73 Cameras & Equipment in Thailand

Camera, carry case, accessories all in excellent condition

The clever camera tripod for perfect results every time. The 190XPRO Aluminium 4-Section Tripod with Horizontal Column is more than just an average photo stand. It blends ergonomic design with best-in-class quality standards and an impressive list of features. Not least the smart 90° column system, which allows you to catch shots from any perspective. So you can work fast, accurately, and with absolute freedom, whether you’re shooting vertically, or horizontally.

LEICA D-LUX 7 AND ARTE DI MANO CASE AND STRAP - LIKE NEW The camera has had very little use and is in perfect, like new condition, without any marks or scratches whatsoever. The case and strap have only been used once, and are like new, and are in all their original packaging. The strap and case were made to order from Arte Di Mano, and are hand-made from Barenia Tan leather, which is a French leather made famous by Hermes for their bag making. For anyone not familiar with Arte Di Mano, the craftsmanship is breathtaking; second to none in the world. The camera comes in its original box with all accessories, including the unused Leica strap, the flash, charger and cable, and all booklets. I fitted a UV filter on the camera when unboxing which is still in situ, and I also bought a K&F Variable Neutral density filter, which is really helpful in Thailand’s bright light, which I am including. Also included is a red rope neck strap and a red rope wrist strap, as well as a 32gb card. ONLY SELLING AS A PACKAGE, NOT SELLING ANY SEPARATES Any inspection welcomed and encouraged if you are in Hua Hin, or I can post EMS or Kerry Express. EMS is better because the items can be insured at extra cost. Call or SMS Alan, anytime between 09.00 and 21.00 any day, or Line ID: eloquentpilgrim

https://www.youtube.com/watch?v=hzaBoZASJwk Swiss design. Made in Korea. Used lens with two original caps, ILH-15A Hoos, Warranty Card, Irix Soft Case, Irix Metal Box, Irix Box. https://irixlens.com/photo-lenses/15mm/ Fully tested in excellent condition. S/n: last photo. Perfectly working order! Irix 15mm f/2.4 Firefly Lens for Nikon The Irix 15mm Firefly is a manual, super-wide-angle lens that allows you to include much more of the scene for a greater sense of space and incredible effects. It's the perfect lens for landscape, architectural and even interior photography. This versatile lens will adapt to every situation and the results are impressive, to say the least. Ergonomic focusing ring which incorporates a convenient click-stop for the infinity setting The built-in hyperfocal distance scale gives you precise information about the depth of field for each shot An innovative focus lock lets you easily set the focus anywhere on the scale and keep it there for consistently repeatable results and to help avoid focus drift With a minimum focusing distance of 11.02" (0.28m), you can get in close to your subjects for great wide-angle effects Neutrino coating for minimal ghosting, chromatic aberration and flare, with maximum sharpness and contrast 15 elements in 11 groups for extremely high image quality Focus lock allowing you to lock the chosen setting at any time Weather sealed construction resists the elements for use in the harshest conditions Hyperfocal distance scale for precise information about depth of field Clearly-labeled infinity position for the focus ring with a noticeable "click" to make it easy to find, even in the dark Minimum focus distance of 11.02" (0.28m) Ergonomic focus ring for faster focus 9 rounded diaphragm blades for a beautiful bokeh effect Irix has created the Firefly lens with a weather-resistant exterior and inner seals, so you can use it in all weather conditions. Thanks to this construction, your Firefly lens is protected from accidental water splashes, rain, snow, dust and other airborne particles. This makes it the perfect glass for photographers who need to work in all possible conditions. Perfect for night photography Night photography is not only interesting but also highly rewarding – it allows you to easily create eye-catching images, if you have the right lens. The Irix 15mm f/2.4 is an irreplaceable tool for any astrophotographer – its fast aperture of f/2.4, combined with a short focal length allows you to capture spectacular shots of the night sky and the Milky Way. The night is yours! https://www.youtube.com/watch?v=y7WlAe7-4KE Intelligent Lens Design The Irix 15mm f/2.4 lens has a module that allows you to control the lens’ iris directly from the camera, thanks to which popular semi-automatic modes (PASM) and data recording in EXIF format are available. The use of electronics also enable the lens to be equipped with a focus confirmation system – the camera will announce the correct focus setting (either in the form of an icon in the viewfinder or with a sound), every time you set the focus correctly – it’s easy and convenient! It’s worth noting that Irix lenses have the appropriate correction profiles that are pre-loaded and readable by software (such as Adobe Lightroom and Adobe Photoshop), that will make your shooting experience even more enjoyable. A Build You Can Trust It doesn’t matter if you’re traversing the hot sands of the Sahara or the frigid expanse of Antarctica – Irix lenses never back down from any challenge. The sealing system has been designed to protect the inside of the lens from moisture, dust, and sand. Equally important, the lens does not change its dimensions during focus pulling, eliminating the risk of dirt particles getting swept into the internal structure. These properties not only allow you to work in demanding conditions, but also guarantee the cleanliness of the camera’s mirror chamber sensor. https://www.youtube.com/watch?v=CCgg5tHNSeI Optics that guarantee sharp images Creativity, ideas, and effort put into a photograph would be nothing without the right lens. Thanks to many years of experience in optical design, Irix lenses are characterized by their excellent resolution and minimal distortion (2%) and almost no vignetting. The Irix 15mm f/2.4 lens consists of as many as 15 elements arranged in 11 groups: 4 refractive elements, 2 ED elements and 3 aspherical elements. The focusing distance is only 28cm which, in combination with the f/2.4 light and 9 rounded aperture blades, make the lens stand out with extremely smooth bokeh with an amazing perspective. You compose the frame – we will take care of the rest! Creative Tool It doesn’t matter if you are a professional photographer looking for a lens for your next job, or an amateur looking to expand your focal range – the Irix 15mm f/2.4 is a right choice for every landscape photographer! The Irix 15mm f/2.4 lens is an ultra wide-angle lens created for your full frame (35mm) camera, available in Nikon F, Canon EF, and Pentax K mounts. This lens will allow you to open up to a completely new type of photography – thanks to the 110-degree field of view you will be able to capture eye-catching images, and the excellent optical properties will make the image sharp and full of details. One Lens – Two Versions The Irix 15mm f/2.4 comes in two verisons: Firefly and Blackstone. Firefly – Lightweight composite construction, with an embossed rubber focus ring, allowing for smooth and precise focusing. Included with the lens is a soft pouch. Additional Features Click at infinity – enables precise, easy, and quick focusing. During focusing, you will feel the exact moment when your lens sets to infinity, which is extremely useful when shooting in difficult lighting conditions (i.e. at night). Focus Lock – allows you to lock the focus ring in a specific position, which is extremely beneficial when you want to keep a specific focus plane i.e. in astrophotography, or when using the hyperfocal scale. https://www.youtube.com/watch?v=OfG6jysEL-Q 95mm front filter thread – allows you to use screw-in filters such as Irix Edge UV & Protector, Irix Edge Circular Polarizer, Irix Edge ND, and Irix Edge Light Pollution filter and others. Compatible with Irix Edge IFH-100 Filter Holder – allows you to expand your creativity thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse Rear Gel filter slot – allows the use of Neutral Grey filters mounted on the rear of the lens, which is a unique feature of the Irix 15mm f/2.4 and Irix 11mm f/4.0 lenses. Circular Polariser Adjustment Window – the lens hood is equipped with a sliding window, allowing you to freely rotate the polarizing filter without the risk of getting dirty. Focus Calibration window – due to the specifics of focus detection in DSLR cameras based on phase detection, it may sometimes happen that the lens needs to sync with the camera. Thanks to this special opening, you can easily calibrate the lens at home using basic tools within 5 minutes. Fast, simple and effective! Compatible with filters What makes the Irix 15mm f/2.4 lens unique is the possibility of using both classic 95mm screw-on filters, as well as square filters, thanks to the Irix Edge IFH-100 holder! Every landscape photographer uses filters – they allow a creative approach to photography, which makes them extremely practical. The filters that you can use with the Irix 15mm f/2.4 lens are all 95mm filters, such as the Irix Edge: UV & Protector – protects your lens against damage Circular Polarizer – cuts off unwanted reflections and increase the clarity of the photo Neutral Density – decrease the amount of light reaching the camera sensor, thus allows, for example, creatively to blurs the motion in your photographs. Light Pollution – cuts off the light of cities, making your night photos full of detail without a yellowish haze Irix Edge IFH-100 Filter Holder allows you to expand your camera’s capabilities thanks to Gradual Neutral Density filters with different gradients: Soft, Hard and Reverse. By cutting off part of the light from the brightest part of the image, you can shoot even in the most difficult lighting conditions. This manual-focus Irix 15mm f/2.4 lens has superb optics, easily the equal or better than the larger, older and more expensive Zeiss 15mm f/2.8. This is a full frame (FX) lens, and I'll be reviewing it as such. It works great on DX cameras, too, on which you may make the usual inferences, but you're wasting most of this lens' performance shot on a small frame camera. The Nikon version should work great with every FX digital Nikon. It has a chip that should let it work in all metering modes and in all P, S, A, and M exposure modes, just like Nikon's AI-P manual-focus lenses. Wow! Even shot wide-open at f/2.4, it's ultra sharp and contrasty at every focus distance. This lens, like most major-brand lenses introduced since 2010, is ultra sharp. It may be the sharpest fixed ultra-ultrawide lens I've ever tested. It's ultrasharp and contrasty and devoid of spherical aberration and lateral color throughout the whole image even wide-open at f/2.4. The only slight imperfection is that it is slightly softer in the last few millimeters of the full-frame corners at f/2.4, but even there it becomes ultrasharp as soon as stopped down a little. It's so sharp and contrasty that it can incite aliasing on a 50 MP Canon 5DSR, even shot wide-open! More good news is even though it has a rounded diaphragm, the Irix 15mm can make 18-pointed sunstars on brilliant points of light at the smaller apertures. Overall This Irix 15mm has optics as good or better optically than any of expensive lenses and takes normal filters, which most of the other lenses do not. This is a great 15mm lens at a bargain price and much nicer than anything else I've ever seen out of Korea. If you're in the market for a fixed 15mm ultra ultrawide, this is probably your best buy. kenrockwell.com About us Swiss precision and Korean ingenious solutions make a powerful mix. Irix lenses are designed to deliver top optical performance for Full Frame cameras. We offer large apertures whilst maintaining the best image quality. As photographers, we keep an eye on the details. It's not only the picture in front of us that is important, but also its surroundings. Whether it's shooting landscapes, news, sports or capturing architectural curves, we offer lenses that are solid, intuitive, accurate and handy.

