SONY HDR-AS100V POV Action Cam, 13.5MP GPS, Wi-Fi, NFC, SplashProof

ACTAR camera telephoto lens AF35ML 2M....Made in japan Shipping free.

Worldwide shipping. Made in Japan. Original, genuine, in excellent condition. Lens, two original caps. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) More photos and questions via Line ID: gnnick S/n: last photo Extender EF 1.4x III ● 1.4x increase of the lens's focal length ● Dustproof and waterproof specifications (JIS 2 equivalent) ● Lens placement and coatings are optimized to minimize the ghosting ● Built-in microcomputer in the extenders enables communication between lens, extender and camera ● Anti-smear coating (Silky Barrier Coating) used to enhance smear-free state of the lens surface The Extender EF 1.4X III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 1.4x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses. The Extender EF 1.4X III features seven optical elements in three groups and all optical elements have Canon's Super Spectra coating to reduce ghosting and flare. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings. To facilitate the accurate transfer of imaging data between the lens and camera body, the extender features an integrated processor which ensures all focusing, metering and ID information is available - allowing the photographer to capture balanced, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable AF accuracy even when capturing moving subjects. When attached, the 1.4x extender reduces the effective maximum aperture by 1 stop. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon's professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions. Note: This converter is only compatible with fixed focal length L-series lenses 135mm and over, as well as the EF 70-200/2.8L, EF 70-200/2.8L IS, EF 70-200/4L, and EF 100-400/4.5-5.6L. Additionally, please see the lens and/or camera body manual for full autofocus compatibility information with the Extender EF 1.4X III. Carefully positioned lens release mechanism makes it easy to mount the extender quickly, reducing the time the camera and lens are exposed to the environment. Integrated processor communicates between camera and lens and ensures all focusing, metering and ID information is available. All optical elements use Canon's Super Spectra coating, reducing ghosting and flare. Fluorine Coating on the front and rear elements keeps soiling, smears, and fingerprints to a minimum. Sealed to be resistant to both dust and water, allowing photographers to use them in extreme shooting conditions. About this item ● Focal Length & Maximum Aperture Magnification: 1.4x ● Lens Construction of 7 elements in 3 groups ● Max. Diameter x Length - 2.8" x 1.1" (72.0mm x 27.2mm) ● Weight - 7.9 oz (225g)

ทาง OM Digital Solutions ได้เปิดตัว ‘Olympus PEN E-P7’ กล้องมิเรอร์เลสในระบบ Micro Four Thirds ตัวแรกหลังจากได้รับไม้ต่อมาจาก Olympus เมื่อต้นปีที่ผ่านมา โดยเป็นกล้องดีไซน์คลาสสิกในซีรีส์ PEN F แต่วางขายแค่ในยุโรป และบางประเทศเท่านั้น สำหรับไทยรุ่นนี้ไม่ได้นำเข้ามาขายครับ… Last one from showcase, SHUTTER COUNTER: 600 Body with body cap, hot shoe cap, battery, metal strap clips, protective covers , charger, shoulder strap. About this item ● A simple, sophisticated design in a beautiful, compact body with great attention to detail ● Equipped with a Profile Control switch and Art Filters for creative photographic expressions ● The combination of the 20 Megapixel Live MOS sensor, the high-speed processing capabilities of the TruePic VIII and the M.Zuiko lens ensure professional quality ● The camera is equipped with in-body 5-axis image stabilization for blur-free, high-quality snapshots and 4k movie ● Flip-down touchscreen for easy selfies shots and integrated Wi-Fi and Bluetooth for instant image sharing Olympus PEN E-P7 Pretty and Powerful camera with 4k Video, Bluetooth, MFT (m4/3) Lenses and Micro 4/3 sensor Write Your Own Story We're all living out a story. Every day we make a thousand choices of a million hues to tell our tale. The world is full of beauty waiting to be captured and shared. Will you pick up a pen to write your own story? Technology is fashionable Featherweight beauty Photography can be a beautiful and enjoyable adventure. The E-P7’s small size and light weight are practically unnoticeable, but the E-P7 is a sight to behold. Drawn with lines taken from a true classic, the E-P7 is elegant and compact, making the crafting of your photos an exquisite experience. With two distinct colors to choose from, you decide the tone of your story. See the world in a different color The E-P7 is a treasure trove for creative exploration. With a flick of the front color/monochrome profile switch, you can instantly