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https://www.youtube.com/watch?v=ivZrAATdAUo Possibly the first zoom you’ll need. The SAL1680Z is a superb single-lens solution for many APS-C format photographers. Its 35mm equivalent 24-120mm range may be all you’ll ever need for day-to-day shooting. And of course it delivers acclaimed ZEISS optical performance and handling, with image quality that rivals the best prime lenses at any focal length. An ideal introduction to ZEISS quality for A-mount APS-C format bodies. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Made in JAPAN. Very good working condition! Includes : Lens, two caps, Sony Soft Lens Bag. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sony-asia.com/electronics/camera-lenses/sal1680z Sony Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Overview Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. About this item ● 5x zoom designed specifically for DSLR APS-size ● Superb performance from wide angle to telephoto ● 2 glass-molded aspherical lenses for extra precision ● Circular aperture for pleasing defocused effects.Equivalent 35mm when mounted on an APS format DSLR - 24 - 120mm ● Auto clutch to stop manual focus ring rotation, wide focus ring for a solid feel in manual focusing Vario-Sonnar T* DT 16-80mm F3.5-4.5 ZA Zoom Lens The lightest and most compact zoom in the Carl Zeiss lineup, this lens offers the greatest zoom range making it a superb single-lens solution for many photographers. It delivers acclaimed Carl Zeiss optical performance and handling with image quality that rivals the best prime lenses at any focal length. Technology Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Carl Zeiss T* (T-star) coating Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Distance encoder The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Additional Features Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

https://www.youtube.com/watch?v=fEaKP1BSCG4 BETTER than LEICA? Zeiss Distagon T* 1,4/35 ZM - RED35 Review: https://www.youtube.com/watch?v=wh_ynYyhjDI Zeiss 35mm f/1.4 Distagon ZM Review | Better than a Leica Summilux?: https://www.youtube.com/watch?v=6EOya3Xdl6c Made in Japan. Lens with two Zeiss caps, Test Certificate, User Manual, Box. S/n: last photo Fully tested in mint condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/consumer-products/us/photography/zm/distagon-1435-zm.html This is the highest speed lens in the ZM family. And thanks to its compact dimensions and a natural-feeling image rendition, this lens is perfectly suited to capture those special moments in life - and reproduce them in all their glory. If you’re a fan of classic rangefinder photography, then you’ll love the ZEISS Distagon T* 1,4/35 ZM. Showing no compromises in image quality, this lens also shines with its high speed and universal angle of view. In dimly lit rooms or at twilight, this top-of-the-line lens performs brilliantly, even completely wide open at f/1.4. And thanks to its perfectly level field of view, it offers completely even sharpness and contrast all the way into the corners. Add to that the precise manual focus, perfect for bringing out the subtleties of your subjects, and you have a lens that allows you to give each image a uniquely personal touch. Enrich your rangefinder camera with the compact Distagon T* 1,4/35 ZM – and capture life’s most beautiful moments in all its fascination. ZEISS Distagon T* 35mm f/1.4 ZM Overview Characterized by its speed and sophisticated design, the black Distagon T* 35mm f/1.4 ZM from ZEISS is a wide-angle prime for M-mount rangefinder cameras. Balancing the versatile wide focal length is the notably bright f/1.4 maximum aperture, which aids in working in low-light conditions and also affords greater control over depth of field. The Distagon optical design, which helps to reduce distortion, is benefitted by the inclusion of both aspherical and anomalous partial dispersion elements to further suppress spherical and chromatic aberrations for high sharpness and clarity. A floating elements system is also employed to maintain image quality throughout the focusing range, even at the minimum focusing distance of 2.3', and a T* anti-reflective coating has been applied to individual elements to control lens flare and ghosting. Wide-angle lens employs a Distagon optical concept to realize well-corrected imagery with virtually no distortion. Fast f/1.4 maximum aperture benefits working in low-light conditions and also offers increased control over depth of field for selective focus shooting. Two aspherical elements help to reduce spherical aberrations in order to realize a high degree of sharpness. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. ZEISS T* anti-reflective coating has been applied to each lens surface to help minimize reflections and provide greater contrast and color fidelity. Floating elements design helps to maintain consistent image quality throughout the focusing range. Manual focus design enables a minimum focusing distance of 2.3'. A 10-blade diaphragm contributes to a pleasing bokeh quality when working with selective focus techniques.

Video: https://www.youtube.com/watch?v=hzaBoZASJwk Irix Firefly 15mm f/2.4 Ultra Wide Angle for Full-Frame /APS-C (24mm), Fully Weather-Sealed with Built-in AE Chip for Nikon F cameras, Neutrino coating, Lightweight ABS construction, 110-degree field of view, perfect lens for landscape, architectural and even interior photography, night and astrophotography. Made in Korea lens with two original caps, hood, box etc. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. ● Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting ● The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot ● An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift ● With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects ● Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast ● 15 elements in 11 groups for extremely high image quality ● Focus lock allowing you to lock the chosen setting at any time ● Weather sealed construction resists the elements for use in the harshest conditions ● Hyperfocal distance scale for precise information about depth of field ● Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark ● Minimum focus distance of 11.02" (0.28m) ● Ergonomic focus ring for faster focus ● 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection,  it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.