Sigma 45mm f/2.8 DG DN Black Lens in Box

Camera body, Battery, USB Charger, EOS 60D strap, eye shield, body cap. Made in Japan. Very good condition! Thai / English + menu. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick

https://www.youtube.com/watch?v=PBTMs0qYVCY VOIGTLANDER NOKTON 58MM F/1.4 SLII - Best manual lens you can buy?: https://www.youtube.com/watch?v=wl7ZU0FqdaU Voigtlander Nokton 58mm f/1.4 review - MY FAVORITE LENS EVER: https://www.youtube.com/watch?v=kd0ytgXRS9s Made in Japan. Used lens with two caps and Box. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/03/58mm_F1_4_Nokton_SLII_S_Manual_D_E.pdf Fully tested in very good working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.voigtlaender.de/lenses/sl/58-mm-11-4-nokton-slii-s/?lang=en https://www.cosina.co.jp/voigtlander/en/slr-mount/nokton-58mm-f1-4-sl-iis/ เลนส์ 58mm f1.4 ดีไซน์คลาสสิคด้วยสไตล์เลนส์ Nikon Ai-s เมาท์เลนส์สำหรับ Nikon สามารถใช้กับกล้อง Nikon D-SLR ได้ทุกรุ่น แสดงจุดยืนยันโฟกัสได้ตามปกติ เมื่อใช้กับกล้องที่มีเซ็นเซอร์รับภาพขนาด APS-C ให้มุมมองภาพใกล้เคียงเลนส์ 85mm เหมาะสำหรับการถ่ายถาพ portrait ตัวเลนส์มี CPUs ที่สามารถทำงานร่วมกับกล้อง D-SLR ได้เต็มระบบ และระบบวัดแสงทำงานได้ตามปกติ ด้วยชิ้นเลนส์คุณภาพสูง 7 ชิ้นเลนส์ จัดเป็น 6 กลุ่มเลนส์ กลีบรูรับแสงมากถึง 9 กลีบ ให้รูรับแสงที่กลมที่สุด แตกต่างจากเลนส์ทั่ว ๆ ไป ทำให้ได้ภาพที่ทิ้งฉากหลังอย่างสวยงาม ด้วยน้ำหนักตัวเลนส์เพียง 320 กรัม ฟิลเตอร์หน้าเลนส์ขนาด 52mm สามารถถ่ายภาพได้ใกล้สุด 45cm A popular with Nikon fans standard focal length covers the high-light 1.4 / 58 mm Nokton with SLII connection. Even this fine full-frame lens comes with built-in CPU for electronic communication with Nikon AI-S. Thanks to the soft-running focus ring, a very sensitive focus is guaranteed – especially important when using the large apertures on the full-format sensor. The lens is made up of 7 lenses in 6 groups, weighs 320 grams and offers 52 mm filter size. About this item ● Probably the best NEW Nikon Normal you can buy. Beautiful Bokeh, Outstanding Performance ● Manual Focus Ai-s mount (CPU integrated) for ALL film or digital Nikon SLRs ● On APS-C cameras equivalent to 85mm f/1.4 portrait lens ● Nostalgic Lens Barrel Design similar to the 58mm f/1.4 Nikkor of 1959 ● Chipped metering for DSLRs, AIS or Non AI metering for film SLRs Voigtlander 58mm f/1.4 Nokton SL II-S Overview Characterized by its slightly longer-than-normal focal length, the black/silver Nokton 58mm f/1.4 SL II S Lens from Voigtlander is a versatile prime well-suited to portraiture and general shooting applications. The focal length pairs with the bright maximum aperture for extensive control over focus placement to suit working with shallow depth of field or selective focus techniques. The smooth manual focus operation also contributes to controlling focus position, and both depth of field and focus distance scales are featured on the metal lens barrel to aid in pre-focusing or setting hyperfocal distance. This lens' physical design also features a scalloped focus ring to recall classic lens designs of the 1960s as well as afford more secure handling during use. Mixing the classic-inspired design with contemporary usage, the lens also sports an Ai-S type CPU to permit in-camera adjustment of the aperture setting for faster, more intuitive exposure control. Slightly-longer-than-normal prime, this 58mm f/1.4 lens is designed for FX-format Nikon F-mount DSLRs, however can also be used with DX models where it will provide an 87mm equivalent focal length. Fast f/1.4 maximum aperture offers extensive control over depth of field when working with selective focus techniques, and the wide aperture also benefits working in difficult lighting conditions. Double gauss optical design helps to suppress both chromatic and spherical aberrations for high clarity and sharpness. Manual focus design permits working with subjects as close as 1.5' away with a maximum magnification ratio of 1:5.8. All-metal lens barrel integrates both focus distance and depth of field scales to aid in using pre-focusing and hyperfocal focusing techniques. Scalloped focus ring and smooth focusing action affords precise control when handling. Built-in CPU permits using in-camera controls for adjusting the lens' aperture setting.

