Sony RX100 VI 20.1MP Premium Compact Digital Camera 1

Nikkor AF 35-70 f2.8 lens with Nikon 62mm NC and L37C, Cokin Skylight 1A, Toshiba 49mm UV filters, Nikon HB-1 hood and instruction leaflets Comes with free Nikon F-601 Camera with original instruction manual and Lowepro Novo mini camera bag. Everything is in good condition and thought to be fully functional. The camera does not have a battery and has not been used for some time. The lens looks clean and the optics clear. I am happy for anyone to come and inspect. It is only available until 1st March, after which I will take it with me to Chiang Mai.

https://www.youtube.com/watch?v=xcRBGyrICBo Classically styled 50mm FX-format prime (fixed focal length) lens designed to match the Nikon DF but equally stylish on any Nikon D-SLR Excellent condition! Lens with two caps, HB-47 Nikon Hood. S/n: last photo. Perfectly working order! https://www.nikonusa.com/en/nikon-products/product/camera-lenses/af-s-nikkor-50mm-f%252f1.8g-special-edition.html Fast f/1.8 maximum aperture for brilliant low light performance, freezing fast action with high shutter speeds and beautifully blurred backgrounds (booked) Superb NIKKOR optics and Nikon's innovative Silent Wave Motor (SWM) for ultra-fast, near silent precision autofocus with seamless manual override Compact, lightweight design - an outstanding travel companion and everyday lens Classically styled, lightweight and fast f/1.8 FX-format prime lens With its updated classic exterior design and feel, outstanding NIKKOR optics and advanced Nikon lens technologies, the AF-S NIKKOR 50mm f/1.8G Special Edition is the perfect match for the Nikon Df and anyone who appreciates the feel of a classic lens. Its fast f/1.8 maximum aperture renders beautifully blurred backgrounds and maximizes low-light performance, and its 50mm normal perspective is ideal for everyday shooting. And despite its classic styling, the AF-S NIKKOR 50mm f/1.8G Special Edition is a fully modern NIKKOR lens with Nikon's advanced technologies, like Silent Wave Motor (SWM) for ultra-fast, nearly silent autofocusing with seamless manual override. Well suited for travel and everyday applications, the AF-S NIKKOR 50mm f/1.8G Special Edition will be your go-to lens for great shots. Brilliance in any light Fast f/1.8 aperture for superior low-light performance The lightweight, compact AF-S NIKKOR 50mm f/1.8G Special Edition is a great travel companion, especially when you need to freeze fast action or if a bright sunny day turns overcast. Its fast f/1.8 maximum aperture makes framing and focusing easier, and allows for high shutter speeds and full exposures under dim lighting conditions. Beautiful background blur Natural depth of field and attractive bokeh When shooting wide open at f/1.8, the AF-S NIKKOR 50mm f/1.8G Special Edition renders beautifully blurred backgrounds (bokeh). Make a tack-sharp foreground subject stand out against a softly blurred background, a capability especially well suited for portraits. The lens' 50mm focal length (75mm on DX-format cameras) approximates the angle of view of our eyes, perfect for creating natural perspective in your photographs. Outstanding performance Advanced NIKKOR optics and Nikon lens technologies The AF-S NIKKOR 50mm f/1.8G Special Edition is a remarkable blend of classic exterior styling and modern optics and lens technologies. Its focus ring features the easy to grip knurling/hatching from classic manual focus lenses, while its autofocus system uses Nikon's innovative Silent Wave Motor (SWM) for ultra-fast, near silent precision focusing. SWM also allows for seamless manual focus override when fine adjustments are desired. The AF-S NIKKOR 50mm f/1.8G Special Edition will give you years of brilliant performances. About this item ● Classically styled 50mm FX-format prime (fixed focal length) lens designed to match the Nikon DF but equally stylish on any Nikon D-SLR ● Fast f/1.8 maximum aperture for brilliant low light performance, freezing fast action with high shutter speeds and beautifully blurred backgrounds (bokeh) ● Superb NIKKOR optics and Nikon’s innovative Silent Wave Motor (SWM) for ultra-fast, near silent precision autofocus with seamless manual override ● Compact, lightweight design—an outstanding travel companion and everyday lens Nikon AF-S NIKKOR 50mm f/1.8G Special Edition Overview Distinguishing itself through its classic styling, the AF-S NIKKOR 50mm f/1.8G Special Edition from Nikon is an updated version of this venerable prime featuring a re-envisioned exterior and knurled focusing ring. Corresponding to the natural field of view, the 50mm focal length is well-suited for a wide variety of subjects, including everything from landscape to portraiture. The f/1.8 design suits working in difficult lighting conditions and also enables controlling the focus position for using shallow depth of field techniques. One aspherical element is featured in the optical design to minimize spherical aberrations and distortion for high sharpness and accurate rendering. A Super Integrated Coating also suppress flare and ghosting for improved contrast and color accuracy. Additionally, the Silent Wave Motor affords fast, quiet, and precise autofocus performance as well as full-time manual focus override Special Edition of the 50mm f/1.8G lens features a classically styled exterior, designed to match the Df DSLR, as well as a knurled focusing ring for improved tactile response. Normal-length prime is designed for FX-format Nikon F-mount cameras, however can also be used with DX models where it provide a 75mm equivalent focal length. Bright f/1.8 maximum aperture contributes to both low-light performance as well as offers greater control over depth of field. One aspherical element is used to greatly reduce spherical aberrations and distortion in order to achieve high sharpness, clarity, and accurate rendering. Super Integrated Coating has been applied to lens elements to minimize surface and internal reflections for a marked reduction in lens flare and ghosting. Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality.

