Cameras & Equipment in Thailand

Not using this much since I started shooting wildlife. Rubber cover is very good, exposed metal has some paint rubbed off on the corners. Had a new internal clock system installed in March 2026 to keep the clock and date on time. Shutter has almost 13,000 shots, so very lightly used. If not for the paint, I would call this in mint condition. 22,000 Thb, includes EL-EL15 battery, and SanDisk Extreme PRO 64GB 160 MB/s CF card. Can meet in Phimai or Korat. PM for questions.

Not using this much since I started shooting wildlife. Rubber cover is very good, exposed metal has some paint rubbed off on the corners. Had a new internal clock system installed in March 2026 to keep the clock and date on time. Shutter has almost 13,000 shots, so very lightly used. If not for the paint, I would call this in mint condition. 22,000 Thb, includes EL-EL15 battery, and SanDisk Extreme PRO 64GB 160 MB/s CF card. Can meet in Phimai or Korat. PM for questions.

Hasselblad 907X CFV II 50C - Pristine condition - Low shuttercount (200) Top of the line camera with sublime capabilities. Phenomenal quality. Comes with bag,original packaging and receipt etc. Location Suan Luang, Bangkok. Safe transport/delivery possible (at buyers cost) Thailand market prices for similar "like-new" units are priced around at least 219,000 THB, often with a much higher shuttercount. Note Shuttercount on this specific mirrorless digital back is less crucial than on a traditional DSLR, as there is no mechanical shutter in the digital back itself the shutter is inside the XCD lens or the V-system lens used. Message me for more information. (**DONT FORGET to mention your emailadress or phonenumber in your message!! Because the Bahtsold messaging-system anonimizes our emailadresses and this system does not work properly!) #camera #photocamera #photo camera #photography

Brand new and fully functional, films in 4k resolution. The weight is 249 g so it passes under the limit of 250 g. In the package I include extra batteries so instead of filming 25 minutes you can film more than 1 hour without charging. There are also 6 packages of spare rotor blades as seen on the image.

Canon Powershot G7X Mark II complete accessories in a box with warranty

FUJIFILM X-E4 Mirrorless Camera is new with complete accessories in a box with warranty

Fujifilm X100VI camera is new with complete accessories in a box with warranty

Hasselblad 907X CFV II 50C - Pristine condition - Low shuttercount (200) Location Bangkok. Safe transport/delivery possible (at buyers cost) Thailand market prices for similar "like-new" units are priced around at least 219,000 THB, often with a much higher shuttercount. Note Shuttercount on this specific mirrorless digital back is less crucial than on a traditional DSLR, as there is no mechanical shutter in the digital back itself the shutter is inside the XCD lens or the V-system lens used. Message me for more information. (**DONT FORGET to mention your emailadress or phonenumber in your message!! Because the Bahtsold messaging-system anonimizes our emailadresses and this system does not work properly!) #camera #photocamera #photo camera #photography

Hasselblad 907X CFV II 50C - Pristine condition - Low shuttercount (200) Location Bangkok. Safe transport/delivery possible (at buyers cost) Thailand market prices for similar "like-new" units are priced around at least 219,000 THB, often with a much higher shuttercount. Note Shuttercount on this specific mirrorless digital back is less crucial than on a traditional DSLR, as there is no mechanical shutter in the digital back itself the shutter is inside the XCD lens or the V-system lens used. Message me for more information. (**DONT FORGET to mention your emailadress or phonenumber in your message!! Because the Bahtsold messaging-system anonimizes our emailadresses and this system does not work properly!) #camera #photocamera #photo camera #photography

Hasselblad 907X CFV II 50C - Pristine condition - Low shuttercount (200) Location Bangkok. Safe transport/delivery possible (at buyers cost) Thailand market prices for similar "like-new" units are priced around 219,000 THB. Note Shuttercount on this specific mirrorless digital back is less crucial than on a traditional DSLR, as there is no mechanical shutter in the digital back itself the shutter is inside the XCD lens or the V-system lens used. Message me for more information. (**DONT FORGET to mention your emailadress or phonenumber in your message!! Because the Bahtsold messaging-system anonimizes our emailadresses and this system does not work properly!) #camera #photocamera #photo camera #photography