World’s Widest rectilinear f/2 lens for Micro Four Third cameras. This lens is currently the widest rectilinear lens available for Micro Four Thirds cameras. It gives a field of view equivalent to a 15 mm lens on 35 mm sensors. This allows MFT users to enjoy an impressive 110° ultra wide angle of view for a broad range of shooting. The wide angle of view and ultra-fast aperture are extremely valuable for astro-photography. This lens is super compact and lightweight for casual on-the-go use. A ultra-light version is also available for aerial photography usage. The Laowa 7.5mm f/2 MFT is compatible with Panasonic, Olympus & Blackmagic cameras with Micro Four Thirds lens mounts. Include: lens, two caps, Laowa Hood. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Fully tested in excellent working condition. Compatible with: Micro Four Thirds Cameras, m4/3, Olympus, Matsushita (Panasonic, Lumix), DJI Zenmuse X5, Olympus Air, Kodak Pixpro S-1, Xiaomi YI M1 cameras, Blackmagic Cinema, Blackmagic Pocket Cinema Camera 4K, Z Camera E1, JVC GY-LS300 Video Cameras. Value For Money The Laowa C-Dreamer (Compact Dreamer) 7.5mm f/2 lens is available for £499 It is only available in MFT mount. There are several fisheye lenses of a similar focal length, but looking at rectilinear lenses only there is a very limited choice. We have the Olympus M.Zuiko 7-14mm f/2.8 PRO Digital ED (£999), the Panasonic Lumix G Vario 7-14mm f/4 (£739) and the Panasonic 8-18mm f/2.8-4 ASPH Vario (£1049). None of these is as bright as the Laowa lens. Laowa 7.5mm f/2.0 Verdict If ultra wide angle lenses gel with your style of photography, then this is a great little lens. It's easy to use, gives fantastic results and is light and compact. It is also reasonably priced compared to the alternatives. In addition, it very bright and this is unique at this focal length, which opens up new possibilities for image making. LAOWA 7.5MM F2 WORLD FIRST WIDEST FOR MFT CAMERA LAOWA 7.5MM F2 (BLACK) – MFTThe world's first wide-angle lens that is the widest for a Micro Four Third system camera with a wide angle of 110 degrees. The lens is suitable for shooting stars and landscapes, combined with its light weight and small size. This makes it ideal for portability and convenience when used with Micro Four third cameras such as Olympus, Panasonic or Blackmagic 4K. With the design of the Laowa lens structure, an Ultra Wide lens that comes with a size as small as 55 mm and a weight of less than 170 grams can be said to be ready for use in landscape work, coupled with a camera in the MFT system, or even used. Video shooting or Vlog shooting with light weight and small size. It does not cause problems with the weight balance of the stabilizer crane. The LAOWA 7.5MM F2 lens is a wide aperture lens at F2, allowing for night photography. And at low light is easy. and is especially suitable for shooting stars And with the unique sharpness of the Laowa lens, the Laowa 7.5mm lens is the perfect lens for landscape, architecture and star photography The BEST manual lens ever for M43 Laowa 7.5mm F2 - Focal Length 7.5mm - high definition lens - Maximum aperture F2 - Support shooting stars and landscape photo work - 110 degree wide viewing angle - Lens construction: 13 elements in 9 groups - Minimum Focus Distance : 12cm - Able to shoot Mini Macro - Filter size 46mm - Weight 170 g. - black - Lens Mount : MFT A super wide rectilinear lens for Micro Four Thirds, the black Laowa 7.5mm f/2 MFT from Venus Optics is a compact and versatile prime that is well-suited to astrophotography and other wide-angle subjects. Beyond its small form factor, this lens also features a notable optical design that incorporates two aspherical elements and three extra-low dispersion elements to control distortion and aberrations for improved clarity and sharpness. A Frog Eye Coating has also been applied to the front element to guard against water and dust, and the