Shutter count: 4xxx Review: https://www.kenrockwell.com/sony/a9.htm Mint condition used body with Body cap, Sony NP-FZ100 battery, Sony BC-QZ1 Wall charger, Sony Alpha 9 strap, USB cable, unpolarized AC power cord, Sony hot shoe cap, Sony FDA-EP18 Eye cap, User Manual, Docs, Box. English / Thai + menu. The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

World's smallest and lightest full-frame camera https://www.youtube.com/watch?v=s5e580-K2z8 Sigma fp Leica's L-mount Mirrorless Full-Frame Digital Camera 24.6MP BSI Bayer CMOS Sensor, Dust and splash proof structure aluminum body, UHD 4K30p Video 12-bit Cinema DNG, 3.15" Touchscreen LCD, 49-Point AF System, Electronic image stabilization, HDR Shooting... Excellent condition body with Sigma Hot Shoe Unit HU-11, Sigma LI-ION BATTERY BP-51, Sigma Wall charger UAC-11 US, User Manual, docs, Sigma Neck strap with clips (STRAP HOLDER SH-11 (2 pcs.)), USB CABLE SUC-11, body cap - CONVERTER CAP LCT-Ⅱ TL, box. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sigmaphoto.com/cameras/mirrorless/sigma-fp ● กล้องฟูลเฟรมที่เล็กที่สุด เเละเบาที่สุด ● SIGMA fp เป็นกล้องที่ออกแบบมาให้ยืดหยุ่นทั้งการถ่ายภาพนิ่งและวิดีโอในระดับมืออาชีพ ● รองรับการถ่ายวิดีโอ 12-bit CinemaDNG format ความละเอียดแบบ 4K 24fps ความสามารถนี้ตอบโจทย์งานภาพยนตร์ได้เลย ● มี Cine Mode สำหรับงาน Cinema ภาพยนตร์โดยเฉพาะ เพื่อใช้งานในระดับมืออาชีพ ● Electronic shutter ให้เสียงที่เงียบมาก ● ฟีเจอร์มากมายรองรับการถ่ายวีดีโอ HDR shooting, Cinemagraph, Face/Eye Detection AF, ● L-Mount เพื่อให้เชื่อมต่อกับเลนส์ทุกประเภทได้อย่างง่ายดาย ● รองรับการสร้างภาพยนตร์อย่างมืออาชีพ ด้วย SIGMA fp’s Cine mode ● เปลี่ยนโหมดจากภาพนิ่งเป็นภาพยนตร์เต็มรูปแบบด้วยนิ้วเพียงนิ้วเดียว Memory Media SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported) The Sigma fp Mirrorless Camera delivers high-spec functionality for stills and video in an extremely compact body that weighs under one pound. Driven by a full-frame 24.6MP BSI Bayer CMOS sensor, 14-bit color depth, electronic image stabilization, and Leica's L-mount lens interface, the fp and its fully electronic shutter provide a maximum resolution for raw and JPEG files of 6000 x 4000 and a shooting rate of 18 fps, while its focus system employs contrast detection and a 49-point selection mode for AF measurement distance, as well as face detection, eye detection, and focus peaking. A base sensitivity of ISO 100-25600 can be expanded to ISO 6-102400, and its video recording capabilities allow for UHD 4K recording at up to 30p, while Full HD recording can be captured at up to 120p. For raw video data, 12-bit CinemaDNG external recording is supported. To help shooters fine tune their video content, Sigma's "Teal and Orange" mode is inspired by the color grading techniques of Hollywood and creates high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement. So that users may easily switch between still and video modes, there is a switch on top of the camera. Also available for video shooters in a "Director's Viewfinder" function, which allows for the simulating of different angles of view and how an image looks in a cinema camera. It supports cameras such as the ARRI ALEXA LF and RED MONSTRO 8K, as well as other commonly-used digital cameras, film cameras, and anamorphic lenses. Compose and review your shots with a 3.15" 2.1m-dot LCD touchscreen, and media is captured internally to a UHS-II SDXC card slot. Thanks to an effective heat sink and a 42-point seal for dust- and splash-proofing, the fp will function well for long hours of use in a wide variety of environments. If you need to connect to external peripherals, there is a USB 3.1 Gen 1 Type-C port and a micro-HDMI port. Firmware Version 3.00 Introduced Features ● Adds new color modes "Powder Blue" and "Duotone" ● Adds the "Save/Load Settings" function saves and loads camera settings using a QR code ● Adds compatibility with the Sigma Electronic Viewfinder EVF-11 ● Adds the "Automatic switch to the LCD monitor display" function to preview images and operate the menu on the camera's LCD monitor while using the View button, MENU button, and QS button ● Adds the "Quick Focus Frame Shift" function to the Rear Dial's direction buttons to directly move the focus frame ● Adds "Custom Buttons" able to assign their desired functions such as "Exposure Compensation" and "Depth of Field Preview" to the AEL button, Rear Dial (direction button), Tone Control button, Color Mode button, and MODE (Shooting Mode) button ● Adds "LCD Off Mode" to the Display Mode settings whereby the LCD monitor turns off during shooting or when the camera is not in operation ● Adds a "Screenshot" feature