Zero-D | by Jeffrey Poon https://www.youtube.com/watch?v=-KGUKSLYecg LAOWA 9mm f/2.8 Aerial Footage "Realize" on DJI Inspire 2 (DL mount) by Song Gu Chun https://www.youtube.com/watch?v=xcrx9CALWHY Excellent working condition Lens with two caps, Laowa Hood. https://laowa.com.au/product/laowa-9mm-f-2-8/ This exciting prime provides ultra wide-angle coverage up to 113° angle of view which is the widest in its class. The tiny size & light weight match perfectly with mirrorless cameras and are suitable to use with gimbals. 2 aspherical elements plus 3 extra-low dispersion elements successfully correct the chromatic aberration, realize a close-to-zero distortion & deliver a corner to corner sharpness. Venus Optics Laowa 9mm f/2.8 Zero-D Overview By B&H Photo's Matt Cottom Pairing an ultra wide-angle field of view with an especially compact design, this Laowa 9mm f/2.8 Zero-D from Venus Optics is a Sony E-mount lens offering a 13.5mm equivalent focal length. As a Zero-D lens, this 9mm f/2.8's optical design is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. The optical construction also incorporates a pair of aspherical elements and three extra-low dispersion elements to control both spherical and chromatic aberrations for improved sharpness and reduced color fringing. A Frog Eye Coating has been applied, too, to repel dust and moisture from the front element of the lens to benefit working in trying environmental conditions. Its sleek and lightweight design is well-matched to mirrorless bodies and is ideal for everyday shooting as well as use on gimbals. Additionally, a petal-shaped lens hood is also incorporated into the lens' design to reduce flare and ghosting when working in strong lighting conditions. Ultra wide-angle 9mm f/2.8 prime is designed for APS-C-format Sony E-mount mirrorless cameras and provides a 13.5mm equivalent focal length. Bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions. Rectilinear design renders subjects with minimal distortion in order to suit landscape and architectural applications. Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness. A Frog Eye Coating has been applied to repel both dust and moisture for added protection when working in inclement conditions. Manual focus design offers a minimum focusing distance of 4.7". Petal-shaped lens hood shields the lens from stray light to reduce flare and ghosting and also protects the front elements from accidental impacts.

https://www.youtube.com/watch?v=p09kbT-lA1s This ultra-wide-angle zoom lens for APS-C DSLR cameras offers the finest of all Tamron worlds: best-in-class 10-24mm focal length range (the 35mm equivalent of 16-37mm), the compact size of our previous SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001), plus vastly improved optical performance. It also includes state-of-the-art Tamron technology like VC (Vibration Compensation), a new HLD (High/Low torque-modulated Drive), Fluorine Coating, and Moisture-Resistant Construction. Combine this with exceptional resolution on everything from detailed landscapes to casual snapshots and you have a next-generation, wide-angle zoom that’s ready to go wherever your photographic vision takes you. Very good working condition! Includes : Lens, two caps, HB023 Hood. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick About this item ● VC (Vibration Compensation) ● HLD (High/Low torque-modulated Drive) ● Moisture-resistant construction ● Fluorine coating repels water and oil from the lens surface ● Electromagnetic diaphragm system https://www.tamron.jp/en/product/lenses/b023.html Product Description Experience the complete joy of shooting with a compact, ultra-wide-angle zoom This ultra-wide-angle zoom lens for APS-C DSLR cameras offers the finest of all Tamron worlds: best-in-class* 10-24mm focal length range (the 35mm equivalent of 16-37mm), the compact size of our previous SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001), plus vastly improved optical performance. It also includes state-of-the-art Tamron technology like VC (Vibration Compensation), a new HLD (High/Low torque-modulated Drive), Fluorine Coating, and Moisture-Resistant Construction. Combine this with exceptional resolution on everything from detailed landscapes to casual snapshots and you have a next-generation, wide-angle zoom that ready to go wherever your photographic vision takes you. Excellent optical performance across the entire zoom range The optical design includes 16 elements in 11 groups. A new large aperture aspherical lens and LD (Low Dispersion) lens elements deliver exceptional resolution across the complete zoom range— combined with stable imaging across the entire frame. The lens also corrects comatic and transverse chromatic aberration, as well as distortion that often crops up on other wide-angle lenses. Together with Tamron’s unique BBAR (Broad-Band Anti-Reflection) Coating, which improves light transmission and suppresses reflection and dispersion on the lens surface, this new ultra-wide-angle zoom has been entirely reimagined to control flare and ghosting. The result: clear, crisp images, every time. VC lets you go wherever your vision takes you Tamron's unique VC (Vibration Compensation) technology makes it easy to enjoy handheld, wide-angle shooting, even in low-light environments such as evening and indoors. While maintaining the compact design of our previous Model B001, Tamron has optimized the actuator and control algorithm in order to incorporate VC into our new Model B023. Now you can unleash the power of high quality imaging, without worrying about your images being spoiled by the jittery effects of handheld shooting. HLD meets highly precise AF With this lens, Tamron introduces the HLD (High/Low torque-modulated Drive) AF drive system. The excellent driving power of the all-new HLD enables stable and precise focusing, even with the large focusing lens elements used on Model B023. What's more, the Full-time Manual Focus override allows you to make fine adjustments without having to switch from AF to MF mode. High performance packed into a compact body A shortened overall length vastly improves optical performance while maintaining a compact size—even with advancements such as VC and the newly developed HLD. When combined with an APS-C DSLR camera, this lens packs a world of performance into a lightweight, portable body.