Professional Nikon Photo Equipment nearly new, now with massive price reduction !!! nikon camera complete equipment: condition of the lenses partly new, partly only a maximum of 10 photo sessions. two nikon d700 and d80 very few approx: D700 have only 1817 and 8358. D80 have 13273 releases. equipment was very well maintained and stored. without guarantee and return with sales contract from private person from switzerland living in thailand. condition as good as new without damage or dust, everything works fine, also suitable for macro photography! selling price nikon complete equipment for only 85000.00 Baht, or single prices. Nikon camera complete equipment: Partially new lens condition, only shoots up to 10 times only, two nikon d700 and d80, very less approximate: D700 1817 + 8358. D80 13273 Model Equipment is handled and stored very well. Without warranty and get back with a contract of purchase from a private Swiss resident in Thailand Good condition as new, no damage or dust, everything works great, suitable for macro photography too! Price reduktion !!! Selling price of nikon complete equipment all ONLY 85000.00 baht !!! !!! NOW PRICE REDUCTION ONLY FOR A SHORT TIME !!! -2 piece Nikon D700 SLR digital camera, (12 megapixels, Live View, full-frame sensor) -Nikon D80 -Nikon AF-S Nikkor 24-70mm 1: 2.8 G ED -Nikon AF Nikkor 85mm 1: 1.8D -Nikon AF MICRO Nikkor 60mm 1: 2.8 D -Nikon AF Nikkor 50mm 1: 1.8 D -Sigma 120-400mm 1: 4.5-5.6 APO HSM -Sigma 12-24mm 1: 4.5-5.6 II DG HSM -Sigma 150mm 1: 2.8 APO MACRO DG HSM -Tamron AF 70-200mm 1: 2.8 -Raynox DCR- 5320 pro high definition macro conversion filter -For Nikon Teleplus pro300 1.4X -Angle Finder 2.5X-1.25X -4 pieceYongnuo RF-603N radio trigger -2 pieceYongnuo Speedlite YN560- III -1 piece Nikon Speedlight SB-600 8480 -Novoflex Castel-Q precision adjustment rail -Arca Swiss monoball Z with special stativ (top special tripod) various additional materials such as batteries, spec. handle holder, memory cards, tripod etc. it would be best if the prospective buyer tries out the offered goods at my home and picks them up on site. serious interested parties only, please. Get it NOW !!! .  

DJI Mavic Pro (EU) with many accessories, price reduction !!! 1x Dji Mavic Pro 1x Dji Mavic Remote Control 3x Dji Mavic Intelligent Battery (one new) 1x Dji Mavic battery charger 1x Dji Mavic battery charging hub 1x Dji Mavic Pro RC cable USB/Lightning connector 1x Holder mount with comfortable strap 1x Helipad I have used the drone only 3 times and do not need it otherwise! Daniel Tel: 0066 931067798 or Bee Tel: 0066 0917495659 .

The first ever video camera which is competitive with DSLRs on both price and image quality Made in Japan. Used. Fully tested in very good working condition. 100% workable. Cosmetically, it has a traces and scratches on body (look at photos) that don't affect quality of photos. อานรายละเอยดสนคาอยางละเอยด ผลตภณฑไมใชของใหม 100% อาจมรอยขดขวนและรอยถลอกในเคสซงจะไมสงผลตอคณภาพของภาพถาย Used body with Lithium-Ion Rechargeable Battery, Travel Battery Charger, Eyecup, Body cap. English / Thai + menu. Overview Affordable high quality motion picture production The NXCAM NEX-FS100 Super 35mm camcorder has been developed specifically for shooting truly stunning images at low cost. The high sensitivity, large format CMOS sensor is capable of producing full 1920 x 1080 progressive images with shallow depth of field similar to that of a film camera. For even more creative flexibility, the NEX-FS100 also enables extended continuous recording and simultaneous recording of HD video footage for instant backup with an HXR-FMU128 Flash Memory Unit. These and other valuable features make this compact, high performance camera ideal for producing everything from low budget commercials, music videos and documentaries to wedding videos. The NEX-FS100 is supplied without lens so you can choose the optics which best suit your creative requirements. Sony's E-mount interchangeable lenses let you enjoy a level of creative freedom unimaginable with camcorders of the past and optional adaptors enable use of a vast array of lenses from a wide variety of manufacturers. Features Exmor Super35 CMOS Sensor for Shooting Motion Pictures Equipped with a large CMOS sensor equivalent in size to Super 35mm film, the NEX-FS100 enables shooting with the same creative depth of field as the PMW-F3. The sensor also features the optimum number of effective pixels for shooting HD moving images. At a high 50fps in all-pixel scan mode, this allows images to be captured with less colour aliasing, jaggedness and rolling shutter than DSLR cameras, while providing the sensitivity to shoot at a minimum illumination of 0.28lux*. Another advantage of Exmor technology is minimal noise when shooting low-light scenes. * When using a fixed shutter speed of 1/25, auto gain and an iris setting of F1.4. illumination as low as 1.5lux when using a fixed shutter speed of 1/25, auto gain and auto iris E-Mount Interchangeable Lens System Sony's E-mount interchangeable

Vertex Pro230 DX Product is in immaculate condition 'as new' Selling for 1600thb (was 1900) Pickup from East Pattaya or can post via,flash. Tell 06500 95 111

Shutter count: 4xxx Review: https://www.kenrockwell.com/sony/a9.htm Mint condition used body with Body cap, Sony NP-FZ100 battery, Sony BC-QZ1 Wall charger, Sony Alpha 9 strap, USB cable, unpolarized AC power cord, Sony hot shoe cap, Sony FDA-EP18 Eye cap, User Manual, Docs, Box. English / Thai + menu. The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500 000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.

