SAL 70300 G. F4.5-5.6 G SSM.
- 18 Mar 2024 : 13:40 pm
Newer used, only take up and look. If interested Pm me. I asking for 22,000 Bath. Or give me a price I can accept.
Newer used, only take up and look. If interested Pm me. I asking for 22,000 Bath. Or give me a price I can accept.
Newer used, only take up and look. If interested PM me. or give me a good price I can accept. ใช้ใหม่เท่านั้นใช้เวลาขึ้นและดู ถ้าสนใจ PM ฉัน หรือให้ฉันราคาที่ดีที่ฉันสามารถยอมรับ
Shutter count: 4xxx Review: https://www.kenrockwell.com/sony/a9.htm Mint condition used body with Body cap, Sony NP-FZ100 battery, Sony BC-QZ1 Wall charger, Sony Alpha 9 strap, USB cable, unpolarized AC power cord, Sony hot shoe cap, Sony FDA-EP18 Eye cap, User Manual, Docs, Box. English / Thai + menu. The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out — ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used — better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall. New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor. 693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image. Calculates exposure and autofocus at up to 60 frames per second. Two card slots. New thumb-nubbin controller on rear. Three memory recalls on the top mode dial, with four more presets almost as easy to recall. Drive mode dial. Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7. C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7. New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots). In-camera 5-axis sensor-shift stabilization claims 5 stops improvement. Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye. Shoots 4K video using the entire 36mm width of the image sensor. Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode). XAVC S high-bitrate video formats for 50~100 MBPS video. Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound). Good Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night. Two card slots. Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy. Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter. Solid mostly metal construction. Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA! Excellent high ISO performance. Facial recognition works well, but only after you find it and turn it on. In-finder 2-axis level works great for keeping horizons and vertical lines as they should be. In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction. Almost any lens of any brand or age can be adapted to work - but with no lens corrections. Stereo microphone built-in. 3.5mm powered mic and headphone jacks. Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS. Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong. Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length. Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.
Video: https://www.youtube.com/watch?v=hzaBoZASJwk Irix Firefly 15mm f/2.4 Ultra Wide Angle for Full-Frame /APS-C (24mm), Fully Weather-Sealed with Built-in AE Chip for Nikon F cameras, Neutrino coating, Lightweight ABS construction, 110-degree field of view, perfect lens for landscape, architectural and even interior photography, night and astrophotography. Made in Korea lens with two original caps, hood, box etc. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. ● Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting ● The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot ● An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift ● With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects ● Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast ● 15 elements in 11 groups for extremely high image quality ● Focus lock allowing you to lock the chosen setting at any time ● Weather sealed construction resists the elements for use in the harshest conditions ● Hyperfocal distance scale for precise information about depth of field ● Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark ● Minimum focus distance of 11.02" (0.28m) ● Ergonomic focus ring for faster focus ● 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection, it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.
https://www.youtube.com/watch?v=ivZrAATdAUo Possibly the first zoom you’ll need. The SAL1680Z is a superb single-lens solution for many APS-C format photographers. Its 35mm equivalent 24-120mm range may be all you’ll ever need for day-to-day shooting. And of course it delivers acclaimed ZEISS optical performance and handling, with image quality that rivals the best prime lenses at any focal length. An ideal introduction to ZEISS quality for A-mount APS-C format bodies. For Sony A-Mount cameras: Professional Full frame: α900 α99 α99 II α850 APS-C High-end: DG-7D α700 α77 α77 II Midrange: α65 α68 Upper-entry: α55 α57 α100 α550 α580 α58 DG-5D α500 α560 α450 Entry-level: α33 α35 α37 α350 α380 α390 α300 α330 α200 α230 α290 For Sony E-Mount cameras with adapter! Made in JAPAN. Very good working condition! Includes : Lens, two caps, Sony Soft Lens Bag. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.sony-asia.com/electronics/camera-lenses/sal1680z Sony Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Overview Have all your bases covered with the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Lens from Sony, which offers an extremely versatile 24-120mm equivalent zoom range on APS-C format A-mount cameras. Benefitting from a Zeiss design that incorporates two aspherical elements and the renowned T* coating, this zoom will help capture sharp, aberration-free images. Also, due to the use of a variable f/3.5-4.5 maximum aperture the overall size and weight is kept to a minimum. Handling and operation is intuitive, especially with an Auto Clutch mechanism that prevents the focusing ring from rotating when autofocus is engaged. Additionally, the internally focusing lens has a minimum focus distance of 1.1' and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Sonnar optical concept, this lens uses a design with 14 elements in 10 groups that helps provide a maximum aperture range of f/3.5-4.5 while simultaneously reducing flare and improving contrast. A standard-length zoom designed for Sony A-mount APS-C-format cameras, the 16-80mm will provide a versatile wide-angle to telephoto 24-120mm equivalent focal length. Two aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. An Auto Clutch mechanism prevents the focusing ring from rotating when the lens is set to autofocus, allowing for easier, and more natural feeling control over the lens. An internal focus design enables fast autofocus as well as a minimum focus distance of 1.1'. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques. About this item ● 5x zoom designed specifically for DSLR APS-size ● Superb performance from wide angle to telephoto ● 2 glass-molded aspherical lenses for extra precision ● Circular aperture for pleasing defocused effects.Equivalent 35mm when mounted on an APS format DSLR - 24 - 120mm ● Auto clutch to stop manual focus ring rotation, wide focus ring for a solid feel in manual focusing Vario-Sonnar T* DT 16-80mm F3.5-4.5 ZA Zoom Lens The lightest and most compact zoom in the Carl Zeiss lineup, this lens offers the greatest zoom range making it a superb single-lens solution for many photographers. It delivers acclaimed Carl Zeiss optical performance and handling with image quality that rivals the best prime lenses at any focal length. Technology Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Aspherical lens elements Aspherical lens design dramatically reduces spherical aberration while also reducing lens size and weight. Spherical aberration is a slight misalignment of the light rays projected on the image plane. This is caused by differences in refraction at different points on conventional spherical lenses which degrade image quality in large-aperture lenses. Specially shaped “aspherical” elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. Well-designed aspherical elements can reduce the total number of elements required in the lens, thus reducing overall size and weight. Advanced Aspherical (AA) elements are an evolved variant, featuring an extremely high thickness ratio between the center and periphery. AA elements are exceedingly difficult to produce, relying on the most advanced molding technology to consistently and precisely achieve the required shape and surface accuracy, resulting in significantly improved image accuracy and quality. Carl Zeiss T* (T-star) coating Coated optics were pioneered by Carl Zeiss - and this superb lens features the Carl Zeiss T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution right out to the image edges. Not simply applied to any lens - the T* symbol only appears on multi-element lenses in which the required performance has been achieved throughout the entire optical path, therefore guaranteeing the highest quality. Distance encoder The distance encoder plays an integral part in ADI flash metering, which delivers high precision flash metering that is unaffected by the reflectance of subjects or backgrounds. The distance encoder is a lens component that directly detects the position of the focusing mechanism, and sends a signal to the CPU in order to measure distance to the subject. During flash photography, this data is very useful in calculating how much flash output is appropriate to the scene. Additional Features Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.