lens's manual focus design permits working with subjects as close 4.7" away. Ultra wide-angle prime is designed for Micro Four Thirds mirrorless cameras and provides a 15mm equivalent focal length based on 35mm full-frame format. Bright f/2 maximum aperture benefits working in dark and difficult lighting conditions. Rectilinear design renders scenes with straight vertical lines and minimal distortion for a more realistic portrayal. Two aspherical elements and three extra-low dispersion elements are featured to minimize spherical and chromatic aberrations for sharper, clearer, and more color-accurate imagery. Frog Eye Coating has been applied to the front element to help repel water and dust. Manual focus design permits working with subjects as close as 4.7" away. Accepts 46mm screw-in filters and a petal-shaped lens hood is also included.

https://www.youtube.com/watch?v=ILisOOe3iLs The first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Shutter count: 19xxx Review: https://www.kenrockwell.com/sony/a9.htm Excellent condition body with body cap, 2650 mAh battery, Sony AC-UB10C charger, Sony Alpha strap, hot shoe cap, Sony FDA-EP18 Eye cap, AC cord, USB cable, docs. English / Thai + menu. https://www.sony.co.th/th/electronics/interchangeable-lens-cameras/ilce-9 New image sensor - 35mm full-frame stacked CMOS sensor with integral memory : https://www.youtube.com/watch?v=6Q-nzcf8Pkw Unveil | α9 | Sony | α : https://www.youtube.com/watch?v=HF2GOmsOr40 20 Silent FPS, 24MP stabilized full-frame, ISO 204800, 4K Stereo ● Stacked CMOS Sensor Full-Frame Resolution 24.2 Megapixels ● 20 frames per second continuous shooting without Back Out. ● Shutter speed at 30-1/8000 sec. ● Buffer JPEG up to 362 images, RAW up to 241 images. ● ISO 100-51,200 (expandable to 50-204,800) Keep every detail realistic even in low light. ● 693 focus points, phase detection ● Record Video 4K/30 FPS (6K Video style with 4K Output) ● 5-axis anti-shake stabilization system can reduce the shutter 5 Stops. ● 3-inch touch screen and Joystick. Product Highlights ● 24.2MP Full-Frame Stacked CMOS Sensor ● BIONZ X Image Processor & Front-End LSI ● 693-Point AF System & 20 fps Shooting ● Blackout-Free Quad-VGA 3.7m-Dot OLED EVF ● Internal UHD 4K Video Recording ● 5-Axis SteadyShot INSIDE Stabilization ● 3.0″ 1.44m-Dot Tilting Touchscreen LCD ● ISO 204,800, Silent Electronic Shutter ● Built-In Wi-Fi/Bluetooth, Dual SD Slots ● Integrated LAN and PC Sync Terminals Not only do its images look great in every light and are always sharp and well exposed under very difficult and active conditions, the Sony A9 is a huge advance in sports, news, concert, motion-picture stills and corporate shooting because it does all this at 20 frames per second, tracking autofocus and setting exposure at 60 FPS in the background, and the best part is it does this in complete and total silence. It is an unworldly experience to be motoring along at 20 FPS with full tracking exposure and autofocus, get great exposure and color in each shot, and have this happen in complete silence. It offers full autofocus over the entire frame, not just in the center of the picture like full-frame DSLRs. Autofocus is essentially instantaneous with the right lenses, and even with good consumer lenses it can track fast-moving targets in the dark at night. It's also the first Sony mirrorless with two card slots, and has the toughest mechanical shutter of any camera ever, "tested" to 500,000 cycles! The mechanical shutter is tough, and the silent electronic shutter has no moving parts to wear out —  ever! Battery life is fantastic for sports shooting. While CIPA rated for only 480 shots for one-shot-at-a-time amateur shooting, in actual sports shooting where I make long bursts at 10 FPS, I can shoot 1,800 frames and only use 33% of the battery's capacity — or about 5,400 shots on a full charge! At 20 FPS I'd probably get even more. The A9 is a landmark in