Ultra Wide Angle Prime Lens. Made in Japan. Lens with two caps. S/n: last photo Fully tested in excellent working condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/content/dam/consumer-products/downloads/historical-products/photography/zm-lenses/en/datasheet-zeiss-zm-distagon-418mm-en.pdf From KenRockwell.com. : Ideal Uses Could be the only wide lens you need for your Leica. Like all Leica M lenses, Zeiss 18mm f/4 ZM works on every Leica M camera, as well as Minolta CLE , Voigtländers, Konica Hexar Ms and Zeiss Ikons. This Zeiss 18mm lens is perfect for use on any Leica. It's super-sharp, free from distortion and easy to shoot, especially with filters. It comes in silver or black and couples to the rangefinder of every Leica or similar rangefinder camera. When I finally got one of these in my hands, it's much, much nicer than I had expected. This Zeiss 18mm's optics are superb, and it takes normal 58mm filters. It's small enough so that there is very little blockage of the image in the 18mm finder, so it's easy to go shoot well. This Zeiss lens feels great in hand, just like Leica lenses. Focus and aperture rings turn with the same smoothness and precision I expect from Leica, and even better than Leica's cheap new Summarit-M lenses. By comparison, the new Leica 18mm f/3.8 ASPH  is a dream lost. It's too big for practical use. The Leica 18mm is a poorer choice for photography because you have to use a special  Leica 14 484 filter adapter  to use filters, and then you have to use 77mm filters which will block your viewfinder. You can't compose well when you can't see what you're doing. Why bother? The  Leica Man  demands the Leica 18mm for his collection, but for actual photographers, the Zeiss 18mm is a better lens because it shoots better. I still need to have a shoot-out to compare optics; when I've had my hands on the Leica 18mm I wasn't at my optical test range. I'm unsure if the Leica will be as good optically as this Zeiss, but we'll see when I get a sample of the Leica 18mm with which to run a head-to-head shoot-out, hopefully in a few weeks. The Leica man doesn't trifle the price, and at any price, the Zeiss makes more sense for its superlative optics and superior usability. Photographers do consider price, and for them, this Zeiss costs less than half of the Leica 18mm. How does Zeiss make such a great lens so inexpensively? Efficiency. Zeiss puts its brilliance in the design, as Mozart and Beethoven put theirs in their scores, and Zeiss then has the performance (manufacture) done efficiently by Cosina in Japan for these consumer lenses. While Leica makes nothing optically more exotic than single-user camera lenses, survey equipment, instruments and scopes, Zeiss also makes enterprize-level optics used in cinematography, satellites and computer chip manufacturing. Zeiss Master Prime cine lenses, rented in Hollywood for $300 a day, sell for $20,000 - $25,000 each. The Zeiss lenses used in  ASML steppers  sell for close to seven figures each, and are made in the cleanest clean rooms in Germany. Leica doesn't even make medium-format lenses, as Zeiss has been doing for Hasselblad since forever. Whose lenses are used in spy satellites that can read the brand name off a golf ball — from space? Zeiss. What lenses did man take with him to record his most crowning achievement of all, the moon landings? Zeiss. Zeiss tests every single one of these lenses, including the 18mm ZM reviewed here, for MTF before it's sold to us. The MTF Zeiss specifies are actual tested, typical MTFs from actual lenses, not the pie-in-the-sky computed MTFs that other companies parade around but can't necessarily manufacture. With Zeiss, we the customers aren't paying for promotional cameras and lenses  given away to celebrities every other month. Zeiss is unsurpassed, but Zeiss doesn't attract the religious extremists that Leica does to tell you about it. Zeiss calls this the Zeiss Distagon  T*  4/18 ZM. "Distagon" is a trademark simply meaning "Zeiss retrofocus wide-angle lens;" it means nothing more specific about the design. T*  is a brand name for Zeiss' excellent multicoating. ZM means it fits the eternal M series of Leica rangefinder cameras, as well as the Voigtländer Bessas, Zeiss Ikons and  Minolta CLE . Ergonomics are perfect. The aperture flicks with a fingertip, and the settings are obvious by feel. Focus flicks with a fingertip, and it's easy to use two fingers for precise focus. The focus ring feels great. One fingertip is all it takes to flick it. Focus is very fast and sure. A small twist of the ring leads to a huge movement in the rangefinder. Focus is faster and less precise than Leica's standard. The focus ring goes from infinity to 0.5 meters in just 100,º which is almost twice as fast as most Leica lenses. There is no focus tab; just a knurled ring. You can use one or two fingers, unlike with Leica, where you have only the tab for focus The Zeiss 18 4 is made very well, much better than Leica's Summarit M lenses . Everything is tight, smooth and solid. Unlike AF lenses, this lens feels like one solid ball of metal. Nothing wiggles, vibrates or clatters. Filter Threads: Chromed metal. Barrel: Silver anodized aluminum. Focus Ring: Anodized aluminum with triangular ribbing. Focus Tab: None. Aperture Ring: Anodized