Body, body cap, hot shoe cap, battery, metal strap clips, protective covers , charger, shoulder strap. Fully tested in very good condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick The PEN E-P5 Mirrorless Micro Four Thirds Digital Camera Body from Olympus is a Micro Four Thirds format camera that houses a 16.1MP Live MOS sensor and the TruePic VI Image Processor for clear, high resolution still photos and Full HD 1080p video capture. With ISO sensitivity up to 25600 and 5-axis Image Stabilization, low light imaging is clear and free from the blurring effects of camera shake. Shutter speeds as fast as 1/8000 second and burst shooting up to 9 fps will help you catch fast moving subjects and fast autofocus allows the camera to keep pace with the action. A 3.0" Tilt Touchscreen LCD provides image composition and playback. Tilting up 80º and down to 50º, the LCD monitor lets you avoid harsh glare and shoot from odd angles. It also provides touch control of autofocus, shutter release, menu navigation, Art Filter and Scene Mode selection, playback and Wi-Fi connection. Speaking of which, the E-P5 features built-in Wi-Fi connectivity which allows to you to instantly transfer images from your camera to smartphone for storage and sharing and it offers remote viewing, shutter release and Touch AF from your smartphone or tablet. GPS functionality and geo-tagging of your images is also possible with the Wi-Fi connection and QR Code connection makes establishing your connection simple. The EP-5 continues in the PEN tradition of handsomely built, slightly retro looking bodies with accessible controls, a seamless build and solid thumb and hand grips. A built-in flash with 1/320s sync speed and wireless capability is provided, as is an accessory port/hot shoe. The accessory port can hold an external flash, video lights, monitors or the optional VF-4 Electronic Viewfinder. A camera for every level of shooter, the E-P5 offers RAW format shooting with in-camera processing, full manual exposure control, interval shooting with auto time-lapse video and live bulb shooting. It also provides automatic modes for point and shoot style ease, focus peaking for confident focus control, a self-timer with audio countdown and art filters to add creative touches to your photos and videos. 16.1MP Live MOS Sensor and TruePic VI Image Processor The 16.1MP Live MOS sensor and TruePic VI Image Processor provide sharp, high resolution imaging, accurate color reproduction, and low-light, low-noise (up to ISO 25600) capability for both still and Full HD video imaging. Performance speeds are also impressive, including fast autofocus, up to 9 fps continuous shooting and short recovery times between shots. 5-Axis Image Stabilization Built-in sensor-shift type image stabilization compensates for camera shake on 5 separate axes: yaw, pitch, roll, vertical shift and a horizontal shift. The result is that images taken at slower shutter speeds have less blur, providing you with greater flexibility when shooting in low light or at long focal lengths. Four I.S. modes are available and I.S. for Live View is also supported. 3.0" Tilt Touchscreen LCD Image composition and playback are provided by the E-P5's bright 3.0" LCD monitor. With approximately 1037k-dot resolution, your playback is clear and composition is confident with accurate focus and color. Seven levels of brightness and color temperature control are supported and its tilting capability (80º up and 50º down) allows for odd-angle composition and glare control. Touchscreen control offers the ability to control camera functions with just a tap or swipe on the LCD. Touch control includes shutter release, autofocus, playback navigation, art filter selection, scene mode selection and Wi-Fi connection. Full FD 1080p Video Capture Video capture is supported in both MOV (MPEG-4 AVC/H.264) and AVI (Motion JPEG) formats. In MOV format, Full HD 1080p and HD 720p are offered at 30 fps. AVI format is at 30 fps in both HD and SD. Image Stabilization in Movie mode is supported and Movie Effect provides Art Filters, Art Fades and other functions. Manual exposure control is also supported in Movie mode and a built-in stereo microphone records quality audio. Built-In Wi-Fi and GPS Built-in Wi-Fi connectivity provides instant transfer of your images to your smartphone or tablet, allowing for simultaneous connection to four separate devices. Using the Olympus I.O Share SmartPhone App you can easily share images and it offers remote viewing, focus and remote shutter release of your E-P5 from your smartphone or device. With QR Code connection you can quickly link your camera to your Wi-Fi network. GPS data is also available via your connection to your smartphone. 1/8000s Mechanical Shutter The E-P5 is equipped with a 1/8000 second high-speed mechanical shutter which allows you to freeze action without blur. Use prime lenses at their maximum aperture allowing you to capture shallow depth of field images with attractive bokeh even in very bright daylight. F.A.S.T. Autofocus and Manual Focus Assist Frequency Acceleration Sensor Technology (F.A.S.T.) AF in Single, Continuous and Tracking modes is available for high speed autofocus. 35-area focusing areas provide precise focus throughout the frame and four different AF area sizes can be selected. Face Detection and Eye Detection focusing is also supported and an AF Illuminator is available if needed. Focus Peaking with white or black edges is provided for ensured shooting. Manual focus is also available with two optional focus assist methods: a Magnified Focus (MF) Assist Function and Magnification Display. The MF Assist feature aids with critical focus by allowing you to zoom in on part of the image by simply turning the focusing ring on the front of the lens. Magnification Display enables you to selectively enlarge the image on the LCD at the touch of a button. Built-in Flash with Wireless Control Built-in flash with a GN of 7 (ISO 100) is provided with several modes and +/-3 compensation. The maximum flash sync shutter speed is 1/320 seconds. And the built-in flash can be used as a wireless flash commander with up to four channels, controlling up to three external flashes. 