to save any screen displayed on the LCD monitor as a still-image file ● Enables focus frame to be moved even when the image is enlarged during shooting in AF or MF ● Adds 24 and 48 fps frame rates (only at FHD resolution) in the Movie Record Setting ● Adds "KOMODO 6K" by RED Digital Cinema in the Director's Viewfinder mode ● Adds a "Custom Frame" option to the Frame Guide function, to select any desired aspect ratio or absolute size value on the image sensor ● Enables the "Color Temperature" setting to be adjusted in "White balance" in custom 50K increments ● Improved AF operation to achieve better accuracy, stability, and followability ● Enhanced "Flicker Control" function ● Improve JPEG file image quality ● Launched 2021.06.03 Firmware Version 2 Introduced Features ● Cinemagraph creation and playback ● CinemaDNG footage playback ● Still capture during live view and movie shooting in Cine mode ● Still image capture from CinemaDNG and MOV movie files ● HDR in movie shooting ● Still and movie shooting in Director's Viewfinder mode ● Supports DCI 4K 12-bit with raw output over HDMI ● Supports raw over HDMI recording with Atomos Ninja V recorder ● Supports recording Blackmagic RAW codec over HDMI with Blackmagic Video Assist 12G models ● Camera movement control is compatible with ZHIYUN Weebill S gimbal ● Supports camera control in USB mode with forthcoming Software Development Kit Updates and Enhancements ● Supports Dual Base ISO at ISO 100 and 3200 ● Supports CinemaDNG at 25 and 29.97 fps for UHD 4K 12-bit shooting ● Supports CinemaDNG at 100 fps for FHD 12-bit shooting ● Supports CinemaDNG 100 and 119.88 fps for FHD 8-bit and 10-bit shooting ● Exposure adjustment now available in QS Menu ● Tone control setting now available during movie shooting ● Supports USB Video Class (UVC) setting adjustments while the fp is connected to USB ● Supports time code generation ● Compatible with BWF format ● Supports file size changes at aspect ratio 7:6 ● Optional shutter sound effect General Features Full-Frame Sensor Equipped with a back-illuminated, 35mm full-frame Bayer sensor with 24.6 effective megapixels, the Sigma fp is capable of taking high-resolution still and moving images. Robust & Lightweight Aluminum Body A body covered with die-cast aluminum on the front and the back helps ensures robustness and heat dissipation while keeping the body weight light. Large Heat Sink Designed and inspired by those used on professional cinema cameras, a large-size heat sink is mounted between the LCD and camera body. Combined with a heat dissipation coating applied to the outer surface, the Sigma fp achieves highly effective heat dissipation. It helps prevent overheating at high temperatures or in long hours of use. Splash and Dustproof Structure The Sigma fp is protected with a splash and dustproof seal on a total of 42 points over the camera body. When combined with a splash and dustproof lens, the Sigma fp is capable of shooting in rain, sandstorms, and other challenging conditions. Same Screw Threads for Strap Fittings and Tripod The Sigma fp is fitted with 1/4"-20 threads for both the strap holder on either side of the body and for a tripod. This provides greater freedom in how one uses the camera, from mounting it on a tripod in portrait orientation with the fixing removed, to attaching a strap for use in portrait orientation after screwing the fixing into the hole on the base. Full-Time Electronic Shutter Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting without ruining the ambiance of the scene; and shooting with good response, without missing your shot. These types of shooting will open unique horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp's camera structure simpler, which in turn improves its reliability as a camera. "Teal and Orange" Color Mode Color grading is a process of altering the color of a video and is an important step in filmmaking that will change the "mood" of a film or other types of work. One color grade style that has been widely used in Hollywood films has inspired a new color mode introduced in the Sigma fp, called "Teal and Orange." This color mode is about creating high contrast between orange colors, which are found in human skin tones, and teals (cyan blue), which are their complement, for visuals that are highly vibrant and deeply dramatic. It can be used in both the Still mode and Cine mode. Fill Light A function formerly available only in Sigma Photo Pro, Sigma's proprietary image development software, Fill Light has now been incorporated into the body of Sigma fp. Using Fill Light allows adjustment of the brightness of