Chinese Leica Noctilux, Lens for Leica M with 18-karat gold-plated M-Mount https://www.youtube.com/watch?v=vwu-m2iBOzs The Red TTArtisan 50mm f/0.95 ‘Year of the Ox’ Lens is Gorgeous TTArtisan has unveiled a limited edition version of its 50mm f/0.96 lens for Leica M-Mount cameras that features a striking red finish to celebrate the Year of the Ox according to the Chinese Zodiac. The company already had two variants of the lens, silver and black, but the red version is limited to 500 pieces worldwide and features a unique engraved lens cap. For those who are fans of the color red (or born in other Ox years like 1961, 1973 1985, 1997, or 2009), this lens would look great on any Leica M-Mount camera. Looking at the actual specifications of the lens, it’s a wide-aperture normal-focal-length prime that features one large-diameter, double-sided aspherical element, and eight high refractive index elements that TTArtisans says suppress distortion and spherical aberration. The result is supposedly a more accurately rendered image with a high degree of sharpness. TTArtisan 50mm f/0.95 ASPH “Red Limited Edition” (Yin Metal Ox) TTArtisan Leica M Mount TTArtisan 50mm F/0.95 ASPH “Red Limited Edition” (Yin Metal Ox) To celebrate the year of the ox, TTArtisan has made 500 special “Red Limited Edition” versions of its 50mm f/0.95 ASPH lens. Red is a very auspicious color in a lot of areas of Asia, and hey, if someone can make white lenses, why not make a red one. The TTArtisan 50mm f/0.95 ASPH “Red Limited Edition” combines a metallic red lens barrel with an 18-karat gold-plated mount. The design is meant to reflect this year’s zodiac “Yin Metal Ox”. The lens is based on the existing TTArtisan 50mm f/0.95 ASPH Leica M mount version, with the only exception being that the filter diameter has been reduced by 5mm.

Excellent condition. S/n: last photo. Lens with two caps. VIDEO: https://www.ttartisan.com/static/upload/video/20220923/1663926801157661.mp4 รีวิว TTartisan 50mm F0.95 เลนส์รูรับแสงกว้างมากเป็นพิเศษ ถ่ายภาพละลายหลังสวยสุด ๆ : https://www.youtube.com/watch?v=ZCNxyVnbk4A Leica Noctilux KILLER? TTArtisan 50mm f0.95: https://www.youtube.com/watch?v=U2gicbXoF6A Full Frame and APS-C F0.95 Super Large Aperture ASPH. and ED Super-MC Rangefinder Coupled Clicked Aperture Ring Full Metal Body M-mount TTArtisan 50mm f/0.95 for Leica M Overview Distinguished by its bright design, the TTArtisan 50mm f/0.95 is a normal-length lens for Leica M-mount rangefinder cameras. Its impressively fast maximum aperture offers a wealth of control over depth of field and also benefits working in dark and low-light conditions. Complementing the speed is an advanced optical design that uses a variety of specialized elements to control spherical and chromatic aberrations in order to achieve sharp imagery with accurate colors. The lens's manual focus design permits working with subjects as close as 2.3' away and it features a 14-blade diaphragm that contributes to a smooth bokeh quality. Normal-length prime is well-suited to everyday shooting with subjects including portraiture, street, landscape, and reportage. Exceedingly fast f/0.95 maximum aperture suits working in low-light conditions and also offers great control over depth of field for isolating subject matter using selective focus techniques. One large-diameter, double-sided aspherical element and eight high refractive index elements help to suppress distortion and spherical aberrations in order to produce accurately rendered images with a high degree of sharpness. Two extra-low dispersion elements reduce color fringing and chromatic aberrations in order to realize high clarity and accurate color rendering. Manual focus design permits smooth, refined control along with a minimum focusing distance of 2.3'. A 14-blade diaphragm contributes to a smooth and pleasing bokeh quality. Lens can be used on the following cameras： Leica M-mount Leica M1 Leica M2 Leica M3 Leica M4 Leica M5 Leica M6 Leica M7 Leica MP Leica M-A Leica M8 Leica M9 Leica M9-P Leica M (Typ 240) Leica M-P (Typ 240) Leica M10 Leica M10-P Leica M11 Leica M-E (Typ 220) Leica M (Typ 262) Leica M-E (Typ 240) Leica M Monochrom Leica M Monochrom (Typ 246) Leica M10 Monochrom Leica M-D (Typ 262)Leica M10-D Leica M10-R Epson R-D1 by Epson Minolta CLE by Minolta Hexar RF by Konica Bessa R2A, R3A, R2M, R3M, R4M, R4A by Cosina Voigtländer Rollei 35 RF by Rollei Fototechnic Recent Zeiss Ikon rangefinder camera by Carl Zeiss AG Ricoh GXR by Ricoh PIXII by Pixii SAS SONY E-mount （With adapter M-E） A1, A9, A9Ⅱ,A7、A7Ⅱ(A7M2)、A7Ⅲ (A7M3) 、A7R、A7RⅡ(A7RM2)、 A7RⅢ(A7RM3)、A7RⅣ(A7M4)、A7S、A7SⅡ(A7SM2)、A7SⅢ(A7SM3)、NEX、A7C... Nikon Z-mount （With adapter M-Z） Z6、Z7、Z50... Canon RF-mount （With adapter M-RF） EOS R, RP, R5, R6, R10, R50, R8, R100... Fuji GFX-mount （With adapter M-GFX） GFX100、GFX 50S、GFX 50R、GFX100S... L-mount （With adapter M-L） LUMIX S1、S1R、S1H | sigma FP | Leica T、TL、SL、CL、TL2... HASSELBLAD X1D （With adapter M-X1D） X1DⅠ、X1DⅡ... Compatible with: Leica M Mount You can use World’s First Autofocus Adapter for Manual Lenses ชุบชีวิตเลนส์แมนนวลสมัยเก่า ไม่ว่าจะเป็น Leica, Carl Zeiss, Voigtlander, Mitakon, Yashica หรือ Contax ที่มีเอกลักษณ์ในเรื่องของโบเก้ และสีของเลนส์สมัยก่อน ให้กลับมามีชีวิต กลายเป็นเลนส์ Autofocus ที่สามารถใช้งานกับกล้อง Sony รุ่นใหม่ได้ Techart PRO adapter is also highly compatible. It can accept lenses with Leica M bayonet mount and connect them with Sony camera. You may also further adapt other lens mounts (Carl Zeiss, Voigtlander, Mitakon, Yashica, Canon EF/Canon FD/Nikon F/Contax CY/Leica R/Olympus OM/Minolta MD/Pentax PK/ TT Artisan etc) to Techart PRO adapter so that these lenses can also be vitalized. This opens up a tremendous amount of lenses options to be used with Techart PRO for auto focusing.

Shutter counter: 5611 Video: https://m.media-amazon.com/images/S/aplus-media/vc/4e0e0ca7-02e2-49e5-9939-0dc5456027be.mp4 Include: Camera body with clips, body cap, battery, USB charger, eye cap. ENGLISH / Thai + menu! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Brand : Panasonic Model : Lumix DC-S5 Color : Black Camera mount : L-Mount Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake. In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions. 24.2MP Full-Frame CMOS Sensor and Venus Engine Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes. UHD 4K HDR Video Recording In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied. Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks. Body Design ● Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. ● High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate. ● Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control. ● Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments. ● Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. ● A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs. ● DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on. ● High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec. Sensor-Shift Image Stabilization Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. DFD Autofocus System For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV. Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF. 6K and 4K PHOTO Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate: ● Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame. Bluetooth and Wi-Fi Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring. Other Camera Features ● By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution. ● HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions. ● In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats. ● Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out. ● Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint. ● Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style. Firmware Version 2.3 Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.

Lens with two caps and Nikon Box. Fully tested in excellent working condition. Made in Japan. Nikon D-type design provides precise distance information for flash and ambient light exposure processes. G-type NIKKOR is designed exclusively for use with Nikon SLR models where aperture is controlled from the camera body. 2 aspherical lens elements for low distortion. 2 Extra-low Dispersion (ED) glass elements for minimized chromatic aberration. Internal Focus (IF) design for smoother focusing and great body balance. Vibration Reduction (VR) operation offers the equivalent of using a shutter speed 3 stops faster at 120mm. Exclusive Silent Wave Motor (SWM) enables ultra-high-speed auto focusing with exceptional accuracy and powerful super-quiet operation. Rounded diaphragm to make out-of-focus elements appear more natural. First Nikon wide-angle zoom lens with Vibration Reduction (VR). Compact and lightweight. (From Nikon lens literature) Two Aspherical lens elements for low distortion. Two Extra-Low Dispersion (ED) glass elements for minimized chromatic aberration. Internal Focus (IF) design for smoother focusing and great body balance. VR operation offers the equivalent of using a shutter speed 3 stops faster at 120mm. Exclusive Silent Wave Motor enables ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation. Rounded diaphragm to make out-of-focus elements appear more natural. First Nikon wide-angle zoom lens with Vibration Reduction (VR) Test Notes The Nikkor 24-120mm f/3.5-5.6 VR is a very popular optic, thanks to its convenient focal length range and its use of Nikon's "VR" (Vibration Reduction) technology. The VR technology lets you hand-hold shots in low light conditions, at shutter speeds as much as three stops slower than you'd be able to otherwise. - The impact of this is hard to overstate for many amateur shooters, a market the 24-120 is clearly targeted at.

Product Description Samyang's 50mm F1.2 AS UMC CS is a wide angle manual focus photo lens for mirrorless cameras with APS-C sensor sizes. With a significantly bright F1.2 aperture, the lens creates bright, crisp images and impressive bokeh even with mirrorless cameras. The 50mm F1.2 is a multi-purpose lens, especially useful for portraits photography. Samyang's 50mm F1.2 AS UMC CS has a low F number (F1.2). allowing you to precisely control the lens when shooting under various exposure environments including relatively dark situations. This lens features 9 elements in 7 groups including 2 glass aspherical lenses (ASP) to offer high resolution throughout the image. Samyang's Ultra Multi Coating (UMC) is used to optimise the light penetration and minimises flare and ghosting. 0.28m minimum focusing distance helps to capture the object in close proximity. The lens features 9 aperture blades which are designed to be almost a full circle when the aperture is closed. This produces starlike rays clearly and beautifully. The solid frame of the lens is constructed from high-strength aluminium alloy which allows the lens to be lightweight, yet strong. A detachable petal-shaped lens hood further minimises flare and ghosting by sheltering the lens from unwanted stray light. Set Contains: Samyang/Rokinon 50mm F1.2 CS Manual Focus Lens for Sony E-Mount, two caps, Hood, User Manual, Box. About this item ● F1.2 aperture creates fantastic image with shallow depth and smooth focus gear ring allows precise adjustment ● Glass Aspherical lens elements reduce chromatic aberration effectively to produce excellent image quality ● UMC technology reduces flare and ghosting as much as possible for clearer brighter images ● 9 aperture blades create almost a full circle when closed

Sony FDA-EV1MK XGA OLED Electronic Viewfinder Kit for Sony Cybershot RX1, RX1R, RX1R II, RX100 II, HX50, HX60 and HX60V, DSC-RX1RM2 DSC-RX1R DSC-RX1 DSC-RX100M2 DSC-HX60V DSC-HX60 DSC-HX50V DSC-HX50 cameras FDA-EV1M FDAEV1M CE FDA EV1M MADE IN JAPAN. Excellent condition. Black. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick User Manual: https://www.sony.com/electronics/support/res/manuals/4448/44482300M.pdf https://www.sony-asia.com/electronics/cyber-shot-compact-cameras-viewfinders-monitors/fda-ev1mk