VIDEO: World's Widest! Laowa 6mm t/2.1 Zero-D Cine Lens Review: https://www.youtube.com/watch?v=RIFPtf_SOic Laowa 6mm T2.1 Zero-D MFT Cine - The Widest Rectilinear Lens In MFT | Hong Kong Drone Video | 4K: https://www.youtube.com/watch?v=tw4Unq2zxcM Laowa 6mm T2.1 Zero-D MFT Cine Demo Video | GH5: https://www.youtube.com/watch?v=Ta2GBJCc6yQ Introducing the Laowa 6mm f/2 Zero-D MFT: https://www.youtube.com/watch?v=rZJl-CSnTvg The combination of Laowa, SmallRig and H&Y gears: https://www.youtube.com/watch?v=9T-oDg1A0kc Pro-gear in your pocket | #Laowa MFT Cine lens for filmmakers: https://www.youtube.com/watch?v=L3-L5d1hKw8 Laowa 6mm T2.1, the WIDEST & FASTEST M43 lens? RED35 Review: https://www.youtube.com/watch?v=GNWGOn7l3Pg  The widest rectilinear M43 lens, 老蛙 Laowa 6mm T2.1: https://www.youtube.com/watch?v=k7-4DH7lJ0A New from showcase, tested. Include: lens, two caps, User Manual, IP67 Rated Hard Case, Box. S/n: last photo. Key Features ● For MFT Sensors, T2.1 to T16 Aperture ● 61mm Front diameter ● 7-Blade Iris ● 58mm Front Filter Threads Wide-angle without fisheye distortion, fast for low-light shooting, and light enough to fly on a drone, the Laowa Zero-D Cine 6mm T2.1 Lens lens from Venus Optics is designed for the MFT shooter who wants a cinema-wide shot with a natural look and feel. A seeming contradiction in lens creation, the 6mm is small and lightweight, yet optically fast and sharp Wide-angle without fisheye distortion, fast for low-light shooting, and light enough to fly on a drone, the Laowa Zero-D Cine 6mm T2.1 Lens lens from Venus Optics is designed for the MFT shooter who wants a cinema-wide shot with a natural look and feel. A seeming contradiction in lens creation, the 6mm is small and lightweight, yet optically fast and sharp with no distortion, keeping parallel lines from bowing whether at near or far focus. Use the lens with your camera in handheld, tripod, gimbal, stabilizer configuration, or drone-mounted for sharp clear images in dim to bright conditions. With focus scales marked in both feet and meters, the lens is suitable for anyone without remarking the distances, and the built-in 0.8 MOD rings allow you to easily integrate this lens into your cinema lens accessory setup as it works with industry-standard follow focus units and lens motors. In addition, the lens accepts optional 58mm threaded filters, which can help protect your front element, and you can select to improve your images by cutting through UV and glare. The lens comes with a protective hard case. Extremely wide-angle rectilinear (straight parallel lines), this lens is named “Zero-D”. The newly devised optical design contains 13 elements in three groups with two aspheric elements, delivering outstanding image quality with minimal distortion. The close-to-zero distortion (Zero-D) design is extremely useful when shooting architectural, aerial, and indoor footage. With a 121.9° angle of view, the lens allows filmmakers to capture more area in the frame and easily use the lens in tight spaces. It is suitable to be used on a drone, FPV drone, and vlogging, as well as for extremely wide shots. Fast T2.1 maximum aperture for low-light filming. 