2 x 2 Dial Control with Custom Lever 2 x 2 dial control on the E-P5 provides two dials and a function lever, allowing fast and direct access to aperture/shutter speed, exposure compensation, ISO settings, and white balance - directly by dial. i-AUTO with 42 Shooting Modes i-AUTO mode selects from among 42 different photography modes the one that best matches the subject to automatically produce the optimal photo. It automatically picks from among such settings as Portrait + Backlighting & Vivid Colors or Spotlight and takes the photo with no other adjustment necessary. The E-P5 can also detect the subject's movements before taking a photo and instantaneously adjusts the ISO and shutter speed, reducing any blurring of the subject. Sequential Shooting and Self-Timer In High Speed mode, up to 9 fps can be shot at full resolution with a maximum of 15 frames in RAW and 19 frames in JPEG. Self-timer shooting can be set to fire at 2 seconds, 12 seconds or can be customized to shoot at rates between 1-30 seconds with controllable intervals and maximum shots. Scene Select AE Scene Select AE gives you the advantage letting the camera adjust its settings to match the type of scene you will be shooting. Selectable scenes include: Portrait, e-Portrait, Landscape, Landscape + Portrait, Sport, Night, Night + Portrait, Children, High Key, Low Key, DIS mode, Macro, Nature Macro, Candle, Sunset, Documents, Panorama, Fireworks, Beach & Snow, Fisheye Converter, Wide Converter, Macro Converter and 3D. Art Filters and Photo Story Art Filters allow you to add creative flourishes to your images, touching them with special effects such as WaterColor, Cross Process or Pop Art. Twelve Art Filters are available in all. Photo Story allows you to add frames and specialized windows to your photos, including creating an image essay from several photos. HDR and Bracketing The E-P5 offers several bracketing functions allowing you to quickly shoot 2-5 frames of the same shot with varied adjustments. Exposure, ISO, White Balance and Flash bracketing is supported as is bracketing for the above Art Filters. Up to seven shots can be taken to be used later in HDR post-processing for creating a nicely balanced image of a high contrast scene. Interval Mode, Multiple Exposure and Live Bulb For making time-lapse videos, interval mode shooting is supported to a maximum of 99 frames with the interval time set to between 1 second and 24 hours. Two-frame multiple exposure shots can be taken with the E-P5 and you can take long exposure Bulb shots in Live View, watching the exposure's progression. Level Gauge A two-axis level gauge is provided to help align your images. Playback Modes Numerous Playback options are provided: Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto), Slideshow (with sound including BGM, two selectable slide show effects, replaceable BGM), and Light Box Display. The information display includes: Histogram (independent luminance/RGB available), Highlight/Shadow point warning, AF frame, Photographic information, and OFF. Languages Supported English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croat, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai
https://www.youtube.com/watch?v=p09kbT-lA1s This ultra-wide-angle zoom lens for APS-C DSLR cameras offers the finest of all Tamron worlds: best-in-class 10-24mm focal length range (the 35mm equivalent of 16-37mm), the compact size of our previous SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001), plus vastly improved optical performance. It also includes state-of-the-art Tamron technology like VC (Vibration Compensation), a new HLD (High/Low torque-modulated Drive), Fluorine Coating, and Moisture-Resistant Construction. Combine this with exceptional resolution on everything from detailed landscapes to casual snapshots and you have a next-generation, wide-angle zoom that’s ready to go wherever your photographic vision takes you. Very good working condition! Includes : Lens, two caps, HB023 Hood. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick About this item ● VC (Vibration Compensation) ● HLD (High/Low torque-modulated Drive) ● Moisture-resistant construction ● Fluorine coating repels water and oil from the lens surface ● Electromagnetic diaphragm system https://www.tamron.jp/en/product/lenses/b023.html Product Description Experience the complete joy of shooting with a compact, ultra-wide-angle zoom This ultra-wide-angle zoom lens for APS-C DSLR cameras offers the finest of all Tamron worlds: best-in-class* 10-24mm focal length range (the 35mm equivalent of 16-37mm), the compact size of our previous SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] (Model B001), plus vastly improved optical performance. It also includes state-of-the-art Tamron technology like VC (Vibration Compensation), a new HLD (High/Low torque-modulated Drive), Fluorine Coating, and Moisture-Resistant Construction. Combine this with exceptional resolution on everything from detailed landscapes to casual snapshots and you have a next-generation, wide-angle zoom that ready to go wherever your photographic vision takes you. Excellent optical performance across the entire zoom range The optical design includes 16 elements in 11 groups. A new large aperture aspherical lens and LD (Low Dispersion) lens elements deliver exceptional resolution across the complete zoom range— combined with stable imaging across the entire frame. The lens also corrects comatic and transverse chromatic aberration, as well as distortion that often crops up on other wide-angle lenses. Together with Tamron’s unique BBAR (Broad-Band Anti-Reflection) Coating, which improves light transmission and suppresses reflection and dispersion on the lens surface, this new ultra-wide-angle zoom has been entirely reimagined to control flare and ghosting. The result: clear, crisp images, every time. VC lets you go wherever your vision takes you Tamron's unique VC (Vibration Compensation) technology makes it easy to enjoy handheld, wide-angle shooting, even in low-light environments such as evening and indoors. While maintaining the compact design of our previous Model B001, Tamron has optimized the actuator and control algorithm in order to incorporate VC into our new Model B023. Now you can unleash the power of high quality imaging, without worrying about your images being spoiled by the jittery effects of handheld shooting. HLD meets highly precise AF With this lens, Tamron introduces the HLD (High/Low torque-modulated Drive) AF drive system. The excellent driving power of the all-new HLD enables stable and precise focusing, even with the large focusing lens elements used on Model B023. What's more, the Full-time Manual Focus override allows you to make fine adjustments without having to switch from AF to MF mode. High performance packed into a compact body A shortened overall length vastly improves optical performance while maintaining a compact size—even with advancements such as VC and the newly developed HLD. When combined with an APS-C DSLR camera, this lens packs a world of performance into a lightweight, portable body.