Short telephoto prime lens for full-frame Canon EF-mount and APS-C - 104mm eq. 1:1 to 5:1 magnification range for life-size or greater rendering, Compatible with the Macro Ring Lites and new Macro Twin Lite www.youtube.com/watch?v=u5j7UwXLcaM&t=13 Made in Japan. Lens with two caps. Fully tested in excellent condition. S/n: last photo. https://th.canon/th/consumer/mp-e65mm-f-2-8-1-5-x-macro-photo/product The Canon MP-E 65mm f/2.8 1-5x Manual Focus Macro Lens is a unique manual-focus lens designed exclusively for macro shooting, between life-size (1x) and 5x life-size at its maximum magnification, you can fill a 35mm frame with a grain of rice. Compatible with the Macro Ring Lites and new Macro Twin Lite and it's fully compatible with 6D, it eliminates the need for awkward bellows accessories for many macro shooters. The optical system uses a floating system to preserve optical quality at different focusing distances, and features a UD-glass element. Canon MP-E 65mm f/2.8 1-5x Macro Overview A specialty lens designed for extreme close-up imaging, the MP-E 65mm f/2.8 1-5x Macro Photo from Canon lets you render subjects at up to five-times life-size magnification with a minimum focusing distance of 9.4". Dedicated solely to macro applications, this lens's unique design employs a floating elements system to maintain quality throughout the focusing range and one ultra-low dispersion element helps to control color fringing and chromatic aberrations for high clarity and color accuracy. A Super Spectra coating has also been applied to suppress flare and ghosting for greater contrast. This 65mm f/2.8 is strictly manual focus operation only and features a removable rotating tripod collar for improved stability when working atop a tripod. Additionally, the front of the lens is designed to accept an optional Macro Ring Lite or Macro Twin Lite for greater, more even illumination of close-up subjects. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however can also be used with APS-C models where it provides a 104mm equivalent focal length. Specifically designed for macro photography, this lens has a 9.4" minimum focusing distance along with a 1:1 to 5:1 magnification range for life-size or greater rendering. This lens does not offer infinity focus. Manual focus operation for precise control over focusing distance when working with close-up subjects. Floating elements system helps to maintain consistent image quality throughout the focusing range. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions. Six-blade diaphragm contributes to a pleasing out of focus quality when using shallow depth of field. Removable rotating tripod collar is not included. Front ring of the lens supports direct mounting of an optional Macro Twin Lite or Macro Ring Lite and the lens has electric contacts for full-support of the E-TTL II flash system and for relaying accurate focus distance information. Compatible: All Canon EOS Full-Frame and APS-C DSLR cameras. (Canon EOS M Mirrorless cameras can use with EF-EOS M adapter). (Canon EOS R Mirrorless cameras can use with EF-EOS R adapter). (SONY E-mount Full Frame / APS-C cameras can use with Metabones EF-E adapter). Canon EF mount Product Name: EOS-1D X Mark Ⅲ EOS-1D X Mark Ⅱ EOS-1D X EOS-1Ds Mark Ⅲ EOS-1Ds Mark Ⅱ EOS-1Ds EOS–1D Mark Ⅳ EOS-1D Mark Ⅲ EOS-1D Mark Ⅱ N EOS-1D Mark Ⅱ EOS-1D EOS 5D Mark Ⅳ EOS 5D Mark Ⅲ EOS 5D Mark Ⅱ EOS 5D EOS 5Ds EOS 5Ds R EOS 6D Mark Ⅱ EOS 6D EOS 7D Mark Ⅱ EOS 7D EOS 90D EOS 80D EOS 70D EOS 60D EOS 50D EOS 40D EOS 30D EOS 20D EOS 10D EOS Kiss X10i / EOS Rebel T8i / EOS 850D EOS Kiss X10 / EOS Digital Rebel SL3 / EOS 250D / 200D II EOS Kiss X9i / EOS Rebel T7i / EOS 800D EOS Kiss X9 / EOS Rebel SL2 / EOS 200D EOS Kiss X8i / EOS Rebel T6i / EOS 750D EOS Kiss X7i / EOS Rebel T5i / EOS 700D EOS Kiss X7 / EOS Rebel SL1 / EOS 100D EOS Kiss X6i / EOS Rebel T4i / EOS 650D EOS Kiss X5 / EOS Rebel T3i / EOS 600D EOS Kiss X4 / EOS Rebel T2i / EOS 550D EOS Kiss X3 / EOS Rebel X1i / EOS 500D EOS Kiss F / EOS Rebel XS / EOS 1000D EOS Kiss X2 / EOS Rebel XSi / EOS 450D EOS Kiss Digital X / EOS Digital Rebel XTi / EOS 400D Digital EOS Kiss Digital N / EOS Digital REBEL XT / EOS 350D Digital EOS Kiss Digital / EOS Digital REBEL / EOS 300D Digital EOS 9000D / EOS 77D EOS 8000D / EOS Rebel T6s / EOS 760D EOS Kiss X90 / EOS Rebel T7 / EOS 2000D / EOS 1500D EOS Kiss X80 / EOS Rebel T6 / EOS 1300D EOS Kiss X70 / EOS Rebel T5 / EOS 1200D EOS Kiss X50 / EOS Rebel T3 / EOS 1100D EOS D60 EOS D30

The IBELUX lens with the biggest aperture of 0.85 in the world and focal length of 40mm are initially available for Sony E mount systems. NEW in Box. Lens, rear lens cap, screw-on metal cap, plastic cap with snaps, built-in hood, User Manual, Pouch, Box. Kipon announces $1,780 40mm F0.85 Ibelux lens for six APS-C mirrorless mounts Published May 23, 2022 | Gannon Burgett Optics manufacturer Kipon has announced an updated version of its 40mm F0.85 ultrafast prime, the Ibelux 40mm F0.85 Mark III. This third-generation lens improves upon its predecessor with an updated optical construction that consists of ten elements in eight groups. Compared to the Ibelux 40mm F0.85 Mark II, KIPON says the Mark III version ‘has totally new coatings both inside and out’ to reduce flares and ghosting, and fixes ‘the irregular light reflection/diffusion problem’ that led to purple fringing. The lens, which is available with mounts for Canon EOS R, Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E-mount APS-C camera systems, features a 10-blade aperture diaphragm, has a minimum focusing distance of 75cm (29.5"), uses a 67mm front filter thread and has an aperture range of F0.85 through F22. Manual focus is driven by a Swiss-German mechanism and the focus ring offers 270º of rotation. The Kipon Ibelux 40mm F0.85 Mark III is constructed of an aluminum outer barrel with a brass core and stainless steel mount. It measures 74mm (2.9") in diameter by 128mm (5") long and weighs 1,150g (2.5lbs). Preconceptions I try to start these articles by putting my preconceptions out there first. Every reviewer or blogger has them, they affect our opinions, and you have a right to know them. So I’m writing this introduction the day before our first copies arrive. The HandeVision IBELUX 40mm f/0.85 is designed by IB/E Optics GmbH in Germany and manufactured by Kipon (aka Shanghai Transvision Photographic Equipment Co. Ltd). IB/E has developed a number of lenses and adapters for the Cinema world and other optics, so I figured the design would be good; probably a telecentric lens with a built-in Speedbooster-type element or group. Kipon is known as a lens adapter company, although Shanghai Transvision has also manufactured and distributed video and photo accessories. They are rumored to manufacture lenses for other brand names, so they have some lens manufacturing experience.  But, I have to say, my expectations for build quality weren’t great. I expected a lot of variation between copies. I don’t know if I even had any expectations regarding image quality. Okay, so much for what I expected. There are now five new copies sitting on my desk so let’s take a look. Look and Feel I can guarantee that you’ll see “built like a tank” posts all over the forums when people start handling this lens. Why? Because people say “built like a tank” when anything is really heavy, and this lens is really heavy at 2.65 pounds. (To put it in perspective, a Canon 70-200mm f/2.8 lens weighs 2.85 pounds.) Tanks are cool and all, but I generally remind people they need an overhaul every 2,000 miles and get about 0.25 miles per gallon of fuel. I also remind people that I’ve never seen tanks used to deliver eggs – no matter how thick the armor plating is, delicate things inside are still delicate things. But definitely, this lens is built like a tank for whatever that’s worth. The lens has a nice built-in sliding hood, which I’m always a fan of. The aperture ring moves easily and is “lightly clicked.” You can barely perceive the slight click with each stop. It’s not nearly as distinct as, for example, a Zeiss or Nikon manual aperture ring, but it’s certainly sufficient to tell by feel when you’ve changed the aperture. I kind of like it. The focusing ring is very smooth and turns with minimal resistance compared to most manual focus lenses, with clear hard stops at either end of the focus range. I kind of liked this ring, too. You will have to be careful where you place your hands on the lens when shooting, though, because an errant finger can easily move the focusing or aperture rings. We hit our first snag at this point: one of the five lenses we received had a focus ring that popped past the infinity hard stop on the first turn. In looking at things a bit, it became apparent that the focusing ring has three tiny set screws which connect to the hard stops for the focus ring. We tightened them just a bit and all was well after that. (To some degree you can also tighten them a bit further to make the focus ring have a bit more resistance when turning.) A Quick Geek Point I end up knowing a lot of stuff about lenses I probably wish I didn’t. One of those things is that a lot of “specialty” lenses designed by one company and manufactured by another have absolutely no compensating or adjusting elements. The lens is assembled basically by stacking all the elements in place. If the company does any quality control, it consists of taking some shots after the lens is assembled. If it’s awful, it gets disassembled and the parts get put back in their bins with the hope they’ll match up better with other parts when they get put in another assembly. And yes, I know this first hand. Because of inevitable manufacturing tolerances, this means some lenses are pretty good optically, some are absolutely crap optically, and buying one is like a box of chocolates – you never know what you’re going to get. And whatever you get is what you got. There are no optical adjustments that can be made. This is what I thought we might see with the Ibelux 40mm. But we did open one up, not to do a complete teardown, but just to peek inside. What we found was most reassuring – there were shims to adjust tilt and centering associated with several of the elements. That not only means the optics can be adjusted. It also means someone was checking each element as it was placed, determining if it needed to be shimmed and how much. Which means my hopes for this lens as I headed to the test bench increased exponentially. This was a real optical device assembled with some care, not a bunch of glass elements stacked together on a hope and a prayer.  By Roger Cicala (about Mark I) KIPON Ibelux 40mm f/0.85 Mark III Overview By B&H Photo's Matt Cottom Sporting one of the largest apertures available for the SONY E mount , the KIPON Ibelux 40mm f/0.85 Mark III Lens is an elegant artistic lens designed to expand your creative potential. The Ibelux features a 10 blade iris and a massive f/0.85 maximum aperture for gorgeous bokeh and excellent low-light performance. This versatile, dreamy lens can excel in a wide variety of scenarios, especially those demanding a unique look or with little available light. Optical Performance One of the fastest artistic lenses, the Ibelux 40mm Mark III is the product of a collaboration between KIPON founder Xiaoming Zhang and Klaus Eckerl of IB/E Optics, a German company noted for their manufacturing and mechanical design. The 10 blade diaphragm and extremely fast speed make this lens an ideal low-light performer. ● Mark III version features improved optical design that better corrects for chromatic abberrations and other visual distortions ● Enormous maximum aperture of f/0.85 ● Dreamy light rendering, especially at fully open aperture, perfect for artistic applications ● Telecentric optical design produces high quality images ● Nice and creamy bokeh Physical Design ● SONY E mount lens is designed for APS-C format cameras ● Special concave design for front element  ● Highly versatile 40mm focal length (equivalent to 60mm full frame lens) ● Manual aperture ring  ● Smooth and precise manual focus system  ● Close focus distance of 2.5'  2013, in a beautiful border town, Passau in Bavaria state, Germany, Kipon founder Xiaoming Zhang met Klaus Eckerl in a mountain restaurant by the Danube river, reached agreement to make a world fastest artistic lens for all the photographers, at that moment, they gave the name IBELUX, which stands for a lens for extremely low light shooting, designed by IB/E OPTICS, with many years of experience for precision manufacturing and mechanic designing, after 200 days and nights sample making and testing again and again, KIPON launched first version IBELUX 40mm f0.85, this high sophisticated product called a great flutter at that time in the field. When aperture widely open, especially for those high speed lenses, some situations usually occur like chromatic aberration, purple fringe, also under strong light environment, irregular glare easily happens when point the lens towards light source, Based on the improvement of Mark II, Mark III has made a great progress in these optic difficulties, in addition to higher resolution comparing to former versions, Ibelux mark3 comes out to be a dreamy lens for artistic creative photography. ● fastest lens in the world for cameras with APS-C Sensor ● suitable for Sony E-Mount bayonet ● optimal luminous exposure in any situation due to the lens speed of 0.85 ● standard focal length of 40 mm for many different applications ● low focal depth and unique bokeh ● 100 % developed in Germany ● 10 multi-coated lenses for optimal photo results ● long lasting and extremely robust metal structure ● with integrated lens hood