3.54″ close focus distance. At 6.3 oz, it is light enough to fly on a drone for a stunning aerial shot. The focus and iris rings have built-in 0.8 MOD gears. Laowa Cine 6mm T2.1 Zero-D – เลนส์ซีนีม่ามือหมุน ทางยาวโฟกัส 6 mm – เลนส์ Ultra Wide ที่ไม่มี Distortion – Image sensor MFT – องศารับภาพ 121.9 องศา – รูรับแสงกว้างสุด T2.1 – ใบเบลด 7 ใบ – ระยะโฟกัสใกล้สุด 9 cm (จาก Image Sensor) – ขนาดฟิลเตอร์ 58 mm – น้ำหนัก 180 กรัม เลนส์ Ultra Wide กว้างที่สุดสำหรับกล้อง Micro Four Third ด้วยองศารับภาพกว้างถึง 121.9 องศา ทำให้เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT กลายเป็นเลนส์ Rectilinear ที่กว้างมากที่สุดสำหรับกล้อง Micro Four Third ช่วยให้เก็บภาพรายละเอียดได้กว้างมากขึ้นในช็อตเดียว และเพิ่มความยืดหยุ่นสำหรับการถ่ายในพื้นที่ที่จำกัด หรือเหมาะสำหรับการใช้งานกับโดรน, โดรน FPV, หรือ Vlog ซึ่งเลนส์รุ่นนี้สามารถใช้งานได้กับกล้อง MFT รุ่นต่างๆ เช่น Zcam E2-M4, BMPCC 4K, GH5 เป็นต้น รูรับแสงกว้างถึง T2.1 ถ่ายในที่แสงน้อยได้ดี พร้อมโบเก้สวยละมุน เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT มาพร้อมรูรับแสงกว้างถึง T2.1 ซึ่งเป็นข้อดีในสภาวะแสงน้อย ช่วยให้สามารถเก็บภาพได้อย่างมีประสิทธิภาพ นอกจากนี้ รูรับแสงที่กว้างนี้ ยังช่วยให้มีโบเก้ที่ละลายได้อย่างนุ่มนวล ทำให้ภาพดูมีมิติและสวยงามมากยิ่งขึ้น เหมาะสำหรับการถ่ายภาพที่ต้องการเน้นให้ตัวแบบโดดเด่นจากฉากหลัง ฟังก์ชัน Zero-D ช่วยลดความบิดเบี้ยว เหมาะกับงานถ่ายหลากหลายแนว เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT ได้รับการออกแบบมาให้ควบคุมความบิดเบี้ยวของภาพได้อย่างดีเยี่ยม (Zero-D) มาพร้อมโครงสร้างเลนส์ 13 ชิ้นใน 3 กลุ่ม และมีชิ้นเลนส์ Aspherical จำนวน 2 ชิ้น ทำให้ได้ภาพที่มีคุณภาพสูง ซึ่งฟังก์ชัน Zero-D นี้มีประโยชน์อย่างมากในการถ่าย Architecture, Interior, และภาพทางอากาศ เนื่องจากเลนส์จะให้ภาพที่มีเส้นตรงตรงและไม่บิดเบี้ยว มีความสมจริงและน่าเชื่อถือมากยิ่งขึ้น โฟกัสวัตถุได้ใกล้สุดเพียง 9 ซม. เก็บรายละเอียดได้อย่างคมชัด เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT มีระยะโฟกัสใกล้สุดเพียง 9 ซม. ช่วยสร้างเอฟเฟกต์โบเก้ที่เบลอฉากหลังได้อย่างสวยงาม และคมชัด ทำให้เลนส์ตัวนี้มีความหลากหลายในการใช้งาน ไม่ว่าจะเป็นการถ่ายภาพมาโคร การถ่ายภาพผลิตภัณฑ์ หรือการถ่ายภาพ Portrait ที่ต้องการเน้นให้ตัวแบบเด่นออกมาจากฉากหลัง ช่วยให้สร้างสรรค์ภาพถ่ายที่น่าสนใจและแตกต่างได้มากยิ่งขึ้น เลนส์ขนาดเล็ก น้ำหนักเบา พกพาสะดวก เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT มีขนาดเล็กและน้ำหนักเบาเพียง 180 กรัม ทำให้พกพาสะดวก เหมาะสำหรับการถ่ายทำในชีวิตประจำวัน เลนส์สามารถใส่ฟิลเตอร์ขนาด 58mm เพื่อเพิ่มเอฟเฟคต่างๆ ที่ต้องการได้อย่างง่ายดาย วงแหวนรูรับแสงและวงแหวนโฟกัสมาพร้อมเกียร์ 0.8 mod สำหรับใช้งานร่วมกับ Follow Focus Motor ได้ วงแหวนรูรับแสงเป็นแบบ Stepless ที่ไม่มีแสงรบกวนขณะถ่ายทำ และยังช่วยให้ปรับรูรับแสงได้อย่างนุ่มนวล มาพร้อมกับ Hard Case แบบกันน้ำ กันฝุ่น เลนส์ Laowa Cine 6mm T2.1 Zero-D MFT มาพร้อมกับ Hard Case กันน้ำ กันฝุ่น ช่วยให้สามารถพกพาเลนส์ไปในสถานที่ต่างๆ เป็นเรื่องง่าย ไม่ต้องกังวลกับสภาพอากาศที่อาจส่งผลต่อเลนส์อีกต่อไป เและยังช่วยป้องกันเลนส์จากรอยขีดข่วน ฝุ่นละออง และความชื้นได้เป็นอย่างดี