photography; no pro camera has ever been able to go this fast, much less do it in complete silence. My A9's tracking autofocus is the best I've ever used —  better than the Nikon D5 or Canon 1DX Mk II — because it locks-on to the subject and tracks it longer and farther than any other AF system. It's crazy how my A9 finds the face all by itself, locks-on, tracks and won't let go like a pit bull all over the frame, even at the sides and corners. If there are multiple faces and the closest one turns away, my A9 actually pulls focus to the next nearest face immediately, always keeping the most relevant face in perfect focus. It's completely unlike any other pro camera; the closest thing before has been the RX10 Mk III which has a similar system and also works amazingly well. The A9 never misses a shot: it finds, tracks and keeps in focus whatever it is you're trying to shoot, and does it all automatically, presuming you're using a Sony GM lens that's up to the task. A lot of this is because the A9's AF system is always looking at the subject, while at fast frame rates DSLRs spend very little time each second looking at the subject because the mirror is flipped up making exposures half the time or more. The Sony A9 is all about Sony's newest-technology image sensor which, for the first time ever in full-frame, lets the A9 read the image from the entire sensor at about the same time. Because it's essentially read-out at once, gone are the "rolling shutter" effects of the past. The A9 is in a completely different world than the older Canon 1DX Mk II and Nikon D5. The A9 runs significantly faster and with more resolution, but most importantly, does this in complete silence and the finder never blacks-out or gets smeary. You won't even know it's shooting other than the thin gray frameline that blips in the finder to let you know it's capturing frames. You won't believe me until you get your own A9. The silent shutter mode isn't on by default; you have to set it at MENU > Camera 2 > page 4/9 > Shutter Type > ELEC. In silent mode you can be blazing away at twenty full 24 MP frames per second, even in raw with the A9's huge buffer, and no one may notice you're shooting. By comparison, every single frame in the "quiet" modes of the pro Canon 1DX Mk II and Nikon D5 are so loud that I can hear them echo off the neighbor's houses. The pro DSLRs are the very loudest cameras of all. The A9 isn't about light weight, even though it's about as light as Sony's other full-frame cameras; the A9 is about outshooting Canon or Nikon, and doing it silently. The A9 is smaller and lighter than most, but not all, DSLRs, but when you add full-frame lenses to it, it loses most of the weight advantage. With a 50mm or 55mm f/1.8 lens, some full frame DSLRs like the Canon 6D actually weigh the same or less. Many buttons are programmable, so you can program them to do just about anything. It has three memory recalls on its top mode dial, so it's easy to set up one for photos of things (Vivid picture with +3 Saturation), one for people pictures (standard color with +1 Saturation), and the other for anything else, like sports or a custom white balance. If three memories aren't enough, there are four more hidden ones, M1, M2, M3 and M4, which are almost as easy to recall. The AF and advance modes (frame rates) have their own knobs, so these don't save and recall.  New All-new sensor technology allows the camera to read the entire sensor almost at the same time, so the "rolling shutter" and blackout effects of earlier cameras are gone. We can shoot at 20 FPS and the finder never blinks. This is the first time anyone has done this in full-frame; the RX100 Mk V does this, but with a much smaller sensor.  693 phase-detection AF points cover the entire full-frame image. Your subjects can run, but they can't hide in the sides of the image.  Calculates exposure and autofocus at up to 60 frames per second.  Two card slots.  