Denim lovers will be delighted to know that there is soon to be a camera that will go with all of their outfits. In honor of this ubiquitous fabric "that suits everyone" Olympus has launched a denim-blue version of its new Pen E-PL9 compact system camera to appeal to fashionable photographers everywhere. The camera will sit alongside the existing white, black and brown models, but will be a special edition likely to be available from a limited number of retailers in each market. It will feature a blue leatherette on the front and back of the body, along with the silver top plate and accents around the buttons on the rear, and will come with a silver barreled lens. In the UK the blue E-PL9 will only be sold through John Lewis stores, at the same price as the standard colors – £649.99 with the 14-42mm F3.5-5.6 pancake lens – and will be available early this month. To quote the British Elle Magazine in March, “denim is a fabric that suits everyone”.* To celebrate the ongoing love affair with this perennial material, Olympus is introducing a special blue edition of their recently launched PEN E-PL9 camera. This special edition of the compact and lightweight PEN E-PL9 not only takes great pictures and movies but is also an easy and stylish addition to any denim outfit. Already a firm favourite with the blogging community, the Olympus PEN series combines performance, superb build quality, and discrete take-anywhere size with a visual style that makes it as much part of an outfit as any key accessory. The new special edition blue version joins the existing white, black and brown models launched in March. “Miami’s sunny skies and blue waters were the perfect backdrop for the blue Olympus PEN. With all the incredible features and image quality of the E-PL9 but a new bold colour, the blue model has fast become my new favourite” Fully tested in excellent condition. English / Thai + menu. Include: body with body cap, lithium ion battery, USB charger. About this item TruePic VIII Image Processor 3" 180 Degree Flip down touch screen In-body 3-axis image stabilization 4K video & still image capture from 4K video Sleek and stylish, the PEN E-PL9 from Olympus is a Micro Four Thirds mirrorless camera defined by its versatile imaging capabilities and variety of in-camera creative controls. Using a 16.1MP Live MOS sensor and TruePic VIII image processor, a quick continuous shooting rate of 8.6 fps benefits working with moving subjects while a top sensitivity of ISO 25600 suits working in low-light conditions. Beyond stills shooting, UHD 4K30p video recording is also supported along with high-speed HD 720p120 recording for slow-motion playback. Benefitting both photo and movie applications, a 121-area FAST autofocus system is both quick and accurate, and works in conjunction with the rear touchscreen for touch-to-focus control. Additionally, 3-axis sensor-shift image stabilization is also featured to reduce the appearance of camera shake by 3.5 stops for sharper handheld shooting. Beyond the imaging capabilities, the E-PL9 also distinguishes itself through its stylish exterior, which integrates a compact right hand grip, clean lines, a comfortable black leatherette wrap, and a foil stamped Olympus logo on the front. Matching intent of the opulent exterior, the camera is also configured for the selfie enthusiasts out there, with the inclusion of a 3.0" 1.04m-dot 180° tilting touchscreen LCD. For easier control when making front-facing portraits, Touch Shutter lets you simply tap to focus and shoot and a variety of in-camera Art Filters can also be applied to creatively enhance the look of your images. Additionally, the camera is also fitted with built-in Wi-Fi and Bluetooth for wireless image sharing and remote camera control from a linked smartphone or tablet. 16.1MP Live MOS Sensor and TruePic VII Image Processor Featuring a 16.1MP Live MOS sensor, along with the same TruePic VIII image processor featured in the flagship OM-D E-M1 Mark II, the E-PL9 is capable of recording high-resolution stills and UHD 4K30p video with sensitivities up to ISO 25600. The processing speed also avails a full-resolution continuous shooting rate of 8.6 fps, a 4.3 fps shooting rate when working with the anti-shock electronic first curtain shutter, and a 14.1 fps rate when working in silent sequential mode. FAST Autofocus System Benefitting both stills and video, a contrast-detection focusing method employs 121 AF areas across the entire sensor to quickly and accurately acquire focus. Aptly named, FAST (Frequency Acceleration Sensor Technology) is able to home in on subjects using single-shot or continuous focusing methods, as well as AF tracking to benefit working with moving subjects. In addition, there is Face Detection/Eye Detection AF which prioritizes focus on a subject's face and eyes. When working with manual focus, focus peaking is available to simplify attaining precise sharpness, which is especially useful when using selective focus or shallow depth of field techniques. 3-Axis Sensor-Shift Image Stabilization In-body sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 3.5 stops with any lens in use. Furthermore, this unique image stabilization system works across three axes and compensates for vertical and horizontal shifts (yaw and pitch) as well as camera shake along the optical axis (roll). This range of detected movements suits both stills and video recording, and electronic image stabilization can also be used to further benefit video recording. Body Design and Wireless Connectivity ● A large 3.0" 1.04m-dot touchscreen LCD is available for intuitive control over image composition, settings, and playback, and the screen also has an 80° upward, 180° downward tilting design for making front-facing selfies, or just working from a variety of angles. ● The touchscreen enables the Touch Shutter function for simply tapping on the screen to both focus and release the shutter. ● The exterior of the camera body is wrapped in a black leatherette for a traditional feel and the Olympus PEN logo has been foil stamped on the front of the camera body. ● Built-in pop-up flash provides additional illumination when working in low-light conditions. A hot shoe can also accommodate an optional external flash. ● The included BLS-50 rechargeable lithium-ion battery provides approximately 350 shots per charge. ● Built-in Wi-Fi and Bluetooth permit seamlessly connecting a smartphone or tablet to the camera, which then enables you to wirelessly share imagery and remotely control the camera. Other Camera Features ● An anti-shock shooting mode lets you use an electronic first curtain shutter, in conjunction with a 60-1/320 sec shutter speed range, to reduce vibrations when shooting atop a tripod or other support. ● Digital ESP metering uses a 324-area multi pattern metering area, along with center-weighted average and spot metering modes, for accurate exposure metering control. ● Advanced Photo Modes: Live Composite, Live Time, Multiple Exposure, HDR Backlight, Silent, Panorama, Keystone Compensation, AE Bracketing, and Focus Bracketing ● Scene Select AE modes: Portrait, e-Portrait, Landscape + Portrait, Night + Portrait, Children, Night scene, Hand-Held Starlight, Fireworks, Light trails, Sport, Panning, Landscape, Sunset, Beach & Snow, Backlight HDR, Panorama, Candlelight, Silent, Macro, Nature Macro, Documents, and Multi Focus Shot. ● Picture Modes: i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, and Art Filters. ● Photo Story mode lets you shoot a scene from different viewpoints, then compile these individual images into a single frame. ● Live Composite Mode lets you record a long exposure, between 1/2 to 60 seconds, and watch the exposure build in real-time for more accurate long exposures. ● Interval shooting is supported for up to 999 sequential frames with 1 second to 24 hour intervals. Finished shoots can then be automatically compiled into a time-lapse movie. ● Multiple Exposure mode lets you record two sequential frames over one another with auto gain for a balanced overall exposure. ● Movie Effects: One Shot Echo, Multi Echo, Art Fade, and Old Film. ● Live Guide is a simple graphical menu for adjusting color saturation, color value, brightness, background blur, and how motion is portrayed, and can also display helpful shooting tips. ● Art Filters: Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Watercolor, Vintage, Partial Color, Bleach Bypass, and Instant Film.

https://www.youtube.com/watch?v=PL_KuB1pVAg Made in Japan. Used. Fully tested in very good working condition. Shutter counter: 33833 Thai / English + menu. Camera body, body cap, Nikon D800 strap, hotshoe cap, eyeshield Nikon, Battery, Charger, CD Nikon View NX2, Quick Guide Book (Thai), Box. S/n: last photo. (8005777) Wedding, commercial or landscape, Dual card slots, Full Frame FX-Format true 1080p HD cinematic quality video, Record uncompressed files via HDMI to external recording device via HDMI 3.2" LCD... https://www.nikonusa.com/p/d800/25480/overview Hold in your hands an HD-DSLR able to capture images rivaled only by that produced by a medium-format camera: extremely low noise, incredible dynamic range, the most faithful colors, the broadest tonal range. Meet the Nikon D800, a 36.3 megapixel FX-format D-SLR for professional photographers who require end results of the highest quality; who demand superior performance, speed, handling and a fully integrated imaging system. For multimedia professionals, 36.3MP means true 1080p HD cinematic quality video. The essential tool for today’s still and video professional, every photo will astound, every video will dazzle. Broadcast quality video A full cinematic experience Filmmakers, multimedia professionals and event photographers—record Full HD 1080p at 30/25/24p or 720p at 60/50p in AVC-HD format. Produce to your exacting vision when working in manual mode, controlling aperture, ISO, AF and shutter speed. Record uncompressed files via HDMI to an external recording device via HDMI. Widen production perspective using either Nikon FX or DX lens formats at Full HD 1080p and 16:9 aspect ratio. Attach headphones and check audio levels or monitor input via peak audio meters as displayed on the camera's LCD monitor. Microphone sensitivity can be adjusted in up to 20 steps. Remotely start and stop video. Simultaneously Live View footage on the camera's LCD monitor and external monitor during recording are possible. Reveal every nuance, every detail The 36.3 megapixel FX-format advantage Wedding, commercial or landscape, the D800E is the ultimate 36.3 MP FX-format camera for creative genius. Witness tonal range and precision rendered to supreme clarity, depth and texture. Make poster sized prints without sacrificing detail. Explore creative opportunities with ISO 100 to 6,400 (expanded up to 25,600)—shoot from dawn to dusk. Experience Nikon's new Advanced Scene Recognition System featuring a 91,000-pixel RGB light meter capable of rendering unprecedented levels of accuracy to AF, AE, i-TTL flash control, face recognition and auto white balance. Nikon's new EXPEED 3 image processing reduces color phase shifts seen with lesser systems, producing more faithful colors and tones while managing massive amounts of data at breakthrough speed. With the D800E in your hands, achieve what was once unreachable.

