Canon EF-S 18-55mm f4-5.6 IS STM Last Model of kit Lens

Sony A7r with Voigtlander Lenses: https://www.youtube.com/watch?v=oBOWZsHMIuU Voigtländer Nokton 35 mm 1:1,4 VM II --- Just a sunny day: https://www.youtube.com/watch?v=xa8qSUceDa0 Made in Japan. Lens with two fits caps. Look at photos. Download Usermanual (pdf) English: https://www.voigtlaender.de/wp-content/uploads/2019/06/VM-35_14II-ENG-V1_0.pdf Fully tested in very good working condition. S/n: last photo. https://www.voigtlaender.de/lenses/vm/35-mm-11-4-nokton-classic/?lang=en Voigtlander Nokton Classic 35mm f/1.4 II MC Overview Blending a compact form factor with versatile performance, the Nokton Classic 35mm f/1.4 II MC from Voigtlander is a fast wide-angle prime designed for M-mount rangefinder cameras. This updated, version II of the lens features a symmetrical optical design with one abnormal partial dispersion element, which retains the distinct character and high color accuracy rendering of the original, but also reduces curvature of field and astigmatism for improved focusing accuracy and more even sharpness across the entire image plane. This lens also features a multi-coating to suppress lens flare and ghosting for improved contrast and color fidelity when working in strong lighting conditions. Its manual focus design permits working with subjects as close as 2.3' away and a 10-blade diaphragm contributes to a pleasing bokeh quality to suit working with shallow depth of field. Version II of this lens features a refined optical design that is better suited for use with digital cameras, especially in conjunction with focusing using live view. The optical integrity has been maintained, keeping the characteristic spherical aberrations for a classic look, however the field curvature and astigmatism has been significantly reduced for improved focusing accuracy and even sharpness across the entire image plane. Fast f/1.4 maximum aperture helps control depth of field for shallow depth of field shooting, and also benefits working in difficult lighting conditions. A symmetrical optical design, along with one abnormal partial dispersion element, is used to reduce chromatic aberrations and color fringing for improved clarity, color accuracy, and sharpness. This multi-coated version of the Nokton Classic 35mm f/1.4 II produces vivid yet accurate colors along with high contrast and saturation, making it well-suited for general shooting applications. Manual focus design enables a minimum focusing distance of 2.3'. A 10-blade diaphragm contributes to a smooth and pleasing bokeh quality. With its compact size and large maximum aperture realized by combining a traditional symmetrical lens configuration with the latest optical materials, the NOKTON classic 35mm F1.4 VM is the ideal semi wide-angle lens for rangefinder cameras, and the lens has received wide acclaim over the more than 10 years since its release in 2008. While retaining the soft and beautiful “bokeh” at full aperture and sharp rendering when stopped down of its predecessor, the NOKTON classic 35mm F1.4 II VM is updated for enhanced user friendliness on digital cameras. The optical formula of this lens received a “tune up” with the aim of improving focus accuracy when using live view to focus. The spherical aberrations that influenced image rendering on its predecessor are retained as is, intentionally so. However with this upgraded version, with respect to the phenomenon caused by spherical aberrations where the focus position shifts when stopping the aperture down to capture an image after focusing with live view at maximum aperture, this shift in the image plane caused by changing the aperture is now almost entirely eliminated. Furthermore, for focusing at the center of the image using live view and then recomposing to place the subject toward the periphery, stable imaging is realized by improving astigmatism in the intermediate region high range of the image in order to suppress waviness in the image plane at the intermediate region of the image. In addition, the new lens features the same highly accurate focusing cam as its predecessor for reliable focusing from maximum aperture using an optical rangefinder. The new lens is offered with two types of coating: multi-coating for neutral color rendering and single coating for classical tones. You can choose the lens coating to suit your taste. About this item Improved Version II MC lens with high index glass element Very small compact fast Leica M lens, only 6.7oz MC Multi-Coated lens gives higher contrast Optional LH-6 Lens hood, 43mm filters

