SONY A7R Mark IV 61MP Full-Frame Professional Camera ILCE-7RM4, A7R IV

OLYMPUS PEN-F 20.3MP Wi-Fi Mirrorless Digital Camera Black Silver Body, 50MP High Res Shot Mode, Pen F, WiFi Advanced 5-Axis Image Stabilization PEN F Fully tested in excellent working condition. English / Thai + menu. Include: body, body cap, hot shoe cap, metal strap clips, protective covers , lithium ion battery, travel lithium ion battery charger. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Camera mount : Micro Four Thirds PEN-F AT A GLANCE The beautifully-crafted PEN-F is ideal for street shooters, as a second camera for studio pros, and for anyone who loves vintage design and photography. It features sleek lines, precision controls, and the ability to capture amazing street shots. Advanced sensor technology combined with in-body image stabilization ensures superior resolution and razor-sharp images, even while you or your camera is moving. And fully customizable in-camera color control shoots photos with old school film quality right before your eyes. NEW FIRMWARE AVAILABLE: https://www.getolympus.com/us/en/firmware https://www.getolympus.com/us/en/pen-f.html PEN-F มีความงดงามที่เหนือกาลเวลาในสไตล์ Rangefinder ซึ่งเป็นการออกแบบที่มีความสมบูรณ์แบบอย่างแท้จริง ด้วยการให้ความสำคัญในทุกรายละเอียดของนักออกแบบที่สามารถเห็นได้ในทุกแง่มุมของกล้อง การควบคุมโปรไฟล์ขาวดำ (Monochrome) และโปรไฟล์สี ช่วยให้คุณสัมผัสถึงประสบการณ์ที่สนุกสนานในการถ่ายภาพผ่านช่องมองภาพ ราวกับว่าคุณกำลังเลือกประเภทของฟิล์มถ่ายภาพ ล้างฟิล์ม และพริ้นรูปภาพ แล้วบันทึกภาพในแบบที่คุณมีอยู่ในใจ กล้องรุ่นนี้ช่วยคืนความรูสึกหรืออารมณ์สุนทรีที่ถูกลืมในการถ่ายภาพ PEN-F เป็นนวัตกรรมที่เกิดจากการหลอมรวมเทคโนโลยีดิจิตอลต่างๆล่าสุดเข้าไว้ด้วยกัน อย่างเช่น ใช้เซ็นเซอร์ใหม่ล่าสุด Live MOS ความละเอียด 20 ล้านพิกเซล และระบบป้องกันภาพสั่นไหวแบบ 5 แกนประสิทธิภาพสูง ที่สามารถรีดพลังหรือดึงศักยภาพของเลนส์ Zuiko ได้อย่างสมบูรณ์แบบ และเป็นห่วงโซ่ของของงานฝีมือผู้มากประสบการณ์ ในแบบดังเดิมที่ยาวนานถึง 80 ปี PEN-F จึงเป็นกล้องสำหรับผู้ที่หลงไหลในมนต์เสน่ห์ของกล้องถ่ายรูปอย่างแท้จริง นอกจากนี้ PEN-F ยังรองรับการอัพเกรดเฟิร์มแวร์ เพื่อเพิ่มคุณสมบัติต่างที่ทันสมัย และเพื่อให้กล้องมีฟังก์ชันหรือการใช้งานทียอดเยี่ยม และมีประสิทธิภาพที่ดีขึ้นด้วยการอัพเกรดเฟิร์มเเวร์ Olympus PEN-F เป็นกล้องขนาดเล็กที่มีเซนเซอร์ LiveMOS ความละเอียด 20.3 ล้านพิกเซล ตัวประมวลผลภาพ TruePic VII สามารถบันทึกวิดีโอ 1080/60 fps และมีระบบสั่นในตัว OLYMPUS PEN-F กล้องถ่ายรูปที่หน้าตาโดดเด่น จะทำให้คุณหลงไหลไปในมนต์เสน่ห์ ที่งดงามสไตล์ Rangefinder PEN-F เป็นนวัตกรรมที่เกิดจากการหลอมรวมเทคโนโลยีดิจิตอลต่างๆล่าสุดเข้าไว้ด้วยกัน อย่างเช่น ใช้เซ็นเซอร์ใหม่ล่าสุด Live MOS ความละเอียด 20 ล้านพิกเซล และระบบป้องกันภาพสั่นไหวแบบ 5 แกนประสิทธิภาพสูง นอกจากนี้ PEN-F ยังรองรับการอัพเกรดเฟิร์มแวร์ เพื่อเพิ่มคุณสมบัติต่างที่ทันสมัย และเพื่อให้กล้องมีฟังก์ชันหรือการใช้งานทียอดเยี่ยม และมีประสิทธิภาพที่ดีขึ้นด้วยการอัพเกรดเฟิร์มเเวร์ ตัวกล้องทำจากวัสดุแมกนีเซี่ยมอัลลอยด์ และบอดี้ของ OLYMPUS PEN-F นั้นถูกออกแบบมาให้เป็นสไตล์ Rangefinder และมีความวินเทจสุดๆ ออกแบบมาคล้ายกล้องฟิล์ม ให้ความคลาสสิค อีกทั้งปุ่มต่างๆ บนตัวบอดี้มีวิธีการเปิดปิดแบบวินเทจมากๆ ถึงจะมีหน้าตาคล้ายกับกล้องฟิล์มมาก แต่ยังแฝงความทันสมัยแบบดิจิทัลเอาไว้ และยังมีหน้าจอทัชสกรีนที่หมุนได้ทุกองศา เอาไว้ถ่าย Selfie ได้สบายๆ การตอบสนองที่รวดเร็วเพื่อให้ไม่พลาดช็อตที่สมบูรณ์แบบ กล้องมีชัตเตอร์ที่มีประสิทธิภาพสูง ด้วย Time lag ที่สั้น คุณจึงไม่พลาดในช็อตต่างๆ ตลอดจนระบบออโต้โฟกัสแบบ FAST (Frequency Acceleration Sensor Technology) AF เพื่อให้สามารถโฟกัสได้ทันที เซนเซอร์ LiveMOS