World’s First 2:1 100mm Macro Lens Laowa 100mm f/2.8 2x Ultra Macro Lens Review https://www.youtube.com/watch?v=QYigJviAofg Laowa 100mm f/2.8 2x Ultra Macro APO Full Review | Best Macro Lens? https://www.youtube.com/watch?v=q-3MNr74EWg รีวิวเลนส์มาโคร Laowa 100mm F2.8 2X โดยพี่โก๊ะ กล้องกล้วยกล้วย https://www.youtube.com/watch?v=YQ__U03ksTQ Mint condition Lens with two caps, Hood, docs, Box. S/n: last photo.

Field sensor system with GPS, manometer, compass / temperature sensors, Waterproof to 50 feet, F, dust proof, crush proof to 220 lbf, Shockproof from 7 feet, freeze proof to 14 degrees, anti fog lens, dust proof: IP6X, English / Thai + menu. Camera, battery, wall charger, USB-cable. S/n: last photo VIDEO: The Olympus Tough TG6 for Street Photography: https://www.youtube.com/watch?v=ITxi9bPaP4g Setting up the Olympus TG Tough for Tide Pooling: https://www.youtube.com/watch?v=8alca8IHTz0 Olympus TG-6 For High Throughput Ebay Photography - Review After 40k Shutter Count and 4 Years: https://www.youtube.com/watch?v=p111V7WjqHg About this item ● New 12 megapixel Hi speed image sensor for improved low light performance and noise reduction ● Underwater compensation: 2 EV to +2 EV (in 1/3 EV steps); Bright F2.0 high speed lens; Video recording format: MOV(MPEG 4AVC/H.264) ● Dual quad core TruePic VIII image processor 3.0 inches 460k Dot LCD monitor; Focus range normal: 3.94 inches (10 centimeter) to infinit macro: 0.4 inches (1 centimeter) to infinity ● Field sensor system with GPS, manometer, compass and temperature sensors ● Waterproof to 50 feet, F, dust proof, crush proof to 220 lbf, Shockproof from 7 feet, freeze proof to 14 degrees, anti fog lens, dust proof: IP6X ● 12MP BSI CMOS Sensor ● TruePic VIII Image Processor ● Olympus 4x Optical Zoom f/2 Lens ● 25-100mm (35mm Equivalent) ● 3.0″ 460k-Dot LCD Monitor ● Water, Crush, Shock, Freeze & Dustproof ● 4K Video Recording and Full HD at 120p ● Built-In Wi-Fi, GPS, Field Sensor System ● ISO 12800 and Up to 20 fps Shooting ● Pro Capture Mode & Variable Macro System Rugged. Durable. Tough. Now Add Smart. Get awesome imaging power with the Olympus Tough TG-6. It’s waterproof (50 ft / 15 m), shockproof (7 ft / 2.1 m), crushproof (220 lbf / 100 kgf), freezeproof (14°F / -10°C), and dustproof to survive everything from a grueling hike through mountains to a 5-year-old playing with it by the pool. The TG-5’s rugged design is packed with pro shooting features like an F2.0 high-speed lens, 20 fps burst shooting in RAW, and anti-fog dual pane glass for spectacular images in every environment. TG-5 shown with optional CSCH-123 Sport Holder. F2.0 High-Speed Lens The TG-5 has a blazing-fast F2.0 lens made to capture action and adventure. Shoot bright, detail-rich video and blur-free stills even with fast-moving subjects. It's perfect for shooting at dusk, dawn, around a campfire, or even capturing a coral reef in stunning clarity. Low Light? No Problem Take the TG-5 into the world’s most challenging shooting conditions and come back with jaw-dropping shots. Thanks to its specialized image sensor and advanced dual quad core TruePic VIII Processor, you’ll get photos with little noise and increased dynamic range. Even in low light, your shots will be bright and clear. Insane Shooting Speeds Freeze fast-moving action with ease. Take RAW shots up to a blazing 20 fps. Nail difficult photos requiring split-second timing with the TG-5’s Pro Capture Mode. It buffers a running series of high-resolution images, then captures an exact moment plus the previous 5 frames with a single button press. Never miss a critical shot again. Ultra HD 4K Video Capture your adventures in vivid Ultra HD. The TG-5 shoots video in 4K so you can watch your rafting trip, reef dive, and desert hike in spectacular lifelike resolution. The TG-5 also features Full HD 120 fps high-speed video for slow-motion playback. 4K Time Lapse Video lets you create short videos of long periods of time. Action Track Sensors Tell more exciting stories! Record movement and environmental data with built-in Action Track Sensors. You’ll find a GPS for latitude and longitude, a compass for direction, a temperature sensor, and a manometer for altitude and water depth. You’ll always know where you are and have a record where you’ve been. Data Log Mode Data Log Mode records tracking data for extended time periods. Use the free Olympus Image Track app to simultaneously view still images and videos with your data on a smart device for an immersive viewing experience. Plus, you can export photos and video with data overlays to relive your adventures. Wi-Fi Connectivity Immediately share the awesome photos and video you’ve shot. The TG-5’s built-in Wi-Fi instantly transfers video and images to your smart device using the free Olympus Image Share app. Plus, compose images, control the camera’s settings, and shoot remotely all from your smart device. Powerful Macro Modes Shoot flowers, insects, and other wildlife in stunning detail. Microscope Mode lets you get as close as 1 cm to your subject, and Microscope Control Mode offers precise magnification in steps up to 44.5x. Focus Bracketing and Stacking Modes produce shots with exquisite sharpness and maximum depth of field. Deep Water, Starry Nights Go exploring under the waves with Underwater Shooting Modes, including Snapshot, Wide, and Macro. Underwater HDR Mode combines multiple images to create photos with enhanced light and shadow. After the sun sets, nighttime Live Composite Mode lets you easily shoot amazing cityscapes and star trails. Glove-Friendly Operation The TG-5 has been thoughtfully designed so you can operate the camera while wearing heavy gloves. The camera's ergonomic design features an Accessory Lock to secure optional lenses and other accessories, and Custom Modes let you instantly access favorite settings via the main Mode Dial. Lens Options & Accessories The waterproof FCON-T01 Fisheye Converter Lens captures ultra-wide shots, and the waterproof TCON-T01 Teleconverter Lens extends the TG-5’s zoom to almost 7x. Get ideal macro lighting with the LG-1 Light Guide or the waterproof FD-1 Flash Diffuser. Use the PT-058 Underwater Housing to take the TG-5 down to 147 feet (45 meters).