an image by adding extra light energy into the shadow regions without altering the exposure of highlight regions. This provides greater control in producing an image with great details, even with areas that are hard to control using the exposure adjustment settings. The adjustment range, which was formerly ±2.0, has been expanded to ±5.0, making it possible to fine-tune the brightness even more. Tone Control & Color Mode The Tone Control menu now has a manual setting option in addition to the two auto options available in previous models (Strong/Mild), which allows users to adjust the tone curve by themselves. The Sigma fp also has an "effect" slider in its color mode menu. It can be used to set the strength of an effect to apply in 11 levels, from -5 to 5, which enables the fine-tuning of the color mode. Additionally, "TONE" and "COLOR" buttons allow for quick access to the tone control and color mode menus. With these enhanced functions and a variety of operation elements, the Sigma fp makes it simple and easy to create an image, in-camera with great details, be it still or video. HDR Shooting The HDR shooting takes advantage of an electronic shutter to take multiple pictures of different exposures (3 frames for still photography and 2 frames for video) at once, which can then be merged into a single picture or video with a greater dynamic range that could not have been achieved in normal shooting. Cinemagraph The Sigma fp comes with a feature to make "Cinemagraphs," which are animated GIFs that are a hybrid between still photography and video. With this function, the Sigma fp is capable of creating unique imagery, where parts of a still image keep moving, in-camera. Face/Eye Detection AF The Face/Eye Detection AF function allows the Sigma fp to focus automatically on the eyes of a human subject. It can bring the eyes of the model into focus instantly and precisely, even when shooting portraits using a large-diameter lens with a shallow depth of field. Focus Peaking The focus peaking function highlights the edges of the parts of a scene that are in focus in a particular color. It is designed to help focusing the lens manually. L-Mount L-Mount is a mount optimized for mirrorless cameras, characterized by a short flange focal length, large diameter, and improved durability. As an L-Mount camera, the Sigma fp can be used with various L-Mount lenses offered by Leica, Panasonic, and Sigma. Supports Raw Video Data Recording Aside from professional cinema cameras, the Sigma fp supports external recording in 12-bit CinemaDNG format. With up to 4K UHD recording at 24 fps, it produces video data that can be used even in filmmaking. It also supports All-I (All-Intra) recording, which makes it possible to maintain high image quality while reducing file size, allowing light data available for recording and editing. Director's Viewfinder The Sigma fp has a "Director's Viewfinder" function that allows the user to simulate different angles of view and how an image looks on cinema cameras. It supports cameras by major manufacturers commonly used in filmmaking. It supports not only large format cameras such as ARRI ALEXA LF and RED MONSTRO 8K, but also film cameras and anamorphic lenses. Supported cameras include ARRI's ARRICAM/ARRIFLEX, ALEXA LF/ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA 65, and ALEXA XT; Sony's VENICE; and RED's MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, and GEMINI 5K. Functions Comparable to Pro Cinema Cameras The Sigma fp's Cine mode comes with a variety of special functions that are comparable to those of professional cinema cameras. From shutter angle display and waveform display for exposure and color information, to zebra patterning, it comes with the functions and screen displays that can be used in the same way as with conventional cinema equipment. UI Optimized for Different Shooting Modes Preserving the distinctive "feels" of Sigma cameras including dials and QS (Quick Set) buttons, the Sigma fp has specially-designed operation systems and displays for Still and Cine modes. At the flick of a special switch, it can move back and forth between the two modes. This presents a shooting experience that goes beyond the boundaries of traditional cameras that are designed either for stills or videos. 24.6MP Full-Frame BSI Bayer CMOS Sensor ● Electronic Shutter & L Lens Mount ● 49-Point AF System ● UHD 4K30p Video with 12-Bit CinemaDNG ● 3.15″ 2.1m-Dot Touchscreen LCD ● Electronic Image Stabilization System ● 18 fps Shooting, ISO 102400 ● UHS-II SDXC Memory Card Slot ● Dust- and Splash-Proof ● USB 3.1 Gen 1 Type-C & Micro-HDMI 1.4