https://www.youtube.com/watch?v=QyFC3IcPHHI Made in Japan. Excellent condition! Lens with two Tokina caps, box, Tokina Build-in Hood. Instruction Manual   PDF, 1.28 Mb: https://tokinalens.com/product/at_x_16_28_f2_8_pro_fx/#:~:text=Instruction%20Manual%20%C2%A0%20PDF%2C%201.28%20Mb S/n: last photo. For the professional, a 16-28mm f/2.8 lens is almost a necessity, and this new AT-X 16-28mm f/2.8 Pro FX Lens for Canon from Tokina fills the bill very nicely. Designed specifically for Canon pro level DSLRs with a full frame (FX) sensor (such as the Canon EOS 5D Mark II), this super wide-angle zoom has 15 elements in 13 groups, using aspherical and SD super-low dispersion glass elements to reduce chromatic aberration and give maximum resolution. The silent DC motor allows the lens to focus quickly and quietly and works with a GMR magnetic AF sensor to increase AF speed even more. An exclusive One-Touch Focus Clutch mechanism allows switching quickly between auto focus and manual focus by snapping the focus ring forward for AF and back toward the camera for manual focus. And, it’s possible to buy this lens without applying for a mortgage first. Professional 16-28mm F/2.8 Lens Designed for professional full frame (FX) Canon DSLRs. NEW Silent DC Motor With GMR Sensor The 16-28 f/2.8 uses a newly developed silent DC motor that allows the lens to focus faster and more quietly then previous generations. The DC motor coupled with a new GMR magnetic AF sensor work together to increase AF Speed. Aspherical and Super-Low Dispersion Glass Elements A new, 56mm-diameter, large size aspherical glass element is incorporated into the front lens group, while there are 2 more aspherical elements in the rear group. 3 SD super-low dispersion glass elements are also incorporated throughout the optical design to reduce chromatic aberration, give maximum resolution, more even brightness and distortion correction. One-Touch Focus Clutch Tokina’s exclusive One-Touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no second AF/MF switch on the lens for Canon, everything is accomplished with the focus ring.

Sony Cybershot DSC-HX50V - Review (English Version): https://www.youtube.com/watch?v=bc0Li4-rkbc Camera with battery, USB cable, charger. Thai / English + menu. About this item ● 30x optical zoom plus 60x Clear Image Digital Zoom Optical SteadyShot image stabilization with 3-way active mode 20.4MP images and high speed AF even in low-light ● Full HD 1080/60p with dual record of stills and movies Full manual & dedicated EV control dial allow more creativity Capture the decisive moment with up to 10fps ● Multi interface shoe attaches flash, light, and mic Incredible battery life of approx. 400 shots 3.0" LCD (921k dots) with high resolution viewing Take stunning images with Intelligent Sweep Panorama mode-up to 360 Degree Take hold of the textured grip and capture your next adventure with ultra-sharp precision. Not only does this compact, 20.4MP beauty deliver an impressive 30x optical zoom, action shots appear clearer thanks to advanced 3-way image stabilization. You also get full manual control for more creative shots and 1080/60p movie recording for smoother footage. You can even map your memories with built-in GPS tagging and accessorize with a wide variety of available extras. Technology Super 60x zoom Zoom in incredibly close for awesome sports, travel, and wildlife photos. The HX50V boasts 30x optical zoom plus 60x Clear Image Digital Zoom technology to bring you near enough to capture elated smiles on the sports field. A powerful processor reduces graininess for crisper, higher-quality close-ups. Say goodbye to blur Optical SteadyShot® image stabilization reduces shake and blur by countering camera movements in both horizontal and vertical directions3. Active 3-Way stabilization adds digital rolling control that counters clockwise and anti-clockwise rotation, resulting in more stable videos even at long focal lengths. Pixel Power With a 20.4-megapixel Exmor R® CMOS sensor, capture high-resolution images that take full advantage of the camera's high quality Carl Zeiss® lens. Advanced processing technology reduces noise and graininess for incredibly crisp, clear images - even in challenging low-light conditions. Amazing HD movies Record crystal-clear movies at the highest resolution available with Full HD 1080/60p video capture1. Stunning, fast motion video with reduced distortion looks great when played back on your HDTV2. Notice a perfect photo opp while shooting video? With dual record of stills and movies, you can shoot both at the same time. Control in the palm of your hand Take your photography to the next level with full manual control. Use Program Auto (P), Aperture Priority (A), Shutter Speed Priority (S) or Manual Exposure (M) mode for manual shooting and direct access exposure control via dedicated dial. Never miss the moment Capture full 20.4 megapixel resolution images at up to 10 frames per second, helping to ensure that the decisive moment is captured such as the soccer ball flying into the goal. In addition, a mechanical shutter helps reduce distortion when continuously shooting moving subjects. Additional features Explore the full range of features and options below. Multi interface shoe attaches flash, light, and mic The multi interface shoe allows easy connection with wide-ranging accessories expanding the range of photographic expression. Available accessories include a powerful external flash unit, electronic viewfinder etc. Incredible battery life of approx. 400 shots Take up to 400 photos per charge for high-volume photography on-the-go. Perfect partner for travel. 3.0" LCD (921K dots) with high resolution viewing The 3.0-inch Xtra Fine LCD™ LCD has 921K dots for superb resolution. Intelligent Sweep Panorama™ mode-up to 360° Intelligent Sweep Panorama mode takes our Sweep Panorama function to the next level with the addition of motion compensation. Even when subjects are moving in the foreground of your landscape, these cameras can detect faces and moving subjects, intelligently stitching different widths together to minimize distortion. Simply press the shutter button and sweep the camera in the desired direction and the camera continuously shoots at a high speed, then seamlessly stitches the images together with automatic position adjustment to create one stunning panoramic image. Available in wide and up to 360° full circle, the camera can take a variety of panoramic shots. 1. Records in 29 minute segments 2. Requires HDTV and HDMI cable sold separately 3. Combined with electronic stabilization

Sony Handycam 6000 baht 4GB internal memory plus 6BG (4GB + 2GB) memory sticks, carry case, charger and cables included Specifications AUDIO FORMAT Stereo (2ch.) FACE INDEX Yes RECORDING FORMAT Memory Stick MEMORY STICK DUO SLOT Yes IMAGE SENSOR 1/8" CCD ZOOM MIC Yes FILM ROLL INDEX Yes LCD SCREEN SIZE & TYPE 2.7" Wide LCD (123K / 16:9) with Touch Panel DIMENSIONS (W X H X D) 53 x 59 x 113mm MASS (W/O TAPE, BATTERY, ETC.) Approx. 200g HYBRID HYBRID (4GB Built-in Flash Memory) IMAGE STABILISATION SteadyShot SD VIDEO CODEC MPEG-2 OPTICAL / DIGITAL ZOOM 60x / 2000x MAXIMUM STILL IMAGE RESOLUTION (PHOTO MODE) VGA (640 x 480 / 4:3) MEDIA STORAGE TYPE Memory Stick Pro-Duo / Pro-HG Duo / Duo USB TERMINAL Yes (USB 2.0 High Speed) CARL ZEISS LENS / FILTER DIAMETER Vario-Tessar QUICK STARTUP Yes Supplied Accessories USB CABLE Yes RECHARGEABLE BATTERY PACK NP-FH30 APPLICATION SOFTWARE Picture Motion Browser AC ADAPTOR AC-L200 AV CABLE Yes

NEW CAMERA ! ! ! Canon Compact Digital Camera PowerShot SX430 IS Optical 45x Zoom / Wi-Fi compatible SX430 IS