enhance your creative expression. Dive deeper and you'll find more tools for inspiration, including film presets, Art Filters, and other unique creative features. For every photographic passion, there's a way to capture it with the E-P7. Pretty and powerful At its core, the E-P7 is a combination of brilliant sensor technology, powerful image processing, and precision lenses. This makes for easy operation, fast focus speeds, and clever creative features – all enhancements from previous PEN cameras. With a vast choice of compatible lenses to suit your style of photography, there are no boundaries to your creative pursuits. Clever at heart - 20MP Live MOS sensor - TruePic VIII Image Processor Featuring technology previously not available in our PEN series of cameras, the E-P7 boasts innovation worthy of its legacy. Paired with legendary M.Zuiko lenses, the E-P7’s photographic pedigree stands apart from larger and costlier systems. Always ready for more - USB Charging With the E-P7’s easy USB charging, you can keep moving and creating all day with universal USB chargers and power banks. Steady as she goes  -5-Axis Image Stabilization Whether performing long exposure photography in the moonlight or grabbing quick shots with friends during dusk, the in-camera 5-Axis Image Stabilization keeps your handheld photos and videos sharp and shake-free, even in low light. Easy transfer with Oi Share app With the OI.Share app you can wirelessly import photos captured on the E-P7. In addition, you can use your smartphone as a remote controller for remote shooting.

Ultra Wide Angle Prime Lens. Made in Japan. Lens with two caps. S/n: last photo Fully tested in excellent working condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/content/dam/consumer-products/downloads/historical-products/photography/zm-lenses/en/datasheet-zeiss-zm-distagon-418mm-en.pdf From KenRockwell.com. : Ideal Uses Could be the only wide lens you need for your Leica. Like all Leica M lenses, Zeiss 18mm f/4 ZM works on every Leica M camera, as well as Minolta CLE , Voigtländers, Konica Hexar Ms and Zeiss Ikons. This Zeiss 18mm lens is perfect for use on any Leica. It's super-sharp, free from distortion and easy to shoot, especially with filters. It comes in silver or black and couples to the rangefinder of every Leica or similar rangefinder camera. When I finally got one of these in my hands, it's much, much nicer than I had expected. This Zeiss 18mm's optics are superb, and it takes normal 58mm filters. It's small enough so that there is very little blockage of the image in the 18mm finder, so it's easy to go shoot well. This Zeiss lens feels great in hand, just like Leica lenses. Focus and aperture rings turn with the same smoothness and precision I expect from Leica, and even better than Leica's cheap new Summarit-M lenses. By comparison, the new Leica 18mm f/3.8 ASPH  is a dream lost. It's too big for practical use. The Leica 18mm is a poorer choice for photography because you have to use a special  Leica 14 484 filter adapter  to use filters, and then you have to use 77mm filters which will block your viewfinder. You can't compose well when you can't see what you're doing. Why bother? The  Leica Man  demands the Leica 18mm for his collection, but for actual photographers, the Zeiss 18mm is a better lens because it shoots better. I still need to have a shoot-out to compare optics; when I've had my hands on the Leica 18mm I wasn't at my optical test range. I'm unsure if the Leica will be as good optically as this Zeiss, but we'll see when I get a sample of the Leica 18mm with which to run a head-to-head shoot-out, hopefully in a few weeks. The Leica man doesn't trifle the price, and at any price, the Zeiss makes more sense for its superlative optics and superior usability. Photographers do consider price, and for them, this Zeiss costs less than half of the Leica 18mm. How does Zeiss make such a great lens so inexpensively? Efficiency. Zeiss puts its brilliance in the design, as Mozart and Beethoven put theirs in their scores, and Zeiss then has the performance (manufacture) done efficiently by Cosina in Japan for these consumer lenses. While Leica makes nothing optically more exotic than single-user camera lenses, survey equipment, instruments and scopes, Zeiss also makes enterprize-level optics used in cinematography, satellites and computer chip manufacturing. Zeiss Master Prime cine lenses, rented in Hollywood for $300 a day, sell for $20,000 - $25,000 each. The Zeiss lenses used in  ASML steppers  sell for close to seven figures each, and are made in the cleanest clean rooms in Germany. Leica doesn't even make medium-format lenses, as Zeiss has been doing for