https://www.youtube.com/watch?v=WyUkvT3eEEA The Nokton 0.95 / 17.5 mm is a true light giant for MFT cameras. The finely processed manual lens offers a 35 mm equivalent focal length of 35 mm and thus moderate wide angle for objective and sophisticated photography at the highest level with maximum light intensity. Made in Japan Lens with two caps, docs, Box. Look at photos. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/17_5mm_F0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. https://www.voigtlaender.de/lenses/mft/175-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Voigtlander's Nokton 17.5mm f/0.95 Lens for Micro Four Thirds Cameras is a breathtaking wide-angle lens that combines an extraordinary maximum aperture of f/0.95 with a superb 10-blade diaphragm for magnificent low-light/shallow depth-of-field images--photographs or video. A selective aperture control system allows a continuous and soundless change of the aperture (and depth-of-field as well, of course). This manual focus lens (equivalent to a 35mm lens on a full-frame camera) focuses down to a very close 5.9". The Nokton 17.5mm f/0.95 is destined to become the standard wide-angle, low-light, shallow depth-of-field lens for Micro 4/3 camera users. It's ready for its close-up. Exceptionally fast f/0.95 wide-angle lens (35mm equivalent) for Micro 4/3 cameras Continuous and soundless change of the aperture (and depth of field) is possible with selective aperture control system Very close-focusing lens--5.9" Aspherical lens elements provide crisp images Diaphragm has 10 blades, producing outstanding, beautiful bokeh in the out-of-focus areas of your images
Used just few times. Good condition With plenty of sd cards. Including bag and all the cables for connections.
https://www.youtube.com/watch?v=RLv62-pyygU Made in Japan, excellent condition Carl Zeiss Milvus Planar Lens. Lens, two original caps, original hood, brochure Zeiss SLR Lenses. S/n: (last photo). EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/consumer-products/us/photography/milvus/milvus-2100m.html ZEISS Milvus 2/100M Technische Daten/Technical Specifications: https://www.zeiss.com/content/dam/consumer-products/downloads/photography/datasheets/en/milvus-lenses/datasheet-zeiss-milvus-2100m.pdf About this item ● CREATIVE STILL AND VIDEO PHOTOGRAPHY THROUGH PRECISE MANUAL FOCUSING: ZEISS Milvus lenses feature a large rotation angle which enables pinpoint focusing. The top-quality focusing mechanism moves smoothly without backlash, optimally supporting the photographer's creative interplay with the focal plane of high-speed fixed focal lengths. Engraving in both meters and feet and the focus scale provide additional support for manual focusing. The long focusing range is optimal for video photography. ● FUTURE-PROOF SOLUTION FOR HIGH-RESOLUTION CAMERA SYSTEMS: The excellent image performance of the ZEISS Milvus lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design, high-contrast images are possible with increasing high dynamic ranges of the sensors (HDR). The minimization of coma, astigmatism and spherical aberrations enables consistently high resolution over the entire image field. The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. ● EXCELLENT IMAGERY, EVEN IN DIFFICULT LIGHT CONDITIONS: All lenses features ZEISS T* antireflective coating. In addition, all lens edges are finished with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. ● STABLE IMAGE PERFORMANCE OVER THE ENTIRE FOCUSING RANGE: State-of-the-art camera systems and high-resolution digital image sensors demand more and more performance from the lens. The Floating Elements Design permits constantly high image performance in the focal plane from the minimum object distance to infinity. ● DURABILITY AND PROTECTION AGAINST THE ELEMENTS: The all-metal housing has special seals for protection against dust and splashes to expand the photographer's creative potential by guaranteeing the system's functional reliability even in environmentally difficult situations. Whether in its role as a high-precision reproduction lens for technical applications or as a traditional, moderate tele-lens for portraits with shallow depth of field, the ZEISS Milvus 2/100M allows you to delve into both worlds. The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100 mm macro lens on the market and closes the gap between long range and breathtaking close-up shots. This lens bridges distances and allows unique image compositions. This lens is ideal when you need some distance between your camera and your subject, e.g.during a portrait shoot. Its precise mechanical components with a large focus throw permit precise control which is particularly important for macro photography in the close-up range. Excellent imagery, even in difficult light conditions Outstanding stray light reduction is achieved by combining a number of optimally matched measures. In addition to the ZEISS T* coating, all lens edges are provided with a special pitch-black lacquer in a complex manual process. Light traps in mechanical components and specially designed surfaces are integrated to prevent the occurrence of reflections. Future-proof solution for high-resolution camera systems The excellent image performance of the ZEISS Milvus Lenses is sharply focused on the requirements of current and future high-performance digital cameras. Thanks to the low level of stray light allowed by the lens design, high-contrast images are also possible with increasing high dynamic ranges of the sensors (HDR). The optics are designed to ensure full utilization of the performance provided by high-resolution camera systems. Creative still and video photography through precise, manual focusing Manually focusing a lens means controlling and therefore actively composing an image gently and precisely from your fingertips. Here, a good ergonomic design makes all the difference. ZEISS Milvus Lenses feature a large rotation angle which enables pinpoint focusing. The silent, continuous aperture setting and the long focusing range lay also optimal conditions for video photography. Long-lasting product with protection against environmental influences ZEISS Milvus Lenses will impress you not only due to their visual and haptic excellence, but also thanks to their inner qualities. Special seals for protection against dust and splashes expand the photographer's creative potential by guaranteeing the system's functional reliability even in environmentally difficult situations. Stable image performance over the entire focusing range The Floating Elements Design permits constantly high image performance in the focal plane – from the minimum object distance to infinity. This is accomplished by changing the axial distance between individual lens elements or element groups. The mechanical design of the ZEISS Milvus Lenses is highly complex and the workmanship must be extremely exact – both specialties of ZEISS. The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses. A portrait-length prime featuring a high 1:2 maximum magnification for close-up shooting, the Canon EF-mount Milvus 100mm f/2M ZE from ZEISS features a floating elements system for consistently high image quality when working with both near and distant subjects. Based on the classic Planar optical design, this lens features two anomalous partial dispersion glass elements to control aberrations and distortions for even illumination and sharpness throughout the aperture and focus ranges. An enhanced ZEISS T* anti-reflective coating has also been applied to lens elements to suppress flare and ghosting for increased contrast and clarity. The manual focus design is complemented by a rubberized focus ring for fine-tuned, precise control over your focus position. Additionally, Milvus-series lenses also feature an equally aesthetic and durable frosted, anodized metal lens-barrel surface along with a weather-sealed construction to protect against dust and moisture. Short telephoto prime is designed for Full Frame-format Canon EF-mount cameras, however can also be used with APS-C (EF-S Mount) models where it provides a 160mm equivalent focal length. Ideal for macro shooting, this lens offers a half life-size 1:2 maximum magnification along with a minimum focusing distance of 1.4' to suit working with close-up subjects. Bright f/2 maximum aperture benefits working in low-light conditions and also enables extensive control over depth of field. Planar optical design affords high sharpness and consistent performance throughout the focusing range to suit photographing at a wide range of imaging scales. Two anomalous partial dispersion elements are used to significantly reduce color fringing and chromatic aberrations for increased clarity and color fidelity. ZEISS T* anti-reflective coating has been applied to each lens surface to help minimize reflections and provide greater contrast and color fidelity. Floating elements system helps to maintain consistent image quality throughout the entire focusing range. Manual focus design is benefitted by focusing and depth of field scales along with hard stops at both infinity and minimum focusing positions. Manual aperture ring has clicked indicators throughout aperture range. Weather-resistant construction includes internal seals to guard against dust and moisture as well as a blue sealing ring at the lens mount to protect the lens-camera interface. All-metal lens barrel has a frosted, anodized surface along with a rubberized focusing ring for both durability and improved tactile control.