ความละเอียด 20.3 ล้านพิกเซล ตัวประมวลผลภาพ TruePic VII ระบบ Micro Four Thirds 2.36m-Dot OLED Electronic Viewfinder 3.0″ 1.037m-Dot Vari-Angle Touchscreen บันทึกวิดีโอ Full HD 1080/60 fps ระบบกันสั่นในตัว 5-Axis In-Body Product Highlights เซนเซอร์ LiveMOS ความละเอียด 20.3 ล้านพิกเซล ตัวประมวลผลภาพ TruePic VII ระบบ Micro Four Thirds 2.36m-Dot OLED Electronic Viewfinder 3.0″ 1.037m-Dot Vari-Angle Touchscreen บันทึกวิดีโอ Full HD 1080/60 fps ระบบกันสั่นในตัว 5-Axis In-Body ISO 25600 and 10 fps Shooting Built-In Wi-Fi, 50MP High-Res Shot Mode Creative Dial, Color/Monochrome Profiles Recalling the beloved profile and form factor of the original Pen film cameras, the black Olympus PEN-Fis a sleek, versatile mirrorless Micro Four Thirds camera that combines high-resolution imaging capabilities with advanced creative control. Revolving around a 20.3MP Live MOS sensor and TruePic VII processor, the PEN-F offers nuanced image quality with reduce noise, along with the ability to shoot at up to 10 fps with a mechanical shutter, record Full HD 1080p video, and a sensitivity range up to ISO 25600. Recalling the beloved profile and form factor of the original Pen film cameras, the silver Olympus PEN-F is a sleek, versatile mirrorless Micro Four Thirds camera that combines high-resolution imaging capabilities with advanced creative control. Revolving around a 20.3MP Live MOS sensor and TruePic VII processor, the PEN-F offers nuanced image quality with reduce noise, along with the ability to shoot at up to 10 fps with a mechanical shutter, record Full HD 1080p video, and a sensitivity range up to ISO 25600. In-camera sensor-shift-type 5-axis image stabilization helps to minimize the appearance of camera shake for sharper handheld shooting and the sensor and processor combination also avails a fast 81-area contrast-detection AF system for refined accuracy when working with a variety of subjects. Adjustment over the look and feel of imagery is encouraged by the dedicated Creative Control dial on the front of the camera, which offers direct access to black & white and color profiling, and a dedicated lever permits fine-tuning of exposure and contrast curves while shooting. Complementing these imaging assets, the camera body is physically characterized by its retro-styled design that incorporates a 2.36m-dot OLED electronic viewfinder and articulating 3.0" 1.037m-dot touchscreen LCD for intuitive control and handling. Classic in appearance yet technologically-inclined, the PEN-F marries a natural handling scheme with contemporary, multimedia recording abilities. Making use of the redeveloped 20.3MP Live MOS sensor and sensor-shift image stabilization, the PEN-F also sees the inclusion of a High Res Shot mode that composites eight images into a single frame to effectively produce a 50MP image. An electronic shutter function can be used for completely silent performance, and also provides fast shutter speed times up to 1/16,000 sec. for working in bright conditions with wide aperture settings. An intervalometer function can be used to produce time-lapse movies, which can be exported at 4K UHD resolution, for recording up to 999 consecutive frames with up to 24-hour intervals. Additionally, built-in Wi-Fi is also available for wirelessly transferring imagery to or remotely controlling the camera from a linked smartphone or tablet. Language support: English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Romanian, Indonesian, Malay, and Thai.