Made in Japan. Lens with two fits caps.. S/n: last photo. Fully tested in excellent working condition. Compatible with: Micro Four Thirds Cameras, m4/3, Olympus, Matsushita (Panasonic, Lumix), DJI Zenmuse X5, Olympus Air, Kodak Pixpro S-1, Xiaomi YI M1 cameras, Blackmagic Cinema, Blackmagic Pocket Cinema Camera 4K, Z Camera E1, JVC GY-LS300 Video Cameras. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick เลนส์ Panasonic 12-32mm. ปรับรูรับแสงได้ F2.8-22 เหมาะสำหรับถ่ายภาพทิวทัศน์หรือภาพมุมกว้าง มีกันสั่นPOIS (POWER Optical Image Stabilization)ที่ตัวเลนส์ เคลือบNano Surface Coating กันละอองน้ำและฝุ่น มีขนาดกระทัดรัดเหมาะแก่การพกพา Micro Four Thirds System 24-70mm (35mm Equivalent) Aperture Range: f/2.8 to f/22 Four Aspherical Elements One UED Element, One UHR Element The Panasonic LUMIX G X VARIO 12-35mm (H-HS12035) represents a next step in digital interchangeable zoom lens design for LUMIX G Series cameras.  It’s the first Lumix G VARIO constant F2.8 zoom suitable for professionals and enthusiasts capturing a wide range of scenes from dynamic landscapes to available light and studio lit portraits. FEATURES: X Series Design - Panasonic’s long time collaboration with Leica inspired a uniquely LUMIX in-house design for a premium lens series exclusively for LUMIX G Series Micro Four Thirds mirrorless cameras. With the X Series Lenses, LUMIX is blending its own unique mix of broadcast video and advanced mirrorless camera technologies into a premium lens line. In several X Series models LUMIX blended forward looking features like advanced near silent Power Zoom (PZ Models) and advanced POWER O.I.S. support for improved video capture. The 12-35mm X lens features a professional grade constant aperture in a compact sealed body design suitable for professional studio photography. (LUMIX G X VARIO 12-35mm, H-HS12035, 35mm camera equivalent: 24-70mm). Nano Surface Coating - The LUMIX G X VARIO 12-35mm / F2.8 lens  incorporates Panasonic’s unique Nano Surface Coating technology which minimizes reflections through the entire visual range (380nm-780nm), resulting in a dramatic reduction of ghosts and flare for extremely clear picture quality. Travel Light and Protected from Natures Elements - Boasting outstanding compactness, the LUMIX G X VARIO 12-35mm / F2.8 lens is approximately 73.8mm in length and 10.76oz in weight, resulting in extreme mobility.  Additionally with a rubber ring on the lens mount, the new lens is designed to stand against moisture and dust making it ideal for outdoor photography enthusiasts. A highly reliable metal mount endures long time use. Professional Grade Glass - The LUMIX G X VARIO 12-35mm / F2.8 lens system is comprised of 14 lenses in 9 groups.  The UED (Ultra Extra-Low Dispersion) glass minimizes chromatic aberration while the UHR (Ultra High Refractive) lens realizes high descriptive performance from corner to corner.  Featuring high contrast and resolution from the center to corner at entire zoom range, the new LUMIX G X VARIO 12-35mm/F2,8 ASPH./POWER O.I.S. lens has the ability to capture the details of scenery or portrait with rich perspective.  Advanced Focusing and Aperture Blade Design - The lens’ superior inner focus system provides for excellent resolution and contrast without changing the overall length from full life-size magnification to infinity.  Seven blades give the aperture a rounded shape that produces an attractively smooth defocus effect in out-of-focus areas when shooting at larger aperture settings.  When mounted on any LUMIX G Micro System camera body, users can take advantage of the high-speed, high-precisions Contrast AF (Autofocus) system.  POWER O.I.S. for Improved HD Video Support - The lens’ integrates POWER O.I.S. (Optical Image Stabilizer) which effectively compensates for both small, fast movement and large, slow movement, making it easy to shoot extremely clear photos even in low-lit situations such as at night or indoors. Adopting an inner focus system driven by a stepping motor, the lens’ superior design provides smooth and near silent focusing action which is ideal for both picture and video recording.