As New Celestron C90 Mak Spotting Scope. Model#52268. Bought in Australia a few years ago. In excellent condition no damage no scratches. Comes with 2 eyepieces 20 & 32mm. and original carry bag. Tripod for illustration only. Pick up @ Jomtien, Soi16. More info here: https://www.celestron.com/products/c90-mak-spotting-scope#description Style: 32mm x 45° Configuration: Spotting scope Brand Celestron Eyepiece lens description Barlow Objective lens diameter 90 Millimeters Telescope mount description Altazimuth Mount Product dimensions 40.6D x 17.8W x 25.4H centimetres About this item Multi Coated Optics Maksutov-Cassegrain Optical Design Compact and Portable Design. To protect your spotting scope when not being used, put on all lens covers and caps to keep the optics clean and then put the scope in its backpack Erect Image System for Terrestrial and Astronomical Use Built-in T-Adapter threads for Ease of Adapting SLR Cameras. Comes with 32 mm Eyepiece, 45 Erect Image Diagonal and 8x21 Erect Image Finderscope. Backpack Made of Nylon.
LEICA D-LUX 7 AND ARTE DI MANO CASE AND STRAP - LIKE NEW The camera has had very little use and is in perfect, like new condition, without any marks or scratches whatsoever. The case and strap have only been used once, and are like new, and are in all their original packaging. The strap and case were made to order from Arte Di Mano, and are hand-made from Barenia Tan leather, which is a French leather made famous by Hermes for their bag making. For anyone not familiar with Arte Di Mano, the craftsmanship is breathtaking; second to none in the world. The camera comes in its original box with all accessories, including the unused Leica strap, the flash, charger and cable, and all booklets. I fitted a UV filter on the camera when unboxing which is still in situ, and I also bought a K&F Variable Neutral density filter, which is really helpful in Thailand’s bright light, which I am including. Also included is a red rope neck strap and a red rope wrist strap, as well as a 32gb card. ONLY SELLING AS A PACKAGE, NOT SELLING ANY SEPARATES Any inspection welcomed and encouraged if you are in Hua Hin, or I can post EMS or Kerry Express. EMS is better because the items can be insured at extra cost. Call or SMS Alan, anytime between 09.00 and 21.00 any day, or Line ID: eloquentpilgrim
Fujinon super ebc xf 23mm 1.4f lens. Excellent condition
Newer used, only take up from packet and look. I asking for 13.000 Bath. Or give me a price I can accept.
SG107 Pro 4k camera drone. Controller with LCD screen. 2 battery option. Carry case. Spare props/cables/screw driver. Full instructions. Has brushless motors for powerful flight. Has auto-return to home on low battery or signal loss, and it works great. Bought on Lazarda around a week ago for 2,700baht, the 2 batteries only charged once, flies great with around 800m range. This drone is ok for new people starting out with drones, inexpensive and allows you to acquire the skills for a more expensive high end drone. Can send anywhere in Thailand registered Thai post. Gary: 063 9311496.
Flash Kit for Nikon - Nikon SB900 & Yangnou 560III & Yangnou YN622N Kit Nikon SB-900 i TTL The SB-900 i-TTL Speedlight leads the Nikon Creative Lighting System. The SB-900 works as a wireless standalone flash, or you can use it as a commander or wireless remote light source. The flash also offers streamlined controls and menus, including a rotary select dial that sets key flash functions quickly Specification: • Guide number: 34 (ISO100), 48m (ISO 200) • Illumination patterns: 3 (standard, even and centre-weighted) • Range: 0.6m-20m • Flash modes: TTL, Auto Aperture flash, Non-TTL auto flash, Distance-priority manual flash, Manual flash, Repeating flash • Multiple flash operation: Advanced Wireless Lighting • Compatible cameras: Nikon DX & FX and others with reduced functionality • Flash exposure control: Set on the camera • Sync modes: Works with cameras sync modes Slow-sync, Red-eye reduction in slow-sync, Rear-curtain sync, Rear-curtain slow-sync • Shooting functions: Auto FP High-Speed sync, FV Lock flash • Bounce function tilt & rotate • Power: 4x AA batteries • Flash duration: Approx. 1/880 sec. at full output • Mounting foot: Lockable type • Size: 78.0x146.0x118.5mm • Weight: 415g Yongnuo YN560 III for Nikon The YN560III is powerful with a guide number of 58m at ISO 100, 105mm. The unit is also quite versatile with a zoom range of 24-105mm, which is able to be expanded to 18mm with the built-in wide-angle diffuser. Additionally, this output can be adjusted from 1/1 to 1/128 power in 1/3 and 1/2 EV steps. Specification • Guide Number: 58 (ISO 100, 105mm) • Flash Mode: M, Multi / Slave function: S1, S2, RX • Zoom Range: 24, 28, 35, 50, 70, 80, 105mm • Vertical Rotation Angle: -7~90 degrees • Horizontal Rotation Angle: 0~270 degrees • Power Supply: 4×AA size batteries • Color Temperature: 5600k • Flash Time: 1/200s~1/20000s • Flash Control: 8 Levels of output control (1/128~1/1), 29 levels of fine tuning • Wireless triggering distance: 100m / 328 feet (2.4G wireless); 20-25m / 65-82 feet indoor, 10-15m / 32-49 feet outdoor (Optical control) • Additional Features: The electronic flash head zooming, sound indicator, automatically saving setting, PC port, power saving mode and over heat protection. Yongnuo YN622N i-TTL Wireless KIT for Nikon • 1x YN622N-TX i-TTL Wireless Flash Controller • 2x YN622N i-TTL Wireless Flash Trigger It adopts flexible LCD menu control, supporting mixed use of i-TTL mode, manual mode, or super sync flash mode of group A/B/C flash. The exposure compensation or flash output of each group can be adjusted separately. The remote distance can reach 100M, support for seven wireless channels. Specification • LCD display to control the menu, more convenient for you to operate. • Support wireless shutter release function, the remote distance can reach 100M. • The focal length of the A/B/C groups of flash can be adjusted separately. • Support for mixed use of i-TTL(II) mode, manual mode, or super sync flash mode of group