https://www.youtube.com/watch?v=HdDH7kq3CCw Made in Japan Lens with two original caps, docs, Box. User Manual (pdf): https://www.voigtlaender.de/wp-content/uploads/2018/02/10_5mm_0_95_Nokton_MFT_Manual_D_E.pdf Fully tested in excellent working condition. S/n: last photo. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.voigtlaender.de/lenses/mft/105-mm-10-95-nokton-asphaerisch/?lang=en Compatible cameras include: Panasonic, LUMIX: G series, GH series, GF series, GX series, GM series Olympus: PEN series, OM-D series Kodak: Pixpro S-1 Xiaomi: YI M1 Blackmagic Design, DJI, Z-Cam, JVC: selected camera models But read first your camera User Manual. Voigtlander 10.5mm f/0.95 Nokton Aspherical Overview With a 21mm equivalent focal length and an extremely fast f/0.95 maximum aperture, the Nokton 10.5mm f/0.95 Lens from Voigtlander offers Micro Four Thirds users a wide-angle lens well-suited for low-light still photography and video. The lens utilizes a pair of aspherical elements to reduce aberrations and distortions, as well as maintain a compact form factor. This manual focus, manual exposure prime lens also features the Selective Aperture Control System, which permits switching between a stepless, de-clicked aperture selection method and a traditional aperture control method with click stops. When set to the stepless setting, silent and smooth exposure adjustments can be made that are especially beneficial when recording video. Extremely bright and fast 10.5mm f/0.95 lens produces a 21mm equivalent focal length on Micro Four Thirds cameras. Selective Aperture Control System produces a stepless, de-clicked aperture ring, which provides silent and smooth exposure adjustment that is well-suited for video application. The aperture ring can also be configured to utilize traditional click stops for more intuitive tactile control over exposure settings. A pair of aspherical elements controls aberrations and distortions for greater sharpness and clarity. Fully manual focus and exposure lens features an all-metal lens barrel and a 10-blade diaphragm. Product Description Nokton 10.5mm F0.95 is the super wide-angle lens designed exclusive for Micro Four Thirds mount. The angle of view 93° is equivalent to 21mmwide lens (Crop factor : x2). This lens is achieved to get amazing high speed of F0.95 at wide open, and has 2pcs Aspherical Lenses (3 surfaces are Aspherical) so that you can get sharp images even at wide open. 10.5mm F0.95 also has Selective Aperture Control System as same as the other Voigtländer MFT series lenses. ■ Exclusive for Micro Four Thirds Mount ■ 13 elements in 10 groups with Super High Refractive element and Aspherical element. ■ Newly adopted Selective Aperture Control System ■ Full Metal Barrel with high toughness and durability ■ Manual Focus for Smoothly and Perfectly focusing ■ 10 aperture blades brings you a beautiful Bokeh Voigtlander Nokton  10.5mm  f0.95  ตัวนี้นี่ เป็นเลนส์ที่เพิ่งเปิดตัวราวๆต้นปีที่ผ่านมานี่หละครับ พอเปิดตัวมาก็เป็นที่ฮือฮา วิพากษ์วิจารณ์กันในวงเมาท์ต่างๆพอสมควร เพราะว่า หน้าตามันหล่อสะดุดตามากๆ และ มันเป็นเลนส์มุมกว้าง  ที่ f ก็กว้างถึง f/0.95  ด้วย ทีนี้หละ พวกนักล่าทางช้างเผือก  นักถ่ายภาพยามวิกาล เอ้ย ยามราตรีทั้งหลาย  จะทำงานสะดวกขึ้นเยอะเลย   เพราะว่าความสว่างที่เพิ่มขึ้น ก็คือ  iso ที่ต่ำลง  และความไวชัตเตอร์ที่สั้นลง ไม่ต้องเผาเซ็นเซอร์กันนานๆเป็นนาทีๆ เลนส์ตัวนี้เป็นเมาท์ micro 4/3  โดยกำเนิด ใส่กับกล้อง olympus  panasonic  เข้าไปตรงๆ ได้เลยโดยไม่ต้องใช้ adapter และหาโฟกัสด้วยวิธี หมุนด้วยมือ หรือที่ชาวบ้านเรียกกันว่า เลนส์มือหมุนหละครับ หน้าตา  คุณภาพงานผลิต การออกแบบของ voigtlander  นี่ ถือว่าออกแบบมาอย่างเรียกคะแนนความสนใจจากผู้ใช้สุดๆครับ   ดุดัน  ดู vintage  ให้คำนิยามสั้นๆว่า โคดหล่อ   งานผลิตก็มาตรฐานญี่ปุ่น เป๊ะ เนี้ยบ ตามมาตรฐานญี่ปุ่นไฮเอนด์ละครับ พอแปะยี่ห้อ ที่มีเชื้อสายเยอรมันเข้าไป   ยิ่งทำให้มันได้ฟีล     หน้าตาเลนส์ก็ออกแนวฝรั่งๆอยู่แล้ว   ใส่กับกล้องแล้ว  ไม่ว่าจะกล้องอะไร  ตัวเลนส์มันก็ทำให้กล้องหล่อขึ้นไป 3 เท่าหละครับ