SHUTTER COUNTER: 16xx Made in Japan. S/n: last photo Fully tested in mint condition. Providing the full resolving power of its new sensor, the EOS 5DS R DSLR Camera from Canon is a variant of the 5DS with the sensor's low-pass filter rendered neutral. By cancelling the effect of the filter, the 50.6MP sensor is enabled to deliver an even higher resolution with more intricate details. The potential downside to this is that the cancellation function brings with it the greater possibility of moiré and other color artifacts. This is a camera for those interested in the utmost resolution from the sensor and the ability to control color artifacts either in-camera or with post-processing software. This long-awaited follow-up to the vaunted 5D Mark III and brings with it new technology and a number of significant upgrades, placing it in very lofty territory for a DSLR. Featuring a full-frame 50.6MP CMOS sensor, the camera captures ultra-high resolution images suitable for large-scale printing and extensive, creative cropping. The Dual DIGIC 6 Image Processors provide the wherewithal to handle this abundance of information, enabling fast performance speeds and top-of-the-line image quality. The 5DS R also features advanced video capability including HD 1080p capture at 30 fps and a Time Lapse movie function which takes still photos at set intervals and combines them into a full HD movie. The EOS Scene Detection System with the 150,000-pixel RGB+IR metering sensor provides precise exposure and color metering and the 61-point High Density Reticular AF sensor with 41 cross-type points enables accurate AF placement and Canon's EOS iTR (Intelligent Tracking and Resolution) enhances AF performance by using information from the metering sensor. Crop shooting at 1.3x and 1.6x allows for flexibility in the size of image files created and the selection of lenses. Also, a built-in intervalometer and bulb timer expand your creative options. An advanced mirror control mechanism and new selectable shutter release lag times control camera vibration for reduced blur and quiet operation. Anti-flicker functionality compensates for flickering light sources, providing consistent exposure metering during continuous shooting. Despite its large file sizes, the 5DS R can still offer up to a 5 fps continuous shooting rate. For stable eye-level composition the 5DS R features the Intelligent Viewfinder II with 100% coverage. In addition to its clear view, a superimposed, transparent LCD is incorporated which displays setting information and offers a customizable view of focus points and grid lines. The 3.2" ClearView II LCD monitor provides playback and live view composition with 1.04m-dot resolution and a 170º viewing angle. High-transparency materials and multi-coating resist reflections for bright viewing, especially important when shooting video. The 5DS R is a durable and multi-faceted camera for advanced use, yet its dimensions match that of the 5D Mark III. A magnesium-alloy build provides resistance to impact and the elements and inputs include a PC terminal, 3-pin input, an external microphone jack as well as HDMI out and USB 3.0 compatibility. The base plate and tripod socket have also been reinforced to reduce vibrations and ensure a secure attachment to support systems. Dual media slots for Compact Flash and SD format memory cards are supported. A customizable Quick Control System allows you to easily switch between frequently used settings and functions. New 50.6 Megapixel Full-frame CMOS Sensor Newly designed 50.6MP full-frame CMOS helps deliver ultra-high resolution images for large-scale printing and extensive, creative cropping, while Dual DIGIC 6 Image Processors enable top-of-the-line image quality and processing speed. Low-Pass Filter Effect Cancellation Low-pass filter effect cancellation takes full advantage of the 50.6MP sensor, delivering greater detail and even higher resolution images than those of the 5DS. Fine Detail Mode in Picture Style Taking advantage of its sensor's high-resolution capturing power, the EOS 5DS R camera has a new Picture Style called Fine Detail mode. Fine Detail emphasizes fine edges and patterns or textures by setting the camera's Sharpness sub-settings, fineness and threshold to their minimum and by lowering contrast settings as well. Prioritizing minute details in the image allows for better gradations, more detailed textures and fine edges for smoother, more polished photographs. EOS Scene Detection System with RGB+IR Metering Sensor The EOS 5DS R camera has the iSA Intelligent Scene Analysis system that employs an independent RGB+IR light sensor with approximately 150,000-pixel resolution. This sensor enables Canon's Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to optimize tracking. With new tracking algorithms tailored to recognize faces and colors, this system serves as the foundation to the camera's AF system. 61-Point High Density Reticular AF For fast, precise AF with sophisticated tracking performance, the EOS 5DS R camera has an advanced, 61-point High Density Reticular AF system with up to 41 cross-type AF points. The AF system is sensitive to changes in composition, making adjustments quickly to help ensure consistent, sharp AF. A new RGB+IR AF sensor (with approximately 150,000 pixels) monitors subject motion, and Canon's iTR Intelligent Tracking and Recognition system synchronizes the active AF point with the subject's motion, helping to ensure that AF precision is maintained. With focus modes dedicated to the particulars of the shooting environment, the EOS 5DS R realizes a level of focus accuracy befitting its 50.6MP sensor. Advanced Mirror Control Mechanism and Shutter Release Time Lag The camera shake that occurs from the impact of an SLR's mirror can leave blurred details in the recorded image. This effect is magnified when working with a high-resolution sensor like the one found in the EOS 5DS R camera. To counter the effects of conventional, spring-driven SLR mirrors, the EOS 5DS R features a newly developed Mirror Vibration Control system. The camera's mirror is not controlled by springs but instead is driven by a small motor and cams. This system suppresses the impact typical of the camera's mirror, significantly reducing impact and its effects on the image. A new Time Release Lag setting, easily accessed on the menu system, offers added protection against camera shake by setting the shutter release time intentionally longer so the camera does not begin the exposure until after the impact of the camera's mirror has diffused. Anti-Flicker Feature With Canon's anti-flicker function, the camera is able to deliver accurate results under cycling lighting situations. Under flickering light, such as fluorescent lighting, a fast shutter speed may result in an irregular exposure. The anti-flicker function detects the frequency and phase of the flicker and captures images near the point of peak brightness when the subject is most likely well illuminated. 1.3x and 1.6x Crop Shooting For still photography, the EOS 5DS R features the flexibility of a cropping feature that extends the shooting effect 1.3x and 1.6x. With 50.6MP capture, cropped shots are possible with resolution to spare. Images recorded at 1.3x (APS-H) are approximately 30.5MP (6768 x 4512) Large/Fine JPEG, while images recorded at 1.6x (APS-C) are approximately 19.6MP (5424 x 3616) Large/Fine JPEG. Particularly useful in extending the range of telephoto lenses, the crop function also improves the subject tracking capability with almost the entire frame covered with AF points. Image cropping can be displayed in the viewfinder either masked or overlaid with an outline showing the cropped area, and in Live View shooting the image is cropped by the effect chosen. Aspect ratios can also be defined, with the EOS 5DS R shooting in 1:1, 4:3, and 16:9 ratios, in addition to the default 3:2. Full HD 30p Movie Capability The Canon 5DS R supports full HD 1080/30p movie capability and Time Lapse Movie function, which takes still photographs at set intervals and combines them into a full HD movie file, is provided. In addition HD and VGA resolution, numerous frame rates and ALL-I and IPB compressions are supported. Still images can be captured during video recording. A jack for an external microphone is provided. Built-In Intervalometer and Bulb Timer The EOS 5DS R offers time-lapse fixed-point shooting and long exposures without the need for a remote control. The interval timer takes from 1 to 99 shots at pre-selected intervals (from 1 second to 99 hours 59 minutes 59 seconds, or unlimited), ideal for shooting flowers as they bloom or clouds drifting through the sky. Captured exposures can even be collected and saved as an HD movie. Its built-in bulb timer keeps the shutter open for a designated amount of time, perfect for night photography, to capture the flow of traffic on a street corner, or any other situation where long exposure photography is warranted. 3.2" ClearView II LCD Monitor The 3.2" ClearView II LCD monitor has 1,040,000 dots, anti-reflective construction and features Canon's ClearView technology for a bright, sharp display in any number of shooting situations. It's ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections, or 9 sections with diagonals, as can the electronic level. For image review, the camera has a dedicated Magnify/Reduce button for zooming in or out (up to 16x) simply by pressing the button and turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills or rating. A clear and simple feature guide found in the camera's menu provides detailed reference information whenever needed. Intelligent Viewfinder II The Intelligent Viewfinder II makes it easy to both shoot, change and confirm camera settings and shooting modes all without looking away from the viewfinder. Displaying approximately 100% of the composition, the viewfinder can show settings like shooting mode, exposure level, white balance, drive mode, AF operation, metering mode, recording format, an electronic level and more. All of this information can be displayed by or superimposed easily over the image for review while shooting, and multiple views are customizable through the camera's simple user interface. Customizable Quick Control Screen In addition to a conventional Quick Control screen, the EOS 5DS R camera features a Quick Control button that enables the photographer to easily access the settings critical for the task at hand. The user can specify features to display, as well as their location and size on the screen. Continuous Shooting High-speed continuous shooting up to 5.0 fps allows you to capture fast-moving action at full resolution. USB 3.0 and Other Connectors The 5DS R provides support for USB 3.0 connections as well as mini HDMI out, 3-pin input, and a PC terminal. The USB 3.0 digital terminal offers fast transfer to PCs and printers, plus connectivity to Canon's WFT-E7 (Version 2) for wireless transfer and Wi-Fi compatibility.