A/B/C flash. • The exposure compensation or flash output of A/B/C three groups of flashes can be adjusted separately. • Shutter sync: first curtain sync, second curtain sync and highspeed sync, the highest sync speed is 1/8000s. • Support the basic flash trigger(max sync speed is 1/250s) of standard hot shoe(non for Nikon Body). • Support for FEC, FEB, FEL, modeling flash, flash zooming (auto, manual), etc. • Super sync time delay adjustment for higher x-sync speed than the camera allows. • The flash sync signal can be input through the PC port. Additional Equipment • Set of Color Gel Filter for SB-900 or YN560III • Lightbox and Reflector for use with Flash (easy to use) Everything is in a very good condition and don’t have any scratch or mold. All Function work 100%!! Can be tested and pick up in Phuket (near Robinson Thalang) or send by EMS. For option send only pre cash and buyer pay transport cost! Price for all together only 7000 Baht! Private sale – no money back, change, no guarantee!
Made in Japan. Very good working condition! English + menu. S/n: last photo. Perfectly working order! Camera body EOS 40D, Battery pack, Charger, body cap, eye shield. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick EOS 40D Instruction Manual: https://gdlp01.c-wss.com/gds/6/0900008236/01/EOS40D_HG_EN.pdf Compatible Lenses: All EF, EF-S, TS-E and MP-E lenses https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/support-dslr/eos-40d?tab=manuals The EOS 40D combines a newly developed Canon proprietary APS-C-size (22.2 x 14.8 mm) CMOS sensor with approximately 10.1 million effective pixels and the high-performance DIGIC III image processor to deliver high resolution imaging performance and a rich tonal range. Offering users ISO speed settings ranging from 100 to 1600 and expandable to up to 3200, the model realizes low noise despite supporting high ISO sensitivity. In addition, the EOS 40D boasts a number of other innovations that significantly strengthen its core performance: high-speed continuous shooting of up to approximately 6.5 frames per second for up to 75 continuous frames in large/fine JPEG mode, high-precision all-point cross 9-point AF, and a newly designed viewfinder that provides improved visibility with an approximately 0.95x zoom ratio. The Canon EOS 40D incorporates a range of advanced functions that offer levels of operability and ease of use approaching those of top-of-the-line digital SLR cameras. The Live View shooting function allows users to check images in real-time on the camera’s large 3.0-inch LCD monitor while shooting. The camera also enables users to change focusing screens, supporting a diverse range of shooting styles. Moreover, the EOS Integrated Cleaning System sensor dust solution improves image quality not only with its Self Cleaning Sensor Unit, but also by collecting dust position data so that users can restore dust images even after photographing. The lightweight, high-rigidity magnesium alloy exterior and the shutter, durable for over 100,000 operations with maximum speed of 1/8000 second, further ensure a high degree of reliability. The EOS 40D is compatible with Canon’s comprehensive range of EF interchangeable lenses, including the popular EF-S17-85mm f/4-5.6 IS USM, as well as the two new Canon EF-S-series Image Stabilizer-equipped lenses that were also launched today: the EF-S18-55mm f/3.5-5.6 IS standard zoom lens and the EF-S55-250mm f/4-5.6 IS telephoto lens. Canon also announced today that concurrently with the EOS 40D it will release the Wireless File Transmitter WFT-E3, enabling users to transfer images to a server or computer via wireless or wired LAN. Offering USB hosting functions to connect to external media and a convenient vertically oriented grip, the WFT-E3 effectively fulfills a wide variety of photographic applications. About this item 10.1-megapixel CMOS sensor captures enough detail for photo-quality poster-size prints Large 3.0-inch LCD display with enhanced Live View and broadened color gamut 6.5 frame-per-second continuous shooting; sRAW mode; 35-zone metering system; integrated Self-Cleaning Sensor Unit Powered by BP-511A, BP-511, or BP-512 lithium-ion battery pack; stores images on CF cards
Used, but in very good working condition. 100% workable. Cosmetically, it may have traces and scratches on body (look at photos) that don't affect quality of photos. Lens with two caps. S/n: last photo. Pulse Motor Nikon's "P" series of NIKKOR lenses use a pulse motor (utilizing stepping motors) to focus smoother and quieter than previous drive systems. This quiet drive system makes the lenses ideal for use when shooting video. http://nikon.co.th/th_TH/product/nikkor-lenses/f-mount/dx-format/zoom/af-p-dx-nikkor-18-55mm-f-3-5-5-6g-vr ก้าวตามสัญชาตญานการสร้างสรรค์ของคุณไม่ว่าจะไปสู่หนแห่งใด ด้วยเลนส์ AF-P DX NIKKOR 18-55 มม. f/3.5-5.6G VR โดดเด่นด้วยสเต็ปปิ้งมอเตอร์ – ครั้งแรก*1ของเลนส์ NIKKOR และระบบลดภาพสั่นไหวในตัว เลนส์ระยะ 18-55 มม.*2 นี้จึงพร้อมให้คุณเก็บภาพในทุกจังหวะได้อย่างรวดเร็วและทันท่วงที เหมาะสมอย่างยิ่งสำหรับกล้อง Nikon ซีรีส์ D3000 และ D5000*3 เลนส์ AF-P DX NIKKOR 18-55 มม. f/3.5-5.6G VR มีดีไซน์ที่ทั้งเบาและกะทัดรัด คุณจึงง่ายเก็บบันทึกทุกช่วงเวลาได้อย่างสะดวกง่ายดาย การเคลื่อนไหวของออโตโฟกัส (AF) ราบรื่นยิ่งกว่าที่เคยมีมาก่อน กับครั้งแรก*1ของเลนส์ NIKKOR ที่มีสเต็ปปิ้งมอเตอร์ เลนส์ AF-P DX NIKKOR 18-55 มม. f/3.5-5.6G VR เร่งความเร็วของออโตโฟกัสตรวจวัดระยะห่าง และความเร็วของออโตโฟกัสตรวจวัดคอนทราสต์ ลดสัญญาณรบกวนลง ในกลไกขับเคลื่อนออโตโฟกัส เลนส์นี้จึงเหมาะกับการถ่ายภาพนิ่ง และจะดียิ่งกว่าเมื่อถ่ายวิดีโอ ชิ้นเลนส์แอสเฟอริคัลจำนวน 2 ชิ้น ทำให้เลนส์ AF-P DX NIKKOR 18-55 มม. f/3.5-5.6G VR ให้ออพติคสมรรถนะสูงที่ช่วยลดความคลาดเคลื่อนและความผิดเพี้ยนของเลนส์ ทุกภาพที่บันทึกจะมีความคมชัดโดดเด่น ระบบลดภาพสั่นไหว (VR) ในตัวช่วยชดเชยการสั่นเนื่องจากการเคลื่อนไหวของมือระหว่างถือกล้อง และมอบความไวชัตเตอร์สูงกว่าปกติเทียบเท่าถึง 4.0 สต็อป*5 จึงช่วยให้คุณสามารถบันทึกภาพที่คมชัดยิ่งขึ้นได้แม้จะอยู่ในพาหนะที่กำลังเคลื่อนตัว ด้วยระบบการตั้งค่าแบบใหม่ของเลนส์ AF-P DX NIKKOR 18-55 มม. f/3.5-5.6G VR ทำให้คุณสามารถเข้าใช้ตัวเลือกออโตโฟกัส/แมนวลโฟกัส