aluminum. Focus Helicoids: Brass. Other Internals: Metal. Mount: Chromed brass. Mounting Index Dot: Blue plastic ball. Markings: Engraved and filled with paint. Made in: Japan. This Zeiss 18mm f/4 lens is sharp! It's sharp even at f/4, and even in the far corners of the full 35mm frame. The half-frame M8's corners are still in the middle of this lens' image. The only way to make this lens unsharp is to stop down too far, like f/22 if you don't need it, in which case diffraction limits performance as it does with every lens. The 10-bladed diaphragm begets sharp, 10-pointed sunstars . Panoramas, landscapes, architecture, photos with dominating foreground and wide background, photography in confined spaces is the profession of this lens. It offers excellent optical performance in a 100 degree diagonal field angle and it’s distortion is almost invisible. Despite it’s comfortable F4 maximum aperture the photographer will enjoy the compactness and light weight of the lens. A full metal barrel, 1/3 f-stop’s, a sophisticated operating concept mark it distinctively as a member of the Carl Zeiss ZM lens family. This lens still provides an astonishing wide angle effect even when used with digital rangefinder cameras. Because of its wide field angle and the need of an external viewfinder this lens is ideally combined with the Zeiss Ikon SW camera body. A versatile wide-angle prime designed for M-mount rangefinder cameras, the silver  Distagon T* 18mm f/4 ZM Lens  from  ZEISS  provides an immense 98° angle of view to suit photographing wide-open expanses or tight, narrow interior locations with dimensional fidelity. Employing a Distagon optical design, distortion is significantly reduced for a realistic portrayal of scenes and both brightness and sharpness are maintained from edge to edge and three anomalous partial dispersion glass elements are also used to help control chromatic aberrations and color fringing for improved clarity and color fidelity throughout the aperture range. A T* anti-reflective coating has been applied to individual lens elements to control flare and ghosting when working in strong lighting conditions for increased contrast and color neutrality. Additionally, the lens's manual focus design permits working with subjects as close as 1.6' away. Employing a Distagon optical concept, this lens delivers virtually distortion-free performance that pairs well with the broad angle of view. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Manual focus design enables a minimum focusing distance of 1.6'.

Made in Japan. Fully tested in excellent condition. Lens with two caps, ED-LH18200MB Samsung Hood. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.samsung.com/uk/support/model/EX-L18200MB/ Extreme zoom-range lenses are inevitable in all mounts - even in the rather low profile Samsung NX mount. Following the philosophy of of its kind, the Samsung NX 18-200mm f/3.5-6.3 ED OID iFn is promising to deliver a huge focal length range in a compact, light-weight package. Such a multi-purpose lens belongs to the so-called "Omnia" series in Samsung terminology. Just like the similar Sony E 18-200mm f/3.5-6.3 OSS (Sony NEX), it shows a weakness of the concept when applied to APS-C mirrorless cameras though. The cameras may be small, even tiny, but lenses with a medium to long tele range are just as "big" as on an APS-C DSLR - a Nikkor AF-S 18-200mm f/3.5-5.6 VR II (for Nikon DX DSLRs) has about the same size and weight, for example, so such lenses aren't really an obvious choice here. The Samsung NX 18-200mm f/3.5-6.3 ED OID iFn offers a field of view equivalent to about "28-308mm" on full format cameras. That's impressive for sure although it's getting even more extreme in other mounts lately (e.g. Nikon 18-300mm, Tamron 18-270mm). Price-wise the Samsung lens isn't overly cheap but about in line with offerings from other manufacturers. The build quality of the lens is pretty good actually and that's despite the duo-cam zooming mechanism (= two inner lens tubes). The lens body is mostly based on high quality plastics based on a metal mount. The inner lens tubes show only a marginal tendency of wobbling. As you can conclude from the product images below, the lens extends significantly when zooming towards the long end. Set to 200mm and with attached lens hood, it is a bit of an odd view on the tiny NX 200. The zoom action is fairly smooth for such a lens and the focus ring has no play and turns easily. Typical for recent Samsung NX lenses, it features a dedicated iFn button which allows control of various camera settings in combination with the focus ring. The AF motor works both fast and silently. However, the NX200 had a hard time in terms of AF accuracy based on firmware v1.0 although this got a little better after upgrading to the latest version. Even so the AF accuracy was still not great though. This is the first time that we experienced such problems on a mirrorless camera. Manual focusing works, as usual for NX lenses, "by-wire" so you actually control the focus motor by turning the focus ring (unless the camera is busy with other operations). The lens features Samsung's OIS ("Optical Image Stabilizer") which seems slightly less effective than other optical stabilizer systems - you can expect "a gain" of about 2-3 f-stops from it.