The IBELUX lens with the biggest aperture of 0.85 in the world and focal length of 40mm are initially available for Sony E mount systems. NEW in Box. Lens, rear lens cap, screw-on metal cap, plastic cap with snaps, built-in hood, User Manual, Pouch, Box. Kipon announces $1,780 40mm F0.85 Ibelux lens for six APS-C mirrorless mounts Published May 23, 2022 | Gannon Burgett Optics manufacturer Kipon has announced an updated version of its 40mm F0.85 ultrafast prime, the Ibelux 40mm F0.85 Mark III. This third-generation lens improves upon its predecessor with an updated optical construction that consists of ten elements in eight groups. Compared to the Ibelux 40mm F0.85 Mark II, KIPON says the Mark III version ‘has totally new coatings both inside and out’ to reduce flares and ghosting, and fixes ‘the irregular light reflection/diffusion problem’ that led to purple fringing. The lens, which is available with mounts for Canon EOS R, Fujifilm X, Leica L, Micro Four Thirds, Nikon Z and Sony E-mount APS-C camera systems, features a 10-blade aperture diaphragm, has a minimum focusing distance of 75cm (29.5"), uses a 67mm front filter thread and has an aperture range of F0.85 through F22. Manual focus is driven by a Swiss-German mechanism and the focus ring offers 270º of rotation. The Kipon Ibelux 40mm F0.85 Mark III is constructed of an aluminum outer barrel with a brass core and stainless steel mount. It measures 74mm (2.9") in diameter by 128mm (5") long and weighs 1,150g (2.5lbs). Preconceptions I try to start these articles by putting my preconceptions out there first. Every reviewer or blogger has them, they affect our opinions, and you have a right to know them. So I’m writing this introduction the day before our first copies arrive. The HandeVision IBELUX 40mm f/0.85 is designed by IB/E Optics GmbH in Germany and manufactured by Kipon (aka Shanghai Transvision Photographic Equipment Co. Ltd). IB/E has developed a number of lenses and adapters for the Cinema world and other optics, so I figured the design would be good; probably a telecentric lens with a built-in Speedbooster-type element or group. Kipon is known as a lens adapter company, although Shanghai Transvision has also manufactured and distributed video and photo accessories. They are rumored to manufacture lenses for other brand names, so they have some lens manufacturing experience.  But, I have to say, my expectations for build quality weren’t great. I expected a lot of variation between copies. I don’t know if I even had any expectations regarding image quality. Okay, so much for what I expected. There are now five new copies sitting on my desk so let’s take a look. Look and Feel I can guarantee that you’ll see “built like a tank” posts all over the forums when people start handling this lens. Why? Because people say “built like a tank” when anything is really heavy, and this lens is really heavy at 2.65 pounds. (To put it in perspective, a Canon 70-200mm f/2.8 lens weighs 2.85 pounds.) Tanks are cool and all, but I generally remind people they need an overhaul every 2,000 miles and get about 0.25 miles per gallon of fuel. I also remind people that I’ve never seen tanks used to deliver eggs – no matter how thick the armor plating is, delicate things inside are still delicate things. But definitely, this lens is built like a tank for whatever that’s worth. The lens has a nice built-in sliding hood, which I’m always a fan of. The aperture ring moves easily and is “lightly clicked.” You can barely perceive the slight click with each stop. It’s not nearly as distinct as, for example, a Zeiss or Nikon manual aperture ring, but it’s certainly sufficient to tell by feel when you’ve changed the aperture. I kind of like it. The focusing ring is very smooth and turns with minimal resistance compared to most manual focus lenses, with clear hard stops at either end of the focus range. I kind of liked this ring, too. You will have to be careful where you place your hands on the lens when shooting, though, because an errant finger can easily move the focusing or aperture rings. We hit our first snag at this point: one of the five lenses we received had a focus ring that popped past the infinity hard stop on the first turn. In looking at things a bit, it became apparent that the focusing ring has three tiny set screws which connect to the hard stops for the focus ring. We tightened them just a bit and all was well after that. (To some degree you can also tighten them a bit further to make the focus ring have a bit more resistance when turning.) A Quick Geek Point I end up knowing a lot of stuff about lenses I probably wish I didn’t. One of those things is that a lot of “specialty” lenses designed by one company and manufactured by another have absolutely no compensating or adjusting elements. The lens is assembled basically by stacking all the elements in place. If the company does any quality control, it consists of taking some shots after the lens is assembled. If it’s awful, it gets disassembled and the parts get put back in their bins with the hope they’ll match up better with other parts when they get put in another assembly. And yes, I know this first hand. Because of inevitable manufacturing tolerances, this means some lenses are pretty good optically, some are absolutely crap optically, and