New thumb-nubbin controller on rear.  Three memory recalls on the top mode dial, with four more presets almost as easy to recall.  Drive mode dial.  Focus mode dial. Two separate AEL and AF-ON buttons, instead of just one button with a selector lever as on A7RII, A7SII, A7II and A7.  C3 button moved to left side of camera; it's on the right on A7RII, A7SII, A7II and A7.  New, bigger NP-FZ100 battery lasts about 1,500 shots with burst shooting (rated 480 single shots).  In-camera 5-axis sensor-shift stabilization claims 5 stops improvement.  Turns on 30% faster than the A7R II; turns on and ready to shoot as quickly as I can bring it to my eye.  Shoots 4K video using the entire 36mm width of the image sensor.  Uncompressed 4K HDMI output (but the A9's LCD won't work in this mode).  XAVC S high-bitrate video formats for 50~100 MBPS video.  Under- and over-crank video from 1 FPS to 120 FPS, MOS (without sound).  Good  Magnificent electronic finder: always big, bright, sharp and wonderful in any light. Super-bright in daylight, and dims perfectly indoors and at night.  Two card slots.  Hybrid AF system uses phase-detection for speed and contrast detection for ultimate precision and accuracy.  Battery life seems almost unlimited (up to 5,000 shots or more) running bursts at 20 FPS with the silent shutter.  Solid mostly metal construction.  Even the regular mechanical shutter only moves at the ends of exposures. There's never any need for a special vibration-free mode; it always works this way. Suck on that, LEICA!  Excellent high ISO performance.  Facial recognition works well, but only after you find it and turn it on.  In-finder 2-axis level works great for keeping horizons and vertical lines as they should be.  In-camera, as-shot automatic lens vignetting, lateral chromatic aberration and distortion correction.  Almost any lens of any brand or age can be adapted to work - but with no lens corrections.  Stereo microphone built-in.  3.5mm powered mic and headphone jacks.  Can extract stills from video, in-camera after it's shot. In other words, shoot 4K video and you can pull-out 8MP stills shot at 30 FPS.  Bluetooth & NFC... The A9 uses the Sony E-Mount, formerly called the NEX mount, whose shallow 18mm flange focal distance allows better lens designs than DSLRs do — the same advantage rangefinder cameras have, as well as allowing just about any lens to mount with an adapter. The A9 works best with all the lenses made by Sony, Zeiss and others for Sony's mirrorless E-Mount. If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You'd never know, since all the displays just look right. It's that seamless, but sort of silly to waste most of this camera's sensor area with an APS-C lens. While you can adapt any lens of any brand or age to the A9, they won't work as well as native Sony or Zeiss FE lenses, or Alpha or MAXXUM lenses with the LA-EA4 adapter. Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don't expect the best results for sharpness or for autofocus from other-brand adapters if you're picky. Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren't very sharp on the sides at large apertures because Sony's full-frame mirrorless sensors are optimized for lenses with a curved fields. Most other adapted lenses won't seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony's sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. The A9 runs at its full 20 FPS with adapted manual-focus lenses. Metabones Mark V Adapter (you can buy in our shop) The Metabones Canon EF to Sony E-Mount Mark V Adapter is the best I've used. It works with every crazy Canon lens with which I tried it, and the results were usually much sharper than I expected. Silent shooting: no one asks why I'm taking pictures, period. Sensor-stabilization makes it easy to hand hold at 1/15. While LEICA lenses are the world's finest, they are not designed for the curved fields or rear nodal point positions