และ VR ได้ทันทีจากเมนูของกล้อง*6 จึงช่วยลดโอกาสที่อาจมีการเปลี่ยนแปลงการตั้งค่าโดยไม่ตั้งใจ และยังช่วยให้การถ่ายภาพราบรื่น ไร้จังหวะสะดุด ด้วยสัดส่วนเพียง 64.5 มม. (เส้นผ่านศูนย์กลาง) กับ 62.5 มม. (ความยาว) เมื่อหดเลนส์กลับ และมีน้ำหนักประมาณ 205 กรัม ด้วยกลไกเลนส์แบบยืดหดได้ เลนส์นี้จึงทั้งน้ำหนักเบาและพกพาสะดวก With the Vibration Reduction (VR) equipped AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR on your DX-format DSLR, you'll be ready for anything. Part of Nikon's new "P" series of lenses, it uses a pulse motor (utilizing stepping motors) for ultra-fast, near silent autofocus and two Aspherical lens elements for outstanding optical performance. Capture wide landscapes and group photos one moment, then tight portraits, family sporting events and smooth HD video the next—all with phenomenal clarity and precision. VR image stabilization enhances your camera's low-light capabilities and keeps your videos steady. Compact, lightweight and extremely versatile, this lens will be your gateway to better photography. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Popular “walk-around” zoom lens with a remarkably compact and lightweight build that offers superior portability. Designed for use with Nikon DX-format SLRs, this lens is ideal for shooting everyday photos and HD movies. The 3x zoom covers the commonly used focal length range of 18–55mm, and Nikon’s Silent Wave Motor (SWM) enables quiet autofocus, which is an advantage when shooting movies. Despite its compact size, this lens still boasts Nikon’s Vibration Reduction system for clear, blur-free images, whether you’re taking a wide-angle group portrait in low light, or zooming in to capture distant subjects.
Lens with two caps. S/n: last photo. http://www.nikon.co.th/th_TH/product/nikkor-lenses/f-mount/dx-format/zoom/af-s-dx-nikkor-18-55mm-f-3-5-5-6g-vr-ii AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II คือเลนส์ใหม่ที่มีขนาดกะทัดรัดและน้ำหนักเบา ลงตัวสำหรับกล้อง Nikon D3300 ด้วยประสิทธิภาพที่ถูกพัฒนาไปอีกขั้น ฟังก์ชั่นลดการสั่นไหว (VR) และระยะการโฟกัสใกล้สุดที่ 0.25 ม./0.8 ฟุต ล้วนทำให้เลนส์รุ่นนี้เป็นเพื่อนร่วมทางที่คุณขาดไม่ได้ Popular “walk-around” zoom lens with a remarkably compact and lightweight build that offers superior portability. Designed for use with Nikon DX-format SLRs, this lens is ideal for shooting everyday photos and HD movies. The 3x zoom covers the commonly used focal length range of 18–55mm, and Nikon’s Silent Wave Motor (SWM) enables quiet autofocus, which is an advantage when shooting movies. Despite its compact size, this lens still boasts Nikon’s Vibration Reduction system for clear, blur-free images, whether you’re taking a wide-angle group portrait in low light, or zooming in to capture distant subjects. ประสิทธิภาพที่ยอดเยี่ยมกว่า ในขนาดที่กะทัดรัดและเบา นวัตกรรมของกลไกใหม่ทำให้เลนส์รุ่นนี้คงขนาดที่เล็กแต่ส่งมอบภาพถ่ายที่เปี่ยมไปด้วยประสิทธิภาพในเรื่องความคมและความชัดของภาพ ด้วยขนาดเล็กลงประมาณ 30% และนํ้าหนักเบาขึ้นประมาณ 25% วงแหวนใส่ฟิลเตอร์ตัดแสงสะท้อน (Circular Polarizing Filter) ได้รับการปรับปรุงจากเดิมที่ไม่สามารถปรับหมุนได้ เพื่อการใช้งานที่ง่ายขึ้น ทำให้การควบคุมภาพที่มีแสงสะท้อนกลายเป็นเรื่องแสนง่าย
Very good working condition. Thai / English + menu. S/n: last photo. Camera body, Nikon strap, eyeshield, hotshoe cap, Battery, Charger. Meet the first in an exciting new generation of Wi-Fi® enabled, ultra-high-resolution Nikon DSLRs: the D5300. With built-in Wi-Fi for photo sharing to your smartphone or tablet, GPS and mapping, a cutting edge 24.2-megapixel image sensor, an extra-large swiveling Vari-angle LCD and more, D5300 brings an outstanding new level of image quality and capabilities in a compact, ergonomic design. Pair it with any NIKKOR lens—like the outstanding AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR kit lens—and unleash the full potential of its innovative image sensor. Your photos will be richer, truer to life than most photos you've seen. HD video will have a stunning cinematic look, a level of sharpness and clarity that ignites on ultra-high-resolution tablets, laptops and TVs. And the first time you use your smartphone or tablet to instantly share photos from the D5300, you'll realize the game has truly changed. The sharpness, clarity and richness of colors in the D5300's photos and Full HD videos is nothing short of astounding. A recent design innovation allows the D5300's 24.2-megapixel DX format CMOS image sensor* to capture pure, lifelike images. Enlarge or crop your photos without losing any sharpness or detail—a feat not possible with most smartphones. Pair that capability with any exceptional NIKKOR lens, marvels of clarity and sharpness in their own right, and you'll experience the image quality your memories deserve. http://www.nikon.co.th/th_TH/products/product_details.page
rarely used comes with 3 batteries ! 6 polarized lenses and Bag
arguably one of the best cameras ever produced! rarely used comes with DX VL 18-55mm Objective and bag
About this item 8.0-megapixel CCD captures enough detail for photo-quality 16 x 22-inch prints 18x super telephoto zoom; Dual Image Stabilization 2.5-inch LCD; Bright Capture technology for low-light photos High-speed sequential shooting (up to 15fps) and Pre-Capture Captures images to xD memory card (not included)