buying one is like a box of chocolates – you never know what you’re going to get. And whatever you get is what you got. There are no optical adjustments that can be made. This is what I thought we might see with the Ibelux 40mm. But we did open one up, not to do a complete teardown, but just to peek inside. What we found was most reassuring – there were shims to adjust tilt and centering associated with several of the elements. That not only means the optics can be adjusted. It also means someone was checking each element as it was placed, determining if it needed to be shimmed and how much. Which means my hopes for this lens as I headed to the test bench increased exponentially. This was a real optical device assembled with some care, not a bunch of glass elements stacked together on a hope and a prayer.  By Roger Cicala (about Mark I) KIPON Ibelux 40mm f/0.85 Mark III Overview By B&H Photo's Matt Cottom Sporting one of the largest apertures available for the SONY E mount , the KIPON Ibelux 40mm f/0.85 Mark III Lens is an elegant artistic lens designed to expand your creative potential. The Ibelux features a 10 blade iris and a massive f/0.85 maximum aperture for gorgeous bokeh and excellent low-light performance. This versatile, dreamy lens can excel in a wide variety of scenarios, especially those demanding a unique look or with little available light. Optical Performance One of the fastest artistic lenses, the Ibelux 40mm Mark III is the product of a collaboration between KIPON founder Xiaoming Zhang and Klaus Eckerl of IB/E Optics, a German company noted for their manufacturing and mechanical design. The 10 blade diaphragm and extremely fast speed make this lens an ideal low-light performer. ● Mark III version features improved optical design that better corrects for chromatic abberrations and other visual distortions ● Enormous maximum aperture of f/0.85 ● Dreamy light rendering, especially at fully open aperture, perfect for artistic applications ● Telecentric optical design produces high quality images ● Nice and creamy bokeh Physical Design ● SONY E mount lens is designed for APS-C format cameras ● Special concave design for front element  ● Highly versatile 40mm focal length (equivalent to 60mm full frame lens) ● Manual aperture ring  ● Smooth and precise manual focus system  ● Close focus distance of 2.5'  2013, in a beautiful border town, Passau in Bavaria state, Germany, Kipon founder Xiaoming Zhang met Klaus Eckerl in a mountain restaurant by the Danube river, reached agreement to make a world fastest artistic lens for all the photographers, at that moment, they gave the name IBELUX, which stands for a lens for extremely low light shooting, designed by IB/E OPTICS, with many years of experience for precision manufacturing and mechanic designing, after 200 days and nights sample making and testing again and again, KIPON launched first version IBELUX 40mm f0.85, this high sophisticated product called a great flutter at that time in the field. When aperture widely open, especially for those high speed lenses, some situations usually occur like chromatic aberration, purple fringe, also under strong light environment, irregular glare easily happens when point the lens towards light source, Based on the improvement of Mark II, Mark III has made a great progress in these optic difficulties, in addition to higher resolution comparing to former versions, Ibelux mark3 comes out to be a dreamy lens for artistic creative photography. ● fastest lens in the world for cameras with APS-C Sensor ● suitable for Sony E-Mount bayonet ● optimal luminous exposure in any situation due to the lens speed of 0.85 ● standard focal length of 40 mm for many different applications ● low focal depth and unique bokeh ● 100 % developed in Germany ● 10 multi-coated lenses for optimal photo results ● long lasting and extremely robust metal structure ● with integrated lens hood

Excellent condition! Include: Camera body in Box, User Manual, docs, (English / Thai + menu) with clipsand plastic covers, body cap, battery, charger, strap, hot shoe cap. Brand: Panasonic Model: Lumix DC-GX9 Color: Black Camera mount: For Micro Four Thirds EMS 50 baht, Thai Post 25 baht, Cash on Delivery Available (COD can be collected at the destination) or meeting in North Pattaya. More photos and questions via Line ID: gnnick 20.3 megapixels Micro-Four Thirds sensor With image stabilization in the 5-axis camera 3.0 inch LCD touch screen Supports 4K UHD video recording. [20.3 MP] high-resolution MOS Sensor with Tuned Three-Dimensional Color Control to detect hue, saturation and brightness for optimal results [5-Axis Dual I.S.] Integr an O.I.S. (Optical Image Stabilizer, 2-axis) and a I.B.I.S. (In-Body Image Stabilizer, 5-axis); 5-axis Dual I.S. enables up to 4-stop slower shutter speeds [Live View Finder] 2760k-dot high-resolution LFV tilts up by approx. 80 degrees with nearly 100% color reproduction; 1.39x / 0.7x (35mm camera equiv.) Magnification and 100% field of view [49 Focus Points] plus Custom Multi AF mode quickly and freely select focus blocks from via the touch-enabled LCD screen [4K Technology] 4K 30p video, 4K Live Crop and 4K PHOTO burst with a new Light Composition mode to capture perfect moments Video Capture Resolution: 4K Uhd 2160P Viewfinder Type: Electronic Viewfinder