Fully tested in excellent working condition. 100% workable. Cosmetically, it may have traces and scratches on body that don't affect quality of photos. Perfectly working order! Lens with two caps. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Compatible with: Micro Four Thirds Cameras, m4/3, Olympus, Matsushita (Panasonic, Lumix), DJI Zenmuse X5, Olympus Air, Kodak Pixpro S-1, Xiaomi YI M1 cameras, Blackmagic Cinema, Blackmagic Pocket Cinema Camera 4K, Z Camera E1, JVC GY-LS300 Video Cameras. But see and read first: https://www.olympus.co.th https://www.olympusimaging-th.com/product/dslr/mlens/9-18_40-56/index.html It is a zoom lens for excellent landscape photography. Including general simple photography The lens is compact in size, making it perfect for carrying anywhere. It is also a lens that offers the best performance of a Micro Four Thirds lens with an MSC (Movie and Still Compatible) mechanism that drives the autofocus system quickly. And more quiet This works well for both movies and still images. It is a lens that has been developed to be significantly smaller. Because the flange back of the lens in the Micro Four-Thirds system is short. (About 50% shorter than the lenses in the Four-Thirds system), plus the design of the mechanism of the sliding lens - out Compared to the Zuiko Digital ED 9-18mm F4.0-5.6, this lens is 50% smaller and 60% lighter. This is a lightweight lens. And compact in a way you've never seen it before. The MSC (Movie and Still Compatible) mechanism enables fast autofocus operation. And there is more silence Available for both motion pictures and stills, Olympus has improved the interchangeable lens internal focusing system adopted by conventional SLR cameras.A screw drive mechanism has been adopted as a means. Drive work To provide fast, fluid, high-precision autofocusing. Lens design with this latest technology This results in the smallest number of lens elements used for focusing. The resulting lens is lighter. In which the ED 9-18mm F4.0-5.6 lens is used, a lightweight one-piece lens is used for focusing. Use of sub-micron precision metal core. And screw drive mechanism 1. Screw movement mechanism 2. The metal axis of gear has been cut off. To reduce the noise while working Sub-micron precision metal shaft (shaft) has been used for efficient direct drive of lightweight focus lenses. Resulting in a fast autofocus system And work more quietly M.ZUIKO ED 9-18MM F4.0-5.6 AT A GLANCE Until now, super-wide-angle lenses tended to be big, heavy, and expensive, making it difficult for most camera users to take advantage of them. The ZUIKO DIGITAL ED 9-18mm F4.0-5.6 promises to change all this. With its ultra compact and lightweight design and the outstanding portability, thanks to the DSA (Dual Super Aspherical) lens, available only with the Four Thirds System, this lens will make super-wide-angle photography friendlier and more affordable. Despite its compact size — it's just 49.5mm long and weighs a mere 155 grams — this lens boasts a long focusing range equivalent to 18-36 mm on a 35-mm camera lens. ALTERNATIVE TO EXPENSIVE ZOOM This lens is a great alternative to previous Ultra wide-angle zoom lens designs that have traditionally been very heavy…and very expensive. The Olympus 9-18 zoom is neither. This makes it a great addition to your camera bag. With 2x magnification, it captures the full panoramic beauty of both natural landscapes and man-made architecture – great for interior shots, as well as close-up portraits of friends and family. It just might become one of your favorite lenses.