Ultra Wide Angle Prime Lens. Made in Japan. Lens with two caps. S/n: last photo Fully tested in excellent working condition. EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick https://www.zeiss.com/content/dam/consumer-products/downloads/historical-products/photography/zm-lenses/en/datasheet-zeiss-zm-distagon-418mm-en.pdf From KenRockwell.com. : Ideal Uses Could be the only wide lens you need for your Leica. Like all Leica M lenses, Zeiss 18mm f/4 ZM works on every Leica M camera, as well as Minolta CLE , Voigtländers, Konica Hexar Ms and Zeiss Ikons. This Zeiss 18mm lens is perfect for use on any Leica. It's super-sharp, free from distortion and easy to shoot, especially with filters. It comes in silver or black and couples to the rangefinder of every Leica or similar rangefinder camera. When I finally got one of these in my hands, it's much, much nicer than I had expected. This Zeiss 18mm's optics are superb, and it takes normal 58mm filters. It's small enough so that there is very little blockage of the image in the 18mm finder, so it's easy to go shoot well. This Zeiss lens feels great in hand, just like Leica lenses. Focus and aperture rings turn with the same smoothness and precision I expect from Leica, and even better than Leica's cheap new Summarit-M lenses. By comparison, the new Leica 18mm f/3.8 ASPH  is a dream lost. It's too big for practical use. The Leica 18mm is a poorer choice for photography because you have to use a special  Leica 14 484 filter adapter  to use filters, and then you have to use 77mm filters which will block your viewfinder. You can't compose well when you can't see what you're doing. Why bother? The  Leica Man  demands the Leica 18mm for his collection, but for actual photographers, the Zeiss 18mm is a better lens because it shoots better. I still need to have a shoot-out to compare optics; when I've had my hands on the Leica 18mm I wasn't at my optical test range. I'm unsure if the Leica will be as good optically as this Zeiss, but we'll see when I get a sample of the Leica 18mm with which to run a head-to-head shoot-out, hopefully in a few weeks. The Leica man doesn't trifle the price, and at any price, the Zeiss makes more sense for its superlative optics and superior usability. Photographers do consider price, and for them, this Zeiss costs less than half of the Leica 18mm. How does Zeiss make such a great lens so inexpensively? Efficiency. Zeiss puts its brilliance in the design, as Mozart and Beethoven put theirs in their scores, and Zeiss then has the performance (manufacture) done efficiently by Cosina in Japan for these consumer lenses. While Leica makes nothing optically more exotic than single-user camera lenses, survey equipment, instruments and scopes, Zeiss also makes enterprize-level optics used in cinematography, satellites and computer chip manufacturing. Zeiss Master Prime cine lenses, rented in Hollywood for $300 a day, sell for $20,000 - $25,000 each. The Zeiss lenses used in  ASML steppers  sell for close to seven figures each, and are made in the cleanest clean rooms in Germany. Leica doesn't even make medium-format lenses, as Zeiss has been doing for Hasselblad since forever. Whose lenses are used in spy satellites that can read the brand name off a golf ball — from space? Zeiss. What lenses did man take with him to record his most crowning achievement of all, the moon landings? Zeiss. Zeiss tests every single one of these lenses, including the 18mm ZM reviewed here, for MTF before it's sold to us. The MTF Zeiss specifies are actual tested, typical MTFs from actual lenses, not the pie-in-the-sky computed MTFs that other companies parade around but can't necessarily manufacture. With Zeiss, we the customers aren't paying for promotional cameras and lenses  given away to celebrities every other month. Zeiss is unsurpassed, but Zeiss doesn't attract the religious extremists that Leica does to tell you about it. Zeiss calls this the Zeiss Distagon  T*  4/18 ZM. "Distagon" is a trademark simply meaning "Zeiss retrofocus wide-angle lens;" it means nothing more specific about the design. T*  is a brand name for Zeiss' excellent multicoating. ZM means it fits the eternal M series of Leica rangefinder cameras, as well as the Voigtländer Bessas, Zeiss Ikons and  Minolta CLE . Ergonomics are perfect. The aperture flicks with a fingertip, and the settings are obvious by feel. Focus flicks with a fingertip, and it's easy to use two fingers for precise focus. The focus ring feels great. One fingertip is all it takes to flick it. Focus is very fast and sure. A small twist of the ring leads to a huge movement in the rangefinder. Focus is faster and less precise than Leica's standard. The focus ring goes from infinity to 0.5 meters in just 100,º which is almost twice as fast as most Leica lenses. There is no focus tab; just a knurled ring. You can use one or two fingers, unlike with Leica, where you have only the tab for focus The Zeiss 18 4 is made very well, much better than Leica's Summarit M lenses . Everything is tight, smooth and solid. Unlike AF lenses, this lens feels like one solid ball of metal. Nothing wiggles, vibrates or clatters. Filter Threads: Chromed metal. Barrel: Silver anodized aluminum. Focus Ring: Anodized aluminum with triangular ribbing. Focus Tab: None. Aperture Ring: Anodized aluminum. Focus Helicoids: Brass. Other Internals: Metal. Mount: Chromed brass. Mounting Index Dot: Blue plastic ball. Markings: Engraved and filled with paint. Made in: Japan. This Zeiss 18mm f/4 lens is sharp! It's sharp even at f/4, and even in the far corners of the full 35mm frame. The half-frame M8's corners are still in the middle of this lens' image. The only way to make this lens unsharp is to stop down too far, like f/22 if you don't need it, in which case diffraction limits performance as it does with every lens. The 10-bladed diaphragm begets sharp, 10-pointed sunstars . Panoramas, landscapes, architecture, photos with dominating foreground and wide background, photography in confined spaces is the profession of this lens. It offers excellent optical performance in a 100 degree diagonal field angle and it’s distortion is almost invisible. Despite it’s comfortable F4 maximum aperture the photographer will enjoy the compactness and light weight of the lens. A full metal barrel, 1/3 f-stop’s, a sophisticated operating concept mark it distinctively as a member of the Carl Zeiss ZM lens family. This lens still provides an astonishing wide angle effect even when used with digital rangefinder cameras. Because of its wide field angle and the need of an external viewfinder this lens is ideally combined with the Zeiss Ikon SW camera body. A versatile wide-angle prime designed for M-mount rangefinder cameras, the silver  Distagon T* 18mm f/4 ZM Lens  from  ZEISS  provides an immense 98° angle of view to suit photographing wide-open expanses or tight, narrow interior locations with dimensional fidelity. Employing a Distagon optical design, distortion is significantly reduced for a realistic portrayal of scenes and both brightness and sharpness are maintained from edge to edge and three anomalous partial dispersion glass elements are also used to help control chromatic aberrations and color fringing for improved clarity and color fidelity throughout the aperture range. A T* anti-reflective coating has been applied to individual lens elements to control flare and ghosting when working in strong lighting conditions for increased contrast and color neutrality. Additionally, the lens's manual focus design permits working with subjects as close as 1.6' away. Employing a Distagon optical concept, this lens delivers virtually distortion-free performance that pairs well with the broad angle of view. Three anomalous partial dispersion elements reduce chromatic aberrations and color fringing for improved color accuracy and clarity. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. Manual focus design enables a minimum focusing distance of 1.6'.