rarely used comes with 3 batteries ! 6 polarized lenses and Bag

arguably one of the best cameras ever produced! rarely used comes with DX VL 18-55mm Objective and bag

A complete set of studio flash lighting – includes the following 3 x flash heads with flash adjustment, model light, camera sync socket, test button, light sensor. 3 x 220volt mains lead with international (Thailand) adapters (UK plugs fitted) 3 x folding adjustable stands 2 x soft boxes with defuse screens 2 x umbrellas, silver and defuse 3 x camera flash sync leads 1 x folding flap ‘snoot’ 1 focus honeycombed 3 colour filters Spare bulb and fuses Full instructions and technical data Dedicated carrier bag All in as new condition (see photos) flash rings and model lights fully working Can deliver anywhere in Thailand, all delivered in a plywood box Collection or courier (ask me for a quote) Location; Na Wang, Nong Bua Lam Phu #flashlighting #studioflashlighting #photostudiolighting #cheapstudiolighting #softbox PLEASE, messages on here don't work. Email me directly at stevesculptor@hotmail.co.uk or call me. Thanks Steve

VIDEO: Olympus Tough TG-5 - the perfect action camera: https://www.youtube.com/watch?v=Pq7rkdXd6AY Olympus TG5 High Speed photography: https://www.youtube.com/watch?v=9dYJtC6iDQU Red35 Review: The Olympus Tough TG-5: https://www.youtube.com/watch?v=ioKpVCsEfhE Olympus TG-5 - Underwater Camera Review: https://www.youtube.com/watch?v=wHt0TQHxO-o English / Thai + menu. Include: camera, battery, wall charger, red hand strap Olympus, USB-cable. About this item ● New 12 megapixel Hi speed image sensor for improved low light performance and noise reduction ● Underwater compensation: 2 EV to +2 EV (in 1/3 EV steps); Bright F2.0 high speed lens; Video recording format: MOV(MPEG 4AVC/H.264) ● Dual quad core TruePic VIII image processor 3.0 inches 460k Dot LCD monitor; Focus range normal: 3.94 inches (10 centimeter) to infinit macro: 0.4 inches (1 centimeter) to infinity ● Field sensor system with GPS, manometer, compass and temperature sensors ● Waterproof to 50 feet, F, dust proof, crush proof to 220 lbf, Shockproof from 7 feet, freeze proof to 14 degrees, anti fog lens, dust proof: IP6X ● 12MP BSI CMOS Sensor ● TruePic VIII Image Processor ● Olympus 4x Optical Zoom f/2 Lens ● 25-100mm (35mm Equivalent) ● 3.0″ 460k-Dot LCD Monitor ● Water, Crush, Shock, Freeze & Dustproof ● 4K Video Recording and Full HD at 120p ● Built-In Wi-Fi, GPS, Field Sensor System ● ISO 12800 and Up to 20 fps Shooting ● Pro Capture Mode & Variable Macro System กล้องดิจิตอลคอมแพคสายแข็ง อึด ถึก ทน ลุยได้ทุกสภาพอากาศ TG-5 ใช้เซ็นเซอร์ และหน่วยประมวลผลภาพใหม่ล่าสุด และเลนส์ความละเอียดสูง พร้อมรูรับแสงกว้างถึง f/2.0 เพื่อให้ภาพถ่ายที่มีคุณภาพสูง และมีความแข็งแรงและป้องกันฝ้าหรือไอน้ำด้วยกระจกป้องกันแบบคู่ (Anti-fog Dual-pane Protective Glass) เพื่อการใช้งานในสภาพแวดล้อมสุดเลวร้ายได้อย่างไม่ต้องกังวลใจ เลนส์ไวแสงคุณภาพสูง f/2.0 TG-5 เป็นกล้องที่มีประสิทธิภาพสูง ทั้งความแข็งแรงทนทาน และให้ภาพถ่ายที่มีคุณภาพสูง มาพร้อมเลนส์ความละเอียดสูง ออปติคอลซูม 4X และความสว่างสูง f/2.0 ช่วยให้สามารถใช้ความเร็วชัตเตอร์ได้เร็วขึ้น กำลังซูม 4X TG-5 มาพร้อมเลนส์ซูมออปติคอล 4 เท่า ให้ช่วงการถ่ายภาพที่กว้างและหลากหลาย ตั้งแต่ภาพมุมกว้าง ไม่ว่าจะเป็นมุมแบบ Bird Eye View ของทิวทัศน์อันงดงาม ไปจนถึงซูมเข้าไปในรายละเอียด ของวัตถุที่ห่างออกไป มุมกว้าง เทเลโฟโต้ ด้วยองค์ประกอบเหล่านี้ทำให้ภาพถ่ายมีคุณภาพที่สูงขึ้นไปอีกกว่ากล้องคอมแพ็คทั่วไป กล้อง TG-5 การประมวลผลภาพที่ให้ความละเอียดสูง ปรับปรุงอัลกอริทึมในการประมวลภาพใหม่ เพื่อให้ภาพถ่ายมีคุณภาพและความละเอียดสูงในกล้อง ไม่ว่าจะเป็นอยู่บนภูเขาสูง บนหาดทราย หรือท่ามกลางหิมะ กล้อง Tough ซีรีส์นั้น ทนทานต่อสภาพสภาพอากาศสุดเลวร้าย TG-5 คือที่สุดของกล้องตระกูล Tough มาพร้อมกับเซ็นเซอร์ใหม่ล่าสุด และหน่วยประมวลผลภาพใหม่ล่าสุด TruePic VIII ให้ภาพถ่ายที่มีคุณภาพที่ยอดเยียมขึ้นเป็นอย่างมาก และยังมาพร้อมกับ Field Sensor System ซึ่งบันทึกข้อมูลต่างๆมากมาย เพื่อให้คุณสามารถสร้างประสบการณ์การถ่ายภาพแบบใหม่ บนสมาร์ทโฟนของคุณ พกกล้องนี้ไปกับคุณ เพื่อบันทึกภาพกิดจกรรมโลดโผนสุดประทับใจของคุณ อย่างเช่น การปีนเขาและการดำน้ำให้มีความสนุกสนานมากยิ่งขึ้น Rugged. Durable. Tough. Now Add Smart. Get awesome imaging power with the Olympus Tough TG-5. It’s waterproof (50 ft / 15 m), shockproof (7 ft / 2.1 m), crushproof (220 lbf / 100 kgf), freezeproof (14°F / -10°C), and dustproof to survive everything from a grueling hike through mountains to a 5-year-old playing with it by the pool. The TG-5’s rugged design is packed with pro shooting features like an F2.0 high-speed lens, 20 fps burst shooting in RAW, and anti-fog dual pane glass for spectacular images in every environment. TG-5 shown with optional CSCH-123 Sport Holder. F2.0 High-Speed Lens The TG-5 has a blazing-fast F2.0 lens made to capture action and adventure. Shoot bright, detail-rich video and blur-free stills even with fast-moving subjects. It's perfect for shooting at dusk, dawn, around a campfire, or even capturing a coral reef in stunning clarity. Low Light? No Problem Take the TG-5 into the world’s most challenging shooting conditions and come back with jaw-dropping shots. Thanks to its specialized image sensor and advanced dual quad core TruePic VIII Processor, you’ll get photos with little noise and increased dynamic range. Even in low light, your shots will be bright and clear. Insane Shooting Speeds Freeze fast-moving action with ease. Take RAW shots up to a blazing 20 fps. Nail difficult photos requiring split-second timing with the TG-5’s Pro Capture Mode. It buffers a running series of high-resolution images, then captures an exact moment plus the previous 5 frames with a single button press. Never miss a critical shot again. Ultra HD 4K Video Capture your adventures in vivid Ultra HD. The TG-5 shoots video in 4K so you can watch your rafting trip, reef dive, and desert hike in spectacular lifelike resolution. The TG-5 also features Full HD 120 fps high-speed video for slow-motion playback. 4K Time Lapse Video lets you create short videos of long periods of time. Action Track Sensors Tell more exciting stories! Record movement and environmental data with built-in Action Track Sensors. You’ll find a GPS for latitude and longitude, a compass for direction, a temperature sensor, and a manometer for altitude and water depth. You’ll always know where you are and have a record where you’ve been. Data Log Mode Data Log Mode records tracking data for extended time periods. Use the free Olympus Image Track app to simultaneously view still images and videos with your data on a smart device for an immersive viewing experience. Plus, you can export photos and video with data overlays to relive your adventures. Wi-Fi Connectivity Immediately share the awesome photos and video you’ve shot. The TG-5’s built-in Wi-Fi instantly transfers video and images to your smart device using the free Olympus Image Share app. Plus, compose images, control the camera’s settings, and shoot remotely all from your smart device. Powerful Macro Modes Shoot flowers, insects, and other wildlife in stunning detail. Microscope Mode lets you get as close as 1 cm to your subject, and Microscope Control Mode offers precise magnification in steps up to 44.5x. Focus Bracketing and Stacking Modes produce shots with exquisite sharpness and maximum depth of field. Deep Water, Starry Nights Go exploring under the waves with Underwater Shooting Modes, including Snapshot, Wide, and Macro. Underwater HDR Mode combines multiple images to create photos with enhanced light and shadow. After the sun sets, nighttime Live Composite Mode lets you easily shoot amazing cityscapes and star trails. Glove-Friendly Operation The TG-5 has been thoughtfully designed so you can operate the camera while wearing heavy gloves. The camera's ergonomic design features an Accessory Lock to secure optional lenses and other accessories, and Custom Modes let you instantly access favorite settings via the main Mode Dial. Lens Options & Accessories The waterproof FCON-T01 Fisheye Converter Lens captures ultra-wide shots, and the waterproof TCON-T01 Teleconverter Lens extends the TG-5’s zoom to almost 7x. Get ideal macro lighting with the LG-1 Light Guide or the waterproof FD-1 Flash Diffuser. Use the PT-058 Underwater Housing to take the TG-5 down to 147 feet (45 meters).