(Ani). MITSUBISHI CP-D70DW PRO-PERFORMANCE DYE-SUB PHOTO PRINTER. High capacity, high volume printing operations. Easily portable for photo shoots! -Print Sizes: 2 x 6" up to 6 x 8" -Print Speed: 4 x 6" in 8.4 sec. -Lightweight, space saving single-deck design -Ultrafine, superfine and fine print modes -Max Resolution: 300 dpi -Glossy and Matte finish with same media Original: 44,500 now THB 23,000 1). Nikon D3400 camera body with 18-55mm lens, strap, filter, lens cap, battery & battery charger THB 7,000 2). Nikon 55 – 200mm DX VR, Good looking condition, with excellent zoom range. S/n: 20025197. Has slight internal fungus, which can be removed. With filter and lens hood. THB 4,000 3). Nikon 18 – 55mm DX VR. Superb condition, as new, works with Nikon D3400 series onwards – very fast focus, S/n: 21563855 THB 2,300 4). Sigma 70 – 300mm DX VR (for Nikon). Excellent condition, as new. Great zoom range. S/n: 20025197. THB 4,500 5). Nikon 18 – 55mm. Used appearance, but very sharp, S/n: 5037429. THB 1,200 6). Nikkor S 50mm F1.4 prime lens. Beautiful 50mm F1.4 fast prime lens – for film cameras, or with Nikon adaptor for use with digital cameras S/n: 562585. THB 3,500 7). Sigma 17 – 70mm macro HSM (for Nikon). Great lens – but with some fungus, which can be cleared. Soft style images, but works well. S/n: 1003318. THB 4,000 8) Nikon 18 – 55mm DX VR. Works ok, appearance slight wear, but quick and sharp to focus, slight noise at end of focus range when turning lens dial, S/n: 7594347. THB 1,200 9) DRY BOX: Alite GP2 – 90 (90 litre capacity to hold camera gear in low humidity environment THB 4,500 10) Mini PC Intel NUC_i7-1165G7 (RNUC11PAHI70000) x 1, (a) RAM DDR4(3200, NB) 16GB PNY XLR8 BLACK(MN16GSD43200X) x 1, For Mini PC. (b) TB SSD M.2 PCIe APACER AS2280 (AP1TBAS2280P4-1) NVMe x 1, WINDOWS 11, THB 14,700