https://www.youtube.com/watch?v=W6YBnjNOi1U Fully tested in excellent working condition. Excellent condition body with Sony battery, Sony Wall charger, booklets, Sony Alpha strap, body cap, box. Shutter counter: 38xxx English / Thai + menu. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Proving that speed, resolution, and video capabilities can all coexist, the a7R III Mirrorless Camera from Sony is a versatile, high-performance camera characterized by not only its resolution, but by its multimedia versatility. Revolving around a full-frame 42.4MP Exmor R BSI CMOS sensor and updated BIONZ X image processor, the a7R III affords an impressive 10 fps continuous shooting rate along with improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 399 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity throughout the sensitivity range from ISO 100-32000, which can further be expanded to ISO 50-102400. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor, or when using a Super35 area and 5K oversampling to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7R III retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5.5 stops. In addition to imaging updates, the a7R III also sports a revised body design, which includes a 3.69m-dot Tru-Finder OLED electronic viewfinder for bright, clear, and realistic eye-level monitoring. A rear 3.0" 1.44m-dot tilting touchscreen LCD is also available for intuitive settings control and to better support working from high and low angles. For greater shooting flexibility, dual SD memory card slots are now featured, and a larger NP-FZ100 battery is also employed to achieve up to approximately 530 shots per charge when using the viewfinder. Suiting the camera's use in trying conditions, the magnesium alloy chassis and extensive weather-sealing also render the a7R III dust- and moisture-resistance 42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor Featuring a back-illuminated design, the full-frame 42.4-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 42.4-megapixel stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values. The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 76 consecutive frames, and with full-time AF/AE when working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a continuous shooting rate of up to 8 fps is also possible. Fast Hybrid AF System An evolved 4D FOCUS system now employs a combination of 399 phase-detection points, which cover approximately 68% of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This Fast Hybrid AF System now achieves twice the focusing speed and more reliable tracking compared to previous a7R models, as well as improved low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility. The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized subjects' eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder. For more personalized control over focus, and benefitting working in either vertical or horizontal shooting orientation, the AF area can be switched in orientation to better suit your subject matter. AF tracking sensitivity can also be customized in five steps to match how a subject is moving and frequently used focus point settings can be memorized and recalled with a custom button for faster switching between focus settings. 5-Axis SteadyShot INSIDE Image Stabilization Packed into the robust a7R III is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake. For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization. UHD 4K Video Recording in XAVC S Format Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 5K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file. Additional Video Features Support for HDR Content: ● Affording extensive customizable color and gamma controls, the a7R III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Slow & Quick Motion: ● Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable. Enhanced Zebra Function: ● An enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier. Time Code and User Bit Settings: ● A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras. Proxy Recording: ● UHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing. Body Design and Built-In Wi-Fi/Bluetooth ● An updated Quad-VGA OLED Tru-Finder EVF is featured, and has a 3.69m-dot resolution for bright, clear viewing in high detail. Both Standard and High quality settings can be used, depending on the shooting situation, in order to optimize the viewing experience. This updated viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation. ● In addition to the EVF, a 3.0" 1.44m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit working from high and low angles. ● Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding. ● A durable shutter unit incorporates a coreless motor and brake system that reduces vibrations to better control shutter shock as well as extend its rated lifespan to approximately 500,000 actuations. ● Weather-sealing has been employed to resist dust and moisture for reliable operation in harsh weather conditions. ● Using the same NP-FZ100 battery as the a9, the a7R III has improved battery life and is now rated for approximately 530 shots per charge with the EVF or 650 shots with the rear LCD. ● Dual SD memory card slots allow for flexible file saving and handling, and can be configured to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to support UHS-II memory cards. ● Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes. ● A USB 3.1 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected. ● The a7R III features a 3.5mm microphone input jack for compatibility with external microphones. And for users needing more, the camera is also compatible with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio, a 3.5mm headphone jack is available as well as real time audio levels for a visual reference. ● Built-in Wi-Fi enables the a7R III to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter. ● Bluetooth connectivity allows for location data acquisition. Pixel Shift Multi Shooting This unique compositing mode allows you to achieve even greater resolution than the 42.4MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making four consecutive exposures in order to acquire approximately 169.6MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite. Other Camera Features ● A Ratings function lets you assign star values, from 1-5, to images in-camera for faster editing and sorting at home during post-production. ● An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes. ● Highlight and Average metering modes helps avoid blown-out highlights and provide stable auto-exposure, respectively. ● Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images. ● Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key. ● Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).