Professional dust / moisture resistant magnesium-alloy body, Bright XGA OLED Tru-Finer viewfinder and Sharp 3" multi-angle LCD 4K Video, DSC-RX10M3, Cyber-shot RX10 Mark 3 1. Excellent condition camera, battery, charger, Sony Lens Cap, Sony Lens Hood, Sony RX10 Strap, User Manual, docs, Box. - 34000 baht. Photos on request. 2. Very good working condition camera, battery, charger, Lens Cap, Sony Strap, User Manual, Box. (Photos 1-6) - 29900 baht. VIDEO: Sony RX10 III Review — After Owning for 3 Months: https://www.youtube.com/watch?v=sl6Ma4g6vEM Tech Chill ตอนที่ 183 Review Sony RX10 III: https://www.youtube.com/watch?v=dfgwlCr-Ug4 RX10 III - Super Slow Motion with super telephoto- "SuperFormula" | Cyber-shot | Sony: https://www.youtube.com/watch?v=xAiddjPH7o8 RX10 III - Pro-grade precise 4K movie | Cyber-shot | Sony: https://www.youtube.com/watch?v=snuGwWTLmqw RX10 III - Super Slow Motion with super telephoto- "Ski" | Cyber-shot | Sony: https://www.youtube.com/watch?v=-tYhNIgi-SE The Sony RX10 III - Best All Around Camera Ever?: https://www.youtube.com/watch?v=hzt6Oow4mWI How to transfer photos from your Alpha camera to your mobile phone or smart device:  https://www.youtube.com/watch?v=qOlbRqP2lEo About this item ● High zoom 24-600mm (25x) F2.4-4.0 ZEISS Vario-Sonnar T* lens, 20.1 MP 1" Exmor RS stacked back illuminated CMOS sensor w/ DRAM, 4K movie recording w/ direct pixel readout and no pixel binning ● Super slow-motion movie HFR (High frame rate) up to 960 fps (40x), Fast Intelligent AF achieves autofocus as quick as 0.09-sec., Fast response up to 14fps and 1/32000 sec. Anti-Distortion Shutter ● Enhanced operability w/ independent focus, zoom and aperture rings, Professional dust/moisture resistant magnesium-alloy body, Bright XGA OLED Tru-Finder viewfinder and Sharp 3" multi-angle LCD ● Simple connectivity to smartphones via Wi-Fi and NFC w/ camera apps ● BIONZ X engine for superior detail reproduction and noise reduction. ● Wi-Fi: Yes (IEEE802.11b/g/n (2.4 GHz band)) Blending fast performance with long reach, the Cyber-shot DSC-RX10 III from Sony is a versatile digital camera optimized for multimedia image-makers working in a broad variety of situations. Featuring a large 20.1MP 1" Exmor RS CMOS sensor, which utilizes both back-illuminated and stacked technologies, a high degree of image quality can be attained, with notable clarity, reduced noise, and sensitivity to ISO 12800. The sensor's design also integrates a dedicated DRAM chip to provide faster readout speeds that, when combined with the BIONZ X image processor, avail fast continuous shooting up to 14 fps. This also helps to reduce unwanted distortion caused by rolling shutter, and permits recording UHD 4K30 video internally, as well as slow motion Full HD 1080p video at 960 fps. Equally as impressive as the imaging capabilities, the RX10 III is also characterized by its 25x Zeiss Vario-Sonnar T* zoom lens, which spans an impressive 24-600mm equivalent focal length range and uses Optical SteadyShot image stabilization to minimize the effects of camera shake. Its optical design incorporates eight extra-low dispersion elements and six aspherical elements to control a variety of aberrations throughout the zoom range, and its f/2.4-4 maximum aperture range benefits working in low-light conditions. Mixing speed and reach, the RX10 III is well-suited to the photographer or videographer looking for the all-in-one camera to handle a variety of working situations. Beyond the imaging capabilities, the camera is also notable for its robust physical design that includes both a 2.36m-dot OLED electronic viewfinder along with a tilting 3.0" 1.228m-dot LCD monitor. The intuitive design also features three dedicated control rings on the lens-a zoom ring, a manual focus ring, and an aperture ring-and the aperture ring can be de-clicked for smooth, silent aperture adjustments. The magnesium alloy body is also weather-sealed to permit working in trying environments. Additionally, for sharing and control flexibility, built-in Wi-Fi with NFC is also available for wireless image sharing and remote camera control from a linked smartphone or tablet. 20.1MP 1" Exmor RS BSI CMOS Sensor and BIONZ X Image Processor A large 1" 20.1MP Exmor RS CMOS sensor pairs with the BIONZ X image sensor to realize a high degree of image clarity with reduced noise levels to support working in a wide array of environments with sensitivities up to ISO 12800. The Exmor RS sensor employs a unique stacked structure with a back-illuminated design for efficient light gathering abilities, as well as faster performance. The design also incorporates a dedicated DRAM chip on the back of the sensor to facilitate quick image processing in order to boost signal capacity and readout speeds for quick continuous shooting, up to 14 fps with reduced blackout, and slow motion video recording at up to 960 fps. An Anti-Distortion Shutter is also a product of the fast readout speeds, and helps to greatly reduce unwanted distortion caused by rolling shutter effects. The sensor and processor also contribute to fast autofocus performance that benefits both stills shooting and video recording. This Fast Intelligent AF system is able to achieve precise focus in as little as 0.09 seconds to suit working with quickly moving subjects. By continuously tracking and assessing subjects, the focusing system is able to quickly lock onto subjects prior to half-pressing the shutter button and a subject detection algorithm then intelligently predicts the proper point of focus to aid in acquiring sharp imagery of moving subjects. Zeiss Vario-Sonnar T* 25x Zoom Lens Pairing with the imaging assets, the RX10 III is most distinctly characterized by its expansive 25x zoom lens. This Zeiss Vario-Sonnar T* lens spans a 24-600mm equivalent focal length range, and has a variable maximum aperture of f/2.4-4 for adept performance from wide-angle to super telephoto. The optical design incorporates five extra-low dispersion elements, two extra-low dispersion aspherical elements, and one Super ED element to control a range of chromatic aberrations throughout the zoom range for increased clarity and color accuracy. An advanced aspherical (AA) element and five aspherical elements are also featured to reduce spherical aberrations for improved sharpness and resolution. Additionally, the esteemed Zeiss T* anti-reflective coating has been applied to individual elements to reduce flare and ghosting for increased contrast when working in strong lighting conditions. Complementing the lens' reach, Optical SteadyShot image stabilization also helps to minimize the appearance of camera shake by up to 4.5 stops for sharper handheld shooting. The lens also sports a rounded nine-blade diaphragm to produce smooth bokeh, and, despite its long reach, can also focus as closely as 1.2" with a 0.42x maximum magnification for working with close-up subjects. UHD 4K Video Recording Internal video recording is possible in a range of resolutions up to UHD 4K30 as well as high-speed recording in Full HD 1080p at 120 fps. Recording is done using full pixel readout, without pixel binning, in order to avoid the occurrence of moiré and jaggies, and the fast readout speeds of the sensor help to avoid moving subject distortion due to the effects of rolling shutter. Both 4K and Full HD recording is possible in the 100 Mbps XAVC S format, which is contained within an MP4 wrapper, with 4:2:0 color sampling when recording internally, or 4:2:2 sampling with the use of an optional external recorder via HDMI output. Making use of the back-illuminated sensor design, customizable picture profiles, color settings, and gamma controls are also available to effectively extend the possible dynamic range. Users can adjust the gamma, black level, knee, color level, and more. Also users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. Multiple timecode recording and user bit options are also provided to suit different editing workflows. Beyond UHD 4K recording, the RX10 III also makes use of the fast readout speeds by way of availing a range of high frame rate (HFR) recording settings, with the ability to record Full HD movies at up to 960 fps for 40x slow motion playback. Body Design and Built-In Wi-Fi ● A bright, high-resolution XGA OLED Tru-Finder sports a 2.36m-dot resolution for clear eye-level monitoring of the scene, as well as the ability to preview exposure adjustments prior to shooting. ● Alternatively, a rear 3.0" 1.228m-dot Xtra Fine TFT LCD is available for monitoring and review, and features a 107° upward, 42° downward tilting design to benefit working from high and low angles. The screen also uses WhiteMagic technology for improved visibility in bright conditions. ● A robust magnesium-alloy body design is both dust- and moisture-resistant to support use in harsh environments. ● The manually-operated aperture ring permits intuitive tactile control over exposure settings, and the ring can be de-clicked for smooth, silent performance to suit video applications. Manual focus and zoom rings are also incorporated in the lens' design. ● A top LCD panel can be used to quickly check key exposure and other settings. ● A range of customizable function buttons can be assigned to any one of 58 different custom functions. ● The included NP-FW50 rechargeable lithium-ion battery offers approximately 420 shots per charge when working with the LCD monitor, or 370 shots per charge when working with the EVF. ● Both an external microphone jack and a headphone jack are available for using optional external mics and monitoring your audio in real time. ● Built-in Wi-Fi with NFC permits wirelessly sharing imagery to a linked mobile device for instant sharing online, and also allows a smartphone or tablet to remotely control the camera or display a live view image. Mobile devices can be paired via NFC or via a QR code displayed on the camera for non NFC-enabled phones or tablets. ● PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera's features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery. Other Camera Features ● Zoom Assist can be assigned to a custom function button and used to automatically zoom out from the scene in order to re-locate a subject, and then released to quickly return to the zoomed-in position. ● Step Zoom lets you configure the zoom ring to only cycle through fixed popular focal lengths as the ring is rotated, including 24, 28, 35, 50, 70, 85, 100, 135, 200, 300, 400, 500, and 600mm. Quick Zoom, on the other hand, can be assigned to a custom function button and lets you move throughout the zoom range in a fluid, seamless manner by rotating the zoom ring. ● A Silent Shooting mode makes use of an electronic shutter function for completely silent performance that is ideal for photographing in noise-sensitive areas. This electronic shutter also permits working with shutter speeds up to 1/32,000 sec. for photographing in bright conditions. ● Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of the lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images. ● Eye AF is a dedicated autofocus mode that bases focus on recognized subjects' eye for portraits, and can be configured to prioritize either the subject's right or left eye. ● White balance adjustment can be finely controlled using detailed sliders that span the amber-blue and magenta-green axes for more precise control over how color tones appear in various lighting conditions. ● Benefitting manual focus operation, Manual Focus Assist can be used to magnify a portion of the scene for making more precise, detailed adjustments. Peaking is also available to highlight strong edges of contrast for more objective determining over sharp focus. ● A Dual Rec mode allows you to record 17MP stills, without pixel binning, while simultaneously recording video. Auto Dual Rec takes this process further by automatically recording stills at a chosen frequency or when a new composition or subject is recognized. ● When recording in UHD 4K, 8MP still frame grabs can be saved during playback for use as a still image. If working in Full HD, 2MP stills can be taken from video files. ● Scene Selection: Portrait, Sports Action, Macro, Landscape, Sunset, Night Scene, Handheld Twilight, Night Portrait, and Anti Motion Blur. ● Picture Effect: Toy Camera, Pop Color, Posterization, Retro Photo, Soft High-Key, Partial Color, High Contrast Mono, Soft Focus, HDR Painting, Richtone Monochrome, Miniature, Watercolor, and Illustration. ● Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, and Style Box. Sony RX10 III Now, nothing is beyond reach. Aim for more dramatic stills and movies from wide-angle to ultra-telephoto. The 24-600mm1 (25x) ZEISS Vario-Sonnar T* lens offers a bright F2.4-4 max aperture that can take full advantage of the large 1” 20.1 MP image sensor. See subjects stand out beautifully in all kinds of scenes from wide-angle landscapes to ultra-telephoto sports action. High zoom 24-600mm1 (25x) F2.4-4.0 ZEISS Vario-Sonnar T* lens The RX10 II features an astonishing 24-600mm1 (25x) zoom range in a bright F2.4-4 lens that can take full advantage of the large 1” (1.0-type) image sensor. See subjects stand out beautifully in all kinds of scenes from wide-angle landscapes to ultra-telephoto sports action. The 9-blade circular aperture unit creates a nearly perfect circle throughout the aperture range of F2.4 to F11 which creates beautiful bokeh, for background defocus that amplifies dimensionality and ensures that point light sources appear as circles in images. Eight ED glass elements including two ED aspherical and one Super ED lenses compensate for the chromatic aberration that could otherwise be apparent in telephoto shots, and ZEISS T* Coating helps reduce flare and ghosting, achieving high contrast plus sharp image quality throughout the zoom range. An advanced aspherical (AA) lens enhances reproduction of detail and keeps the large-aperture lens as compact as possible. 20.1 MP 1" Exmor RS stacked back illuminated CMOS sensor w/ DRAM The large 1” (1.0-type) stacked 20.1 MP CMOS image sensor with DRAM chip performs at blazingly fast shutter speed of up to 1/32000, captures images at up to 14 fps (frames per second), ultra-sharp 4k movie without pixel binning and super slow-motion HFR (High Frame Rate) recording of up to 960fps (40x) movie clips – not to mention remarkable low-light low-noise capability. 4K movie recording2 w/ direct pixel readout and no pixel binning3 Full pixel readout without pixel binning collects approx. 1.7 times as much information as is required for 4K (QFHD: 3840 x 2160) movie2 output. This oversampling effect enhances image detail as it minimizes moiré and jaggies. A high-speed front-end LSI helps the BIONZ X image processing engine reduce image skew, smear and wobble (resulting from rolling shutter phenomenon) that can otherwise distort how fast-moving subjects look in 4K movies. High-bit-rate (up to 100Mbps) XAVC S3 format ensures high-quality movies with minimal noise from compression. Ultra telephoto super slow motion4 at up to 960fps (40x) See the unseen with super-speed HFR (High Frame Rate). The stacked CMOS sensor enables shooting at an extra-high frame rate up to 960fps (40x) high-speed shooting of exceptionally clear, smooth close-up action, all the way up the ultra-telephoto range, ideal for sports events, etc. So the camera can capture great close-ups of faraway players on fields in arenas in super slow motion detail. You can chose from 960fps, 480fps or 240fps4 to playback in XAVC S at 1920 x 1080, in 60p, 30p or 24p. Choose between “quality priority” (2 sec.) and “shoot time priority” (4 sec.). There’s also an option to set “start trigger” or “end trigger” which will start capturing movie before or after you press the movie rec. button so you can time those split-second moments perfectly. Fast Intelligent autofocus as quick as 0.09-sec. 5 Along with great zoom range coverage up to 600mm1, the RX10 III features 0.09-sec. 5 high-speed AF (autofocus). By assessing the subject even before the shutter button is pressed halfway, the system’s subject detection algorithm accurately predicts the proper point of focus letting users capture decisive moments of sports and other events. Smooth, accurate focus is effective in shooting 4K movies, for which accurate focus is especially crucial, as well as stills. Super-speed Anti-Distortion Shutter at max. 1/32000 sec. Thanks to dramatically accelerated sensor readout, shutter speeds of up to 1/32000 sec. minimize distortion caused by rolling shutter phenomenon. This new blazing-fast - Anti-Distortion Shutter system — can capture shots of swiftly moving subjects without altering their shape as conventional CMOS sensors tend to do. Additionally, the super high speed shutter gives you freedom to shoot photos with defocused backgrounds by using large aperture settings under very bright lighting conditions. This is achieved by a combination of 1/32000 super high speed shutter and built-in ND filter that allows photos to be shot in extremely bright light at a maximum of EV19 with a fully open F-number aperture setting. Catch the decisive moment at 14 fps7 Despite its high pixel count of over 20 megapixels, the camera features accelerated readout for continuous shooting up to 14fps7 with reduced blackout. This allows for decisive moments of subjects in motion to be captured entirely, without missing even a little action. Enhanced operability Rings for focus, zoom and aperture around the lens can be smoothly operated. For convenient shooting, you can turn Aperture Click Switch on for stepwise clicks of assurance, or off for a quiet, smooth feel when setting the aperture. Professional dust/moisture resistant8 magnesium-alloy body Combined with dust- and moisture-resistant design8, the use of highly rigid magnesium alloy material for the top cover, front cover, and main chassis makes the body solid yet light, ensuring heavy-duty performance in various tough situations. Bright XGA OLED Tru-Finer electronic viewfinder View every scene in rich detail with the bright XGA OLED Tru-Finer electronic viewfinder (EVF) with high resolution equivalent to approx. 2,359k-dots. The viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings, so you can accurately frame your image, focus and monitor the results. The ZEISS T* coating enhances clarity and reduces flare and reflection in the eyepiece optics. Large multi-angle 3 Xtra Fine LCD display Frame your images easily with a large 3” (1,229k dots) Xtra Fine LCD Display that rotates in multiple angles. This also makes it easy to photograph over crowds or low to capture pets eye to eye by swinging up approx. 107° and down approx. 42°. Easily scroll through menus and preview life thanks to WhiteMagic technology that dramatically increases visibility in bright daylight. The large display delivers brilliant-quality still images and movies while enabling easy focusing operation. Legal & Footnotes 2015 Sony Electronics Inc. All rights reserved. Reproduction in whole or in part without written permission is prohibited. Sony is not responsible for typographical and photographic errors. Features and specifications are subject to change without notice. 1 35mm equivalent 2 Records in up to 29 minute segments. 3 An SDXC memory card of Class 10 or higher is required. 4 Sound cannot be recorded when shooting slow motion. 5 CIPA standard, internal measurement, at 24mm (Wide), EV8.2, Program Auto, AF area: Center, with NTSC mode 6 PlayMemories camera apps require download with existing Sony Entertainment Network account. Download available in all countries/areas where Sony Entertainment Network is available. 7 In Speed-priority Continuous shooting mode. Exposure and focus fixed in first frame. 8 Note: This camera is designed for optimal dust and moisture resistance, but is not waterproof or splashproof. 9 Dual Rec cannot be used when record setting is set as follows: RX10 III: 120p/100p (NTSC/PAL) or in 4K recording. 10 Zoom Assist function must be assigned to this Custom Button prior to use.