Two for Sony FE Samyang Rokinon V-AF 75mm and 35mm T1.9 Cine Professional Lenses. Price for one. VIDEO: Rokinon Cine Auto Focus Lenses: https://www.youtube.com/watch?v=8MZ-EsiEQ9s Rokinon 75mm T1.9 Cine Auto Focus Lens for Sony E Mount: https://www.youtube.com/watch?v=QhxqbD8vilw Samyang V-AF T1.9 Series - 24mm/35mm/75mm: https://www.youtube.com/watch?v=b3pb_OrdVxU Cinematic Video 4K | Samyang V-AF 35mm T1.9: https://www.youtube.com/watch?v=SDShC0JxEjk You’re Missing Out on Cine AF Lenses: https://www.youtube.com/watch?v=6Uuqvo-jHiU The Best Gimbal Lenses for Sony: https://www.youtube.com/shorts/TrGjtfENXnQ Samyang V-AF 35mm T1.9 Definitive Review | Cinematic Bliss?: https://www.youtube.com/watch?v=8OFPjSHNW7w Samyang V-AF lenses | FIRST auto focusing CINE lenses for Sony-E mount: https://www.youtube.com/watch?v=GEh5Oq9uGO4 Samyang V-AF 24mm 35mm 75mm T1.9 Group Test and Review: https://www.youtube.com/watch?v=nM290Qy3C-w Samyang V-AF (24, 35, 75) Trio + Sony FX30: https://www.youtube.com/watch?v=TGZSYiNvrtE Are the Samyang Cine V-AF Lenses really for filmmakers? [Honest Review]: https://www.youtube.com/watch?v=Uo3_JG9nsrc Samyang V-AF 35mm T1.9 test: https://www.youtube.com/watch?v=xihrvDE5dBA How to (Easily) Update the Firmware on a Samyang or Rokinon Lens: https://www.youtube.com/watch?v=avGCf2JRYLU MADE IN KOREA. Very good condition! Lens with two caps. About this item ● SUPERIOR IMAGE QUALITY - Experience exceptional clarity with this 35mm lens, designed for both full-frame and Super 35 sensors, ensuring your footage is sharp and detailed. ● CINEMATIC LOW LIGHT - Capture stunning visuals in challenging lighting conditions with the ultra-fast T1.9 aperture, providing excellent control over depth of field. ● SMOOTH FOCUS CONTROL - Achieve precise and fluid focus transitions with a focusing range down to 0.95', ideal for creating professional-looking focus pulls in your videos. ● PROFESSIONAL BUILD QUALITY - Benefit from robust weather sealing and a durable design, ensuring reliable performance in various shooting environments, enhancing longevity. ● CUSTOMIZABLE OPERATION - Tailor the lens to your specific needs with a custom mode switch and focus hold button, providing enhanced control during critical shooting moments. https://rokinon.com/products/75mm-t1-9-full-frame-cine-auto-focus-for-sony-e Rokinon announces a new lineup of lenses optimized for video content creators according to their needs. The new Cine AF lineup is the world's first lens for video creators designed to make video content creation more convenient. The first lens from this new Cine AF lineup is the Cine AF 75mm T1.9. Rokinon will release four more lenses by end of 2023. Meet the new Cine AF lineup custom-designed for videography. Unified Form Factor – Compact & Light The Cine AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. LED Indicator (Tally Lamp) - Excellent usability The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. Support 8K and the same color tone The new Cine AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new Cine AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. Custom Switch & Button Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers. https://rokinon.com/products/35mm-t1-9-full-frame-cine-auto-focus-for-sony-e Designed to make video capture more convenient, the compact cinema Cine AF 35mm T1.9 FE Lens from Samyang / Rokinon covers up to full-frame sensors. The lens has a Sony E-mount and features a 9-blade iris that provides a soft, natural bokeh and dramatic cinema look. Its autofocus function makes focusing easy when using the lens on a gimbal rig or a drone, and it features a switch that can save your focus settings when switching between manual and autofocus. The lens also features a tally LED on the front that allows you to see whether the camera is recording using its electronic contacts. This 35mm lens produces a 63.6° angle of view when used with full-frame cameras, and it has a minimum focus distance of 1' from the lens. This lens shares the same form factor as other lenses in the Cine AF line, making them easy to swap out without reconfiguring your rig.

A complete set of studio flash lighting – includes the following 3 x flash heads with flash adjustment, model light, camera sync socket, test button, light sensor. 3 x 220volt mains lead with international (Thailand) adapters (UK plugs fitted) 3 x folding adjustable stands 2 x soft boxes with defuse screens 2 x umbrellas, silver and defuse 3 x camera flash sync leads 1 x folding flap ‘snoot’ 1 focus honeycombed 3 colour filters Spare bulb and fuses Full instructions and technical data Dedicated carrier bag All in as new condition (see photos) flash rings and model lights fully working Can deliver anywhere in Thailand, all delivered in a plywood box Collection or courier (ask me for a quote) Location; Na Wang, Nong Bua Lam Phu #flashlighting #studioflashlighting #photostudiolighting #cheapstudiolighting #softbox PLEASE, messages on here don't work. Email me directly at stevesculptor@hotmail.co.uk or call me. Thanks Steve

Lastolite studio background support with a telescopic cross pole and stands giving a maximum height of 3.12m and width of 2.96m. Ideal for green screen (no cloth included) The cross pole is the same as the 1108 set- but it has stronger stands- with a maximum height of 3.52m and width of 2.96m. Suitable for full width cloth backgrounds and paper rolls. The Lastolite stands can be used separately as lighting supports- the kit includes a waterproof carrying case. This is pro quality equipment, not cheap Lazada, Shopee crap. Location: Na Wang Nong Bua Lam Phu Selling lots of other photographic stuff, see my other listings. Collection or delivery (ask for price) Email; stevesculptor@hotmail.co.uk #greenscreen

Top of the range Camera Stabilizer Gimbal. This has been very little used so in nearly new condition. Tested and working, perfect condition, and all complete in original box, and paperwork. Includes follow focus accessory kit which has not been used and worth over 3,000 baht. Camera not included. Camera's supported up to 4.6kg For any technical questions please go to the official website or YouTube No offers Free shipping to anywhere in Thailand PLEASE, don’t message me on here, messages on here don't work. Email me directly at stevesculptor@hotmail.co.uk or call me. Thanks Steve

MANFROTTO ALT 055 TRIPOD with 804RC2 Head - Professional Camera Tripod Including camera base plate. Very solid and sturdy Each leg has a multi position angle for uneven ground or for getting low down for wildlife shooting etc. for endless creativity (see photos) Extends to 2m in height Please for a postage quote Weight; 3.5kg PLEASE us this email to contact me, Thanks Email: stevesculptor@hotmail.co.uk