Hasselblad since forever. Whose lenses are used in spy satellites that can read the brand name off a golf ball — from space? Zeiss. What lenses did man take with him to record his most crowning achievement of all, the moon landings? Zeiss. Zeiss tests every single one of these lenses, including the 18mm ZM reviewed here, for MTF before it's sold to us. The MTF Zeiss specifies are actual tested, typical MTFs from actual lenses, not the pie-in-the-sky computed MTFs that other companies parade around but can't necessarily manufacture. With Zeiss, we the customers aren't paying for promotional cameras and lenses  given away to celebrities every other month. Zeiss is unsurpassed, but Zeiss doesn't attract the religious extremists that Leica does to tell you about it. Zeiss calls this the Zeiss Distagon  T*  4/18 ZM. "Distagon" is a trademark simply meaning "Zeiss retrofocus wide-angle lens;" it means nothing more specific about the design. T*  is a brand name for Zeiss' excellent multicoating. ZM means it fits the eternal M series of Leica rangefinder cameras, as well as the Voigtländer Bessas, Zeiss Ikons and  Minolta CLE . Ergonomics are perfect. The aperture flicks with a fingertip, and the settings are obvious by feel. Focus flicks with a fingertip, and it's easy to use two fingers for precise focus. The focus ring feels great. One fingertip is all it takes to flick it. Focus is very fast and sure. A small twist of the ring leads to a huge movement in the rangefinder. Focus is faster and less precise than Leica's standard. The focus ring goes from infinity to 0.5 meters in just 100,º which is almost twice as fast as most Leica lenses. There is no focus tab; just a knurled ring. You can use one or two fingers, unlike with Leica, where you have only the tab for focus The Zeiss 18 4 is made very well, much better than Leica's Summarit M lenses . Everything is tight, smooth and solid. Unlike AF lenses, this lens feels like one solid ball of metal. Nothing wiggles, vibrates or clatters. Filter Threads: Chromed metal. Barrel: Silver anodized aluminum. Focus Ring: Anodized aluminum with triangular ribbing. Focus Tab: None. Aperture Ring: Anodized aluminum. Focus Helicoids: Brass. Other Internals: Metal. Mount: Chromed brass. Mounting Index Dot: Blue plastic ball. Markings: Engraved and filled with paint. Made in: Japan. This Zeiss 18mm f/4 lens is sharp! It's sharp even at f/4, and even in the far corners of the full 35mm frame. The half-frame M8's corners are still in the middle of this lens' image. The only way to make this lens unsharp is to stop down too far, like f/22 if you don't need it, in which case diffraction limits performance as it does with every lens. The 10-bladed diaphragm begets sharp, 10-pointed sunstars . Panoramas, landscapes, architecture, photos with dominating foreground and wide background, photography in confined spaces is the profession of this lens. It offers excellent optical performance in a 100 degree diagonal field angle and it’s distortion is almost invisible. Despite it’s comfortable F4 maximum aperture the photographer will enjoy the compactness and light weight of the lens. A full metal barrel, 1/3 f-stop’s, a sophisticated operating concept mark it distinctively as a member of the Carl Zeiss ZM lens family. This lens still provides an astonishing wide angle effect even when used with digital rangefinder cameras. Because of its wide field angle and the need of an external viewfinder this lens is ideally combined with the Zeiss Ikon SW camera body. A versatile wide-angle prime designed for M-mount rangefinder cameras, the silver  Distagon T* 18mm f/4 ZM Lens  from  ZEISS  provides an immense 98° angle of view to suit photographing wide-open expanses or tight, narrow interior locations with dimensional fidelity. Employing a Distagon optical design, distortion is significantly reduced for a realistic portrayal of scenes and both brightness and sharpness are maintained from edge to edge and three anomalous partial dispersion glass elements are also used to help control chromatic aberrations and color fringing for improved clarity and color fidelity throughout the aperture range. A T* anti-reflective coating has been applied to individual lens elements to control flare and ghosting when working in strong lighting conditions for increased contrast and color neutrality. Additionally, the lens's manual focus design permits working with subjects as close as 1.6' away. Employing a Distagon optical concept, this lens delivers virtually distortion-free performance that pairs well with the broad angle of view. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Manual focus design enables a minimum focusing distance of 1.6'.