optimized for the Sony cameras, and like all other adapted lenses, perform more poorly than Sony's own lenses because the sides and corners often aren't in proper focus. LEICA lenses of 35mm and wider aren't as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony's lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. Specifically, there is a lot of field curvature induced by the design of the Sony sensor, and to focus at infinity at the sides with a modern semi-retrofocus LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH, you have to turn the focus ring to about 10'/3 meters! With the 1959 SUPER-ANGULON 21mm f/4 whose rear nodal point really is only about 21mm away from the image plane, you have to set the focus ring to about 3'/1 meter to get things at infinity in focus at the sides!!! Because of this, I've tried and confirmed that my cheap Voigtländer 21mm f/4 works about as well on my A9 as my genuine ASPH LEICA 21mm. Not only does the combination of a LEICA (or other traditional Nikon or Canon) lens and Sony A9 sensor induce field curvature (there are a lot of optics and micro lenses on a sensor before you get to the light-sensitive part), it also induces astigmatism: the sagittal and meridional planes diverge. There's no need to splurge for the latest APO ASPH LEICA lenses since the LEICA's (or anyone else's) lenses, with their flat fields are never going to be that sharp across a frame that's expecting a curved field lens. Therefore, it's best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. Here are two samples shot with the LEICA SUPER-ELMARIT-M 21mm f/3.4 ASPH at f/3.4 on the Sony A9. Click either to get the camera-original file and look at each at 100%: Summary Stick with lenses sold by Sony, be they branded Sony or Zeiss, for the best results as you expect. Sony's GM lenses are especially excellent in every way on the A9. Adapting lenses of other brands, even though these lenses may be state-of-the-art on those manufacturers' cameras, probably won't be that breathtaking on the A9 — or any other camera of a brand different than the lens' manufacturer. Stick to Sony G and GM lenses on the A9 and you won't go wrong.  Auto ISO Upper and lower limits selectable from ISO 100 to ISO 204,800 in full stops (limited to ISO 102,400 for video and ISO 25,600 with silent electronic shutter). Slowest shutter speed settable in full stops from 1/16,000 to 30s in full stops, as well as an Auto setting that varies with the lens focal length. The Auto Slowest Shutter Speed setting my be varied ±2 stops slower or faster than the lens' focal length.  Image Sizes Cropped Sizes The A9 automatically crops the full-frame down to APS-C if you mount an APS-C lens, or you can set this manually (MENU > Camera 1 > page 1/13 > APS-C/Super 35mm > ON), and either of these 1.5:1 formats may also be set to a 16:9 crop. On Left: Ethernet (WLAN for FTP connections). PC (Prontor-Compur) flash sync. On Right: 3.5mm microphone jack with plug-in power. 3.5mm headphone jack. Micro-D HDMI. The HDMI output supports 3,840 x 2,160 (25p), 1,920 x 1,080 (50p, 50i, 24p, 60p, 60i and 3,840 x 2,160 at 30p and 24p. YCbCr 4:2:2 8-bit and RGB 8-bit. Multi/Micro USB 2.0. On Top and Bottom: Hot shoe, which is also a Sony "Multi Interface" Shoe. Vertical Grip Connector (inside the battery chamber). WiFi IEEE 802.11 b/g/n Infrastructure mode 2.4 GHz. WEP, WPA-PSK and WPA2-PSK. Wi-Fi Protected Setup (WPS) or Manual setup. NFC NFC Forum Type 3 Tag compliant Bluetooth v4.1. 2.4 GHz. Model No. WW361847. Power & Battery Consumes about 4.1W (5.3W for video) using the finder and 3W (5.0W for movies) using the LCD. Sony NP-FZ100 rechargeable lithium ion battery included Magnesium alloy top cover, front cover, internal frame and rear cover. The grip area has been reinforced with magnesium alloy. Sony claims weather seals around most of the buttons and dials, but there are no seals on the card and connector covers.