Shutter counter: 5611 Video: https://m.media-amazon.com/images/S/aplus-media/vc/4e0e0ca7-02e2-49e5-9939-0dc5456027be.mp4 Include: Camera body with clips, body cap, battery, USB charger, eye cap. ENGLISH / Thai + menu! EMS 50 baht, Cash on Delivery Available (COD เก็บเงินปลายทางได้) or meeting in North Pattaya. More photos and questions via Line ID: gnnick Brand : Panasonic Model : Lumix DC-S5 Color : Black Camera mount : L-Mount Well-rounded, lightweight, and sleek, the Panasonic Lumix S5 meshes capable video and photo capabilities with a portable body design. Featuring a full-frame 24.2MP CMOS sensor, the S5 is distinguished by its UHD 4K60 10-bit internal recording, Dual Native ISO, and wide 14+-stop dynamic range. Beyond video, it caters to a versatile range of stills applications with 7 fps continuous shooting, ISO 100-51200 native range, and even a 96MP High-Res Shot mode. Regardless if working with photo or video, the S5 maintains a quick and accurate 225-area DFD autofocus system with refined subject tracking, as well as 5-axis sensor-shift image stabilization to minimize the appearance of camera shake. In terms of physical design, the S5 borrows elements from the larger S1-series of cameras but has a smaller footprint and lighter weight profile for improved portability. The S5 incorporated a 2.36m-dot OLED electronic viewfinder and a free-angle 3.0" 1.84m-dot touchscreen LCD, and it has built-in Wi-Fi and Bluetooth for wireless connectivity. Dual SD memory card slots are featured, too, for flexible file storage and the body also has a splash- and dust-sealed design for working in trying conditions. 24.2MP Full-Frame CMOS Sensor and Venus Engine Featuring a full-frame 24.2MP CMOS sensor and an updated Venus Engine, the S5 balances high sensitivity, a wide dynamic range, and speed. The sensor-processor combination enables a useful ISO 100-51200 range, which can be expanded to ISO 50-204800, to suit working in a variety of lighting conditions. For working with fast-moving subjects, the S5 also enables full-res shooting at up to 7 fps with AF-S or 6 fps with AF-C, or up to an impressive 60 fps continuous shooting when using 6K or 4K PHOTO modes. UHD 4K HDR Video Recording In addition to stills, the S5 also sports highly capable video recording assets, including full-frame UHD 4K30p internal recording with 4:2:2 10-bit color and UHD 4K60p recording using an APS-C sensor area and 4:2:0 10-bit color. Full HD recording at 60 fps, as well as 4K at 30 fps, is also supported with 8-bit color and no recording time limits. Also, high-speed recording is possible, up to Full HD at 180 fps, and anamorphic recording is also available. Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied; ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied. Optimizing your recording for post-production color adjustment, the S5 also features a pair of gamma settings suited to capturing a wide dynamic range. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range, making it well-suited for grading. Additionally, a High Dynamic Range mode, and Hybrid Log Gamma, can be used to record greater detail in both the shadow and highlight regions of a scene. Additional picture styles are available to provide a more gradable image, such as Cinelike V2 and Cinelike D2, as well as an in-camera LUT to make monitoring easier. Additionally, recording to an optional external recorder is possible, via the HDMI Type D port, and support for an external microphone and headphones are also available via dedicated 3.5mm jacks. Body Design ● Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. ● High-resolution 2.36m-dot OLED EVF offers a clear 0.74x magnification along with a smooth 60 fps or 120 fps changeable refresh rate. ● Rear 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control. ● Durable, weather-sealed construction is splash and dust-resistant to accommodate working in harsh weather conditions and trying environments. ● Dual SD memory card slots—one UHS-II-compatible slot, one UHS-I-compatible slot—offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording. ● A USB Type-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, an HDMI Type D port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs. ● DMW-BLK22 rechargeable lithium-ion battery is rated for approximately 440 shots per charge when working with the rear monitor, 470 shots per charge with the EVF, and 1500 shots per charge when Power Save LVF mode is on. ● High-precision shutter mechanism offers a top mechanical speed of 1/8000 sec and a flash sync speed of 1/250 sec. Sensor-Shift Image Stabilization Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. 2 combines the S5's 5 stop-rated 5-axis sensor-shift image stabilization technology with lens-based 2-axis image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S. This stabilization system is able to compensate for approximately 6.5 stops of camera shake. DFD Autofocus System For accelerated autofocus performance, the DFD (Depth-From-Defocus) technology quickly calculates the distance to subjects and adjusts the focusing position in as little as 0.08 seconds, with sensor and lens communication occurring at rates up to 480 fps. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications, using Advanced AI Technology, where subject type, color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. When working with portrait subjects, face, eye, head, body, and animal detection capabilities make it easier to prioritize focusing on specific areas of the subject. The focusing sensitivity and speed can be adjusted to further improve performance with certain subjects. It also features 225 AF areas, which provide excellent control over where the camera will focus. Additionally, supporting working in low-light conditions, a Low Light AF feature enables accurate AF performance down to -6 EV. Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation. Other AF features include an AF Point Scope setting that temporarily magnifies the subject by 3x to 10x for confirmation of the focus position and a custom selectable AF zone for Multi AF / Custom Multi AF. 6K and 4K PHOTO Utilizing the S5's video recording capabilities, a trio of still shooting modes are available for recording continuous 3:2 or 4:3 8MP stills at a 60 or 30 fps shooting rate or 18MP stills at a 30 fps shooting rate: ● Burst: This mode will allow you to continuously record, making it ideal for instances where you need a fast frame rate in order to capture the best moment. ● Pre-Burst: This mode is ideal for times when you're unsure of the critical moment to press the shutter button and will record images one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from. ● Burst (S/S): This mode most closely follows the video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 or 18MP frame. Bluetooth and Wi-Fi Bluetooth Low Energy (4.2) provides constant connection between your smartphone or table and the camera with minimal power consumption. For more robust wireless activities, IEEE 802.11ac and b/g/n support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control and wireless image transferring. Other Camera Features ● By using sensor-shift stabilization technology, the S5 features a High Resolution mode to capture and compile eight separate exposure to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution. ● HLG Photo mode offers increased dynamic range for improved detail in shadow and highlight regions of the image. When working in HLG Photo mode, images can be saved as an HSP file in either 4K or full resolution, in addition to JPEG and raw formats, for vivid playback on 4K televisions. ● In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats. ● Helping to contain bright highlights, Highlight Weighted Metering mode prioritizes highlight values when making an exposure metering in order to prevent scenes from blowing out. ● Offering more versatility than standard Auto White Balance (AWB), an AWBw setting will retain a reddish warm tint while AWBc offers a cooler, bluish tint. ● Photo Style modes: Standard, Vivid, Natural, Flat, Landscape, Portrait, Monochrome, L. Monochrome, L. Monochrome D, Cinelike D, Cinelike V, Like709, Standard (HLG), Monochrome (HLG), Like2100, and My Photo Style. Firmware Version 2.3 Firmware version 2.3 adds raw video data output over HDMI to Blackmagic Video Assist 12G HDR [5.9K] / [4K] / [Anamorphic (4:3) 3.5K] 12-bit. Raw video data can be output over HDMI to Blackmagic Video Assist 